That's right, it was originally the one that was supposed to be produced and directed by Wu Baige.

Why should it be?

may be because in this life, Konoe Yuzi ran to make a movie and fight with the eldest lady, Konoe Yuko's investment in this life has made this life more harvested than in the previous life, although the reputation is still not good, but at least, Wu Baige has encountered his "big injustice".

After filming at that time, Tamako Konoe, who was very satisfied, told him directly that if he still wanted to make a blockbuster movie in the future, she could still consider investing.

This is excellent news for Wu Baige, who has sunk in Hollywood.

Although he came back with a wave of qualifications, there are still many people who want to invest in his films, but most of them are quite demanding, and it is difficult for him to completely release and let himself go.

Konoe Tamako can do that.

What's more, she later brought her best friend, the two "big injustices" gathered, and he suddenly had the dream of opening a "Titanic of the East", starting with Cameron, starting with building a big ship.

So this kind of traditional martial arts movie is not in his eyes, butterflies flapping their wings, tossing and turning, this movie has not been made yet.

Mizumi Hayato said, since you didn't shoot, I'm sorry, I can't copy your action design, I refer to it!

Regardless of its own quality, the action design of the soft sword of the "Water Sword" uses some very new techniques, which opens the door to a new world for the action design of the soft sword.

This door in this life is to be opened by the water Hayato with the action design of the thin blade Notai knife.

First of all, everyone who has seen it knows that the heroine's water-clearing swordsmanship is used, and the most impressive thing is not even the soft sword play effect of combining fast and slow, close-up and special effects, but its sound effect, the sound is like dripping water when it collides, and it is pleasant to hear.

The thin-bladed Notai knife did not describe it as having a special sound effect in the original work.,It's just focused on the word "strange" on the soft sword and soft knife itself.,There's also a name like Arai Akaku's "late-stage killing knife".,It's even a bit like a whip in the performance of the comics.。

But since the water hayato copied everything, he simply copied all the highlights!

After the sound effect, it is the technique that will be used in the traditional shooting of soft sword fighting scenes, with rapid changes, "What does it mean to make steel, turn into finger wrapping." "Peculiarity and so on.

In this regard, Mizuyato mainly copied the special effects, such as the angle of the sword body bending, and the combination of fast and slow camera effects.

Of course, the water Hayato is not all taken as a doctrine, after all, the action design of the water sword technique is still a martial arts film in the final analysis, and it is a little bit of a drama in such a Sakura-style samurai film, so the water Hayato recombines some of the kendo skills he has learned in this life to design the actor's movements, which is more open and close, and fits the role.

Mizumi Hayato is so attentive, of course, not only to "take Wu Baige's path so that he has no way out", but he still has a high respect for the one who has been sought after by countless people as "the last traditional martial arts movie".

It was also meant to be the same exclamation that sounded as the sound effects he had spent days tweaking.

As he said in the first part, Mizumi Hayato hopes that the first thing the audience will watch his action scenes is to watch "cool", when the crisp and sharp sound like raindrops sounded in the sound of the theater, the audience also "climaxed" as he thought, and he was satisfied.

...

Not only Kozo Tanaka, but also all the media people who took notes at this time have been transformed into "blowing on the water", and the envisioned reports and film review titles have tended to be unified.

But are you going to say that this is an exaggeration? Not necessarily.

Mizumi Hayato himself sat there and watched, and felt that he should be the only director in the entire Sakurazu who could shoot it.

The action design of the original movie came out of the team of "Cosmic Dan", so this kind of action design with a martial arts style may also be able to do it, but on the other hand, in the duel between Sojiro and Kenshin, Mizumi Hayato copied it again, and borrowed from it, and the action in that scene has distinct traditional kendo characteristics.

Finally, coupled with his comprehension of special effects, the combination of the three is born out of the current comics that restore the comics while also having two action characteristics.

Let the audience feel hungry and satisfied.

Well, after all, you can enjoy three styles at once, so you can't be satisfied.

Back to the plot of the movie itself, after this wonderful fight, it is time for the classic protagonist to be deflated again and seek to upgrade his cultivation.

In the change of Mizumi Hayato, Kaoru Kazuya Kamiya was added a few highlight action scenes to Masami Nagasawa, cutting the "vase" scene where she was taken hostage, and instead asked Kenshin, like the manga, to take the initiative to find his master Kiyojuro Hiko to practice the mysteries.

It's not the next set, and his films don't need the existence of "millennium hostages".

As I said at the beginning, the Kyoto Fire chapter is a continuation of the previous and the next, and the big boss Shishio who appeared was not solved in this one, and at the same time buried the great foreshadowing of the mystery of the Flying Edgeworthy Stream, and then the movie came to an abrupt end after Kenshin found Kiyojuro Hiko.

The audience saw Masaharu Fukuyama who appeared at the end, and the cheers of surprise were not even released, and the movie ended, causing a burst of restlessness, and they were very uncomfortable as if they had seen a very wonderful broken chapter.

So in the Q&A session where the main creator came to the stage later, Mizumi Hayato also said bluntly, just to let the audience not feel uncomfortable for too long, he let the two movies be released seamlessly.

"But if the results of this part are not good..."Mizumi Hayato suddenly pinched his chin and pretended: "After all, you don't want to wait for months to see the follow-up plot, right..."

"Buy, buy, buy!" "I'm going to watch it ten times!" "I'll take my whole family to see it!" "Take my money away!"

The audience was very powerful, and the response was even more enthusiastic than before the screening, just like a player who saw a real machine trial game, hoping to be knocked unconscious by a punch and wake up to see the work they wanted.

And from the enthusiasm of the audience and the satisfied smiles of the film critics, it is not difficult to see that the movie Mizumi Hayato is going to be successful again, and the next thing is nothing more than the question of how successful it is.

In this regard, Mizumi Hayato has absolute confidence.