It is Hirokazu Kore-eda's operation to follow around, and it is much more rewarding than chatting in the vernacular.

There are some things that people don't want to teach you, but maybe in other people's concepts, some details seem to be taken for granted and don't need to be specifically mentioned.

Although Mizumi Hayato has also made several movies, there are some details that can still be learned a lot from Hirokazu Kore-eda, a professional director.

And the most important thing is to improve the thinking.

Just like the shot of "Sea Street Diary", in addition to the aforementioned background is also moving, another important feature of Kore-eda is that his lens also keeps moving.

Just like the scene where the four sisters sit in the living room and chat now, the shot is always panned slightly, instead of several fixed shots taking different angles.

Combined with his emphasis on wanting to shoot a more life-like shot, it's not hard to guess that this kind of moving shot is also because of this.

Just like many movies, especially horror films, like to use shaky handheld lenses to show a texture similar to documentaries.

In addition to the plot and content, it is also a good way to work on shooting techniques for what type of movie to shoot and what style you want to show, and this requires learning the ideas of other directors.

Mizumi Hayato, a layman-turned-director, thinks about using his professional aspects to show the content of the movie every day, most of the time the improvements he makes are special effects and fights, which he is good at, but fortunately, the movies he made are all movies with the original in his mind in his previous life, which can show those excellent works.

If he were to make a movie with no action and no special effects, and there was no memory in his previous life, maybe he would be blind.

Perhaps this is one of the reasons why he has never made up his mind to shoot "Leaning House Crime".

Obviously, the copyright is in hand、Shimada Shoji also agreed to let him play the Mitarai、Even the most difficult drift ice hall was completed... Everything was ready, but Mizumi Hayato himself retreated and ran to pick up the work of the TV series.

Mizumi Hayato: Can the director's business be called retreat? Filming a TV series is called giving back to fans! Do you understand what precipitation is?

Of course, now that he is studying with Hirokazu Kore-eda for a few days, there is no guarantee that he will be able to complete his cultivation, at least he can borrow a "east wind", so that he can find a little direction of precipitation, so that he will soon be able to return to the position of director and make his own movies.

Mizuto Hayato: My fans of the director, let's see you at the top!

...

It's Kore-eda Hirokazu who feels that Mizumi Hayato is a psychopath, and he was just on vacation, when suddenly another person seemed to be excited, and he didn't know what to be excited about when he stood up.

But fortunately, he was still a little measured, and he didn't bother during the shooting, but chose to share his harvest excitedly after finishing work.

Of course, Hirokazu Kore-eda didn't hide his secrets, and enthusiastically used the footage he had just shot to demonstrate, explaining his doubts to him paragraph by paragraph.

And this shows the place where the water Hayato is neurotic.

It was Hirokazu Kore-eda who was talking about himself and entering the state, and took out his own storyboard script to share with him the shooting ideas of this movie.

Middle-aged men, basically, have a bit of a problem with being a teacher, as long as the water falcon praises a few words, this problem will be introduced.

But at this time, the four sisters all changed their costumes and came out, and as soon as Yingying Yanyan came up, the heart of the water falcon suddenly flew away.

"Teacher Koeda, I won't bother you when I'm done, let's continue to discuss tomorrow!"

"Huh?"

It was Hirokazu Kore-eda who was stunned for a while, and Mizumi Hayato had already put away the notebook he had taken notes and stood up.

He stretched out his hand to keep it, but he was embarrassed to keep it, not only out of respect for the gold owner's father, but also for the respect for the actresses.

"Uh... Okay, then you can call it a day and go back." It was Hirokazu Kore-eda who sighed

Qi said, filming in Kamakura, and I didn't book a hotel, don't delay people going home.

"Okay, director, bye." Without a trace of hesitation, Mizumi Hayato didn't even stop for the performance, turned his head to look at the four sisters, and asked with a smile, "Finish work, do you want to eat ice cream?" There are also beer drinks, come on, I'll get them for you!"

"Ah! I'm going to eat popsicles!" Haruka Ayase reacts the most to ice cream, and rushes to Mizumi Hayato's cooler.

Among the four sisters, the eldest sister is the most gentle and mature in the movie, but she is more lively than the youngest sister Minami Hamabe outside the play.

At this time, Masami Nagasawa fell behind a few people, hugged Mizumi Hayato's arm, and secretly leaned into his ear: "Hayato, do you want to rehearse tomorrow's scene together at night?"

Mizumi Hayato felt the breath of Rulan in his ears, and a fiery joy welled up in his heart: "Okay, good, that must be rehearsed!" Who doesn't know that I, Hayato Mizukito, is the most dedicated actor."

His role in the movie is the little white face of the second sister played by Masami Nagasawa, a total of three or four scenes, and the first scene filmed tomorrow is when the two of them get up from bed early in the morning, which is an after-the-fact scene.

So the meaning of "rehearsal" mentioned by Masami Nagasawa is already obvious.

How could the water hayato refuse!

"Hehe~" Masami Nagasawa also laughed, hugging Mizumi Hayato's arms tightly.

The two have been intimate for so long, and sometimes they are not so shy to speak out about their needs.

But there's a little bit of caution on her side here.

She is not the only one in the crew who has an intimate relationship with the water Hayato, her eldest sister Haruka Ayase is in front of her with a popsicle, although the relationship between the two is very good, and even playing multiplayer matching is not so repulsive, but at least on the first night, she wants to be the first to "dominate"!

Mizumi Hayato somewhat understands what she means, of course, as an adult, he wants it all, who can withstand the combination of Haruka Ayase + Masami Nagasawa, but the time spent alone between the two is indeed necessary.

Compared to Masami Nagasawa, the more natural Haruka Ayase is easier to fool, and this order is also what he wants.

After eating the ice cream, the sky began to dye golden yellow.

They chose to eat at a western-style restaurant by the sea, blowing the sea breeze and looking at the sea across the road, and the sunset gradually sinking, and the burgers in their hands were delicious.

The most important thing about Hirokazu Kore-eda's film style is a "sense of atmosphere", and now with the four heroines blowing the sea breeze in Kamakura, Mizumi Hayato seems to have found that sense of atmosphere.

It's a pity that he is just playing a little white face, and he doesn't need this kind of little fresh understanding.