In "Haijie Diary", the relationship between the boy and the fourth sister has naturally not reached the level of boyfriend and girlfriend, and the story of the two does not have an ending, but just stays in the ambiguous period, allowing the audience to imagine the follow-up development.

Or strictly speaking, in fact, the story of the four sisters does not have a so-called "ending", what remains in the hearts of the audience is a story that is still developing, and it is the real life of the four sisters.

After teasing the young Minami Hamabe, Mizumi Hayato comforted Nao again, the two of them behaved well during this time, and it can be seen from the fact that they still have the leisure to go to the beach together to see the scenery, and the pressure is not great.

This made Mizumi Hayato very relieved, and at the same time, he was looking forward to the next two weeks of shooting.

There are two confidantes in the crew, the location is also Kamakura, the scenery is also beautiful, the characters are simple, and the shooting atmosphere is still relaxed, then this can't be completely considered work, it can almost be regarded as a vacation.

The most important thing is that it is a director like Hirokazu Kore-eda, who is famous for his love of picking out details, and even if Mizumi Hayato is fishing here after filming his own shots, he can also throw the pot to the director with the eldest lady.

In this case, the water Hayato has decided on his shooting status during this time.

For example, today, when he first arrived, he was naturally not arranged to shoot as soon as he came, but watched from the sidelines.

Or maybe he's the only one who is special, if someone else has the same role as him, it is estimated that he will start filming when he comes, and run away after filming, but before he came, he said that he would stay for two weeks, and Hirokazu Kore-eda came at his own pace.

But soon Hirokazu Kore-eda regretted his decision.

The main stage of filming is the house where the four sisters live, and the performance area, cameras and other equipment are inside, but the house is not big, and the monitor on the director's side can only be placed in the small courtyard outside.

Mizumi Hayato moved a chair and sat a few meters away from the surveillance screen, and could see the performance inside from the courtyard door.

I saw him wearing sunglasses, shorts and flip-flops, one leg unscrupulously resting on the other, eating ice cream with one hand, and stroking the trouble next to him with the other, while the little assistant Yokoya Kotana helped him with a parasol.

It's not like he's here to film, it's like a young master who came to the beach for a vacation, with maids, dogs, and ice cream.

It was Hirokazu Kore-eda who looked at the actors preparing on the screen, glanced at Mizuyato again, and then at the screen, and suddenly felt that Mizumi Hayato was a special obnoissance.

But he is the father of the gold owner, so he can only endure it.

At this time, he felt like the president of a company, saying nothing in the company, and having enough self-esteem, but the chairman sent her junior to experience life, of course he also had the right to command, but he had to give face.

Mizumi Hayato was admiring Masami Nagasawa's beautiful legs through his sunglasses, when he suddenly felt the director's constant gaze, and his action of eating ice cream stalled.

"What? Do you want one from the director?" After asking, he didn't wait for Hirokazu Kore-eda to answer, and directly turned his head to Koina Yokoya and said, "Yokoya, prepare an ice cream for the director too."

"Okay." Kotona Yokoya nodded in agreement.

It was Kore-eda who noticed that there was an incubator next to Mizumi Hayato's chair, and when Kotoya opened it, he could clearly see many ice creams piled up in a pile of ice cubes, as well as a few bottles of drinks, and even wine.

"I don't have to..." Seeing that the little assistant was about to take out the ice cream, Hirokazu Kore-eda hurriedly waved his hand and refused: "Just forget the ice cream."

"Oh yes!" Mizumi Hayato slapped his head: "Blame me, blame me."

It was Hirokazu Kore-eda who thought that he remembered that he was filming now, and he was finally about to converge.

I saw Mizumi Hayato say to him again, "I should have asked in advance, the director doesn't like ice cream, so let's have a can of beer?" Or ほろ酔い also has..."

"No need!" Hirokazu Kore-eda finally loudly refused to speak: "Filming is about to start!"

"Oh." Mizumi Hayato nodded in understanding, "Then I'll freeze it first, and I'll give it to you after I'll finish filming later."

It was Hirokazu Kore-eda who was speechless, and he suddenly had a bad premonition that "Sea Street Diary" had already started filming

It's been a month, and as soon as this water falcon came, the atmosphere seemed to have changed, and then I only hoped that the atmosphere of the crew would not be damaged by him.

"By the way, Mizumi-kun, you dog..." Hiroshi Kore-eda suddenly looked at Mizumi Hayato after calming down.

"Huh?" Mizumi Hayato has the illusion of being insulted.

Then he reacted that it was Hirokazu Kore-eda who should be referring to the trouble next to him, and he also understood the director's worry, he patted the noisy dog head and said, "It's okay, don't worry, the director has gone with me so many crews, and it will be quiet when filming starts."

Hearing this, Hirokazu Kore-eda also remembered that the wonderful Mizumi Hayato has always brought pets into the group, which is often reported by the media, and many people discuss whether he is good or bad, and eventually it has become a unique symbol of Mizuko Hayato, and Trouble has also become a "well-known pet in the entertainment industry".

In this case, I can only trust the judgment of the experienced Mizumi Hayato.

After eating one of the ice creams of the water Hayato here, the movie has officially started filming over there.

Seeing this, Mizumi Hayato's legs were also lowered, and he stopped petting the dog, and carefully observed Hirokazu Kore-eda's way of shooting.

In the past, I took master classes with Hirokazu Kore-eda, but they were all limited to the scope of Hirokazu Kore-eda's answers, and most of them were Hirokazu Kore-eda's instructions for his works, and I didn't have the opportunity to see Hirokazu Kore-eda's actual operation.

But one's own high level does not mean that the level of teaching others is high, or that some people teach others better than themselves, some people are stronger when they do it themselves, and when they teach others, they are even worse than those who are worse than themselves.

It's not just the director's profession, but also other professions, just like university teachers with high education per capita, but some people teach first-class standards, and some people read PPT every day.

His own work is his own child, and Mizumi Hayato believes that no matter how good Kore-eda Hirokazu is, when shooting, it must be the time when he can give full play to his 100% strength.

Mizumi Falcon's eyes wandered between the surveillance screen and the performance area inside the house, and suddenly he realized that the location he had chosen was the best for the spectators.

Because he found that even in places that the camera couldn't capture, the actors were performing.

These "off-picture" performances are hinted at in the camera through the reflection of glass, the blurred background, and the changes in props.

Maybe not every audience can see it so carefully and know these ingenuity, but if these details fill the whole movie, then subtly, the idea of "this movie is a real life" will be formed in the audience's mind.