Mizumi Hayato watched the movie very calmly this time, with his arms on the armrests and his palms on his lap, not the leg of the person next to him.

Mainly after the first row was occupied by the main creative team, the second row behind them was all Stargaze members.

As planned, the second day of the premiere was Stargaze's first party, and it was also the day when their future course was set.

But until then, they can enjoy the movie Mizuhato to a good time.

I saw that on the big screen, after the opening credits representing Stargaze's production, the words "supervising Mizumi Hayato" also appeared on it, and the audience was also looking forward to seeing the "Kenshin of the Scarlet Village" again who had no shortcomings except for being too tall.

At the beginning, it is still the "first voice" style of the water Hayabusa, the first part opens with a battlefield, this one is also a fight scene in the night, and then a fire ignites, which not only points out the theme of this movie, but also allows the audience to see this and the next big boss for the first time - Zhi Zhixiong is real.

Like the original movie, Mizumi Hayato has Saito, played by Yosuke Eguchi, appear in the first confrontation with Shishio, and the first action scene is also carried out by him.

When many viewers saw this, they only felt that the set of the second part was more realistic, including the blazing flames, crumbling wooden buildings, etc., which were all restored to the extreme, and only the word "cool" was seen in the action scenes.

The action is sharp and the multi-person siege is not chaotic, "It is worthy of the action scene of the water king." "—That's what most people think.

But film critics, who are more sensitive to movies, see many differences.

Kozo Tanaka was one of them, and he wrote down this key point in his notebook:

Mizumi Hayato has filmed a total of so many scenes as a director, and he has been shown to be an assistant director, and his growth trajectory is clearly visible, the first part is the action scene skills he brought over from his previous life, and most of them use real scenes and real fights to attract many audiences, and he has become a rising star among the commercial directors that the entire Sakurazhou is looking forward to.

The second part is the key work of his control of the "rhythm", including the special effects production of the blowing up of the Rainbow Bridge, as well as the special effects of the collapse of the building and the actual shooting of the explosion, showing that he began to use film and television special effects.

The third is his masterpiece of using movie special effects, such as the zombie tide of the waves, which is not lost to the same period at all, and at the same time, he also has a greater appetite for actual filming - directly blowing up a Shinkansen.

If you look at it this way, then Mizuko seems to be more and more fond of big scenes, maybe the follow-up may be like the series, starting to crash into sports cars, or even planes or something.

However, in this movie, he limited the scene again, used special effects in the fight scenes, used special effects such as wind, fire, and air waves, plus the actors' carefully rehearsed actions, and moved the scenes that originally belonged to comics to the big screen of live-action movies.

Is it because his own subject matter restricts his play on big scenes? No, maybe it's a sign of his learning to make trade-offs.

Obviously he had just watched the beginning, but Kozo Tanaka began to look forward to the coming of the next two parts, and he felt that he could find evidence of Mizumi Hayato's growth again from these three consecutive shots.

The screen has already played daily scenes, Kenshin went to the theater with his friends, and some joyful scenes made the whole theater laugh one after another, Kozo Tanaka also had a smile on his face, but the reason for the smile was different from the rest of the audience.

He leaned triumphantly on the back of his seat, aiming at the position of Hayato on the first drain, and curled the corners of his mouth:

...

Although the Kyoto Fire chapter shows that it is a chapter that connects the past and the next, this does not mean that Mizumi Hayato fished in troubled waters for a movie, nor does it mean that this movie is not good for it alone.

For the foreshadowing of the big boss Zhi Zhixiong, after determining the main line, he met the protagonist who Sojiro began to like to eat, and then upgraded his equipment to prepare for revenge.

One of the climaxes was Kenshin's first battle after upgrading his equipment.

After his backblade was cut off by Sojiro, he found the son of the original blacksmith Arai Akaku, only to find out that the original backblade was not the best "real fight".

"Shinto" is traditionally enshrined in the shrine, representing the dedication of the best to the gods, and according to the traditional shonen wandering method, the protagonist here to achieve "Shinto" is an upgrade, and at the same time, there will also be difficulties and enemies - Sawashita Johari.

Sawashimojo Zhang is one of Shishio's "Ten Books", likes to hunt knives, and came here to get the "real fight" of the reverse blade, for which he also kidnapped the child of Arai Akaku's son, and Kenshin fought him in front of the shrine in order to recapture the child, and finally it was Kenshin who made the reverse blade knife to complete the counter-kill.

As an aside, Arai Akaku, a famous craftsman, doesn't seem to have a high sense of presence in this movie, and he only came out for a short time when he gave Kenshin the reverse blade knife in his memories, and fans of the original work know that he is everywhere in this movie.

The protagonist's back-bladed knife, the big boss's infinity blade, and the elite monster's bladed knife and thin-bladed Notai knife are all the works of Arai Akaku.

Each of these knives has its own characteristics, except for Kenshin's back-bladed knife and the bladed blade, which can be expressed by Hayato's own movement skills alone, the other two have to add some special effects.

Mizumi Hayato divided the fight into three parts.

One part is that the opponent uses the bladed knife to show off his movements for a while, and according to the original setting, Mizuha Hayato breaks it with a single blow of the Flying Sword Flowing Tornado.

And then there's the main play.

Going back to the original movie here, maybe I don't know how to display the thin blade Notai sword, so Kenshin is here to fight the opponent with the bladed knife for a long time.

However, the bladed knife is nothing more than a knife with two blades at the same time, and the usage is no different from an ordinary knife.

The characteristic of the thin-bladed Notai knife is that it is "extremely thin and can control castration after swinging", which is simply a soft knife that can be wrapped around the waist.

The action design of the soft sword is very familiar to the water Hayabusa, but most of the Amway I have seen in the past are just shaky, and they make some sword lights and knife sounds, and there are no eye-catching characteristics.

Until that one came along.