Early the next morning, Sugisawa came to the large conference room.

The meeting started at 9 a.m., and Sugisawa came relatively early, arriving at 8:30 a.m.

Some of the main creators who were already sitting also greeted Sugisawa very friendly, and then they were busy adjusting their plans or checking again if they had anything else to add, and Sugisawa also looked at his PPT and didn't communicate with others.

When it was 9 o'clock, Director Zhang saw that everyone was almost there, so he said:

"Everyone has worked hard these days.,Let's start the second production meeting of "The First Sequence".,We need to determine the overall picture style this time.,One of the more important modules is the stage art side.,Let's start with the atmosphere map this time、Let's start with the two sides of the character design.,You can also express some of your own opinions after reading the design drawing.。

"Hello everyone, I am Hu Kaizhong, the art director of the first sequence this time, and then I will explain to you the atmosphere map design of our team this time, so far we have made more than 20 scene atmosphere maps, which basically meet the needs of most of the plot。。。。。。"

Sugisawa took a very serious look at the choreography plan, and even made some notes, because the later adjustment needs to adjust the character design according to the overall atmosphere map, and the character design cannot be out of touch with the overall atmosphere.

After Hu Kaizhong finished speaking, Sugisawa Hai said after reading it:

"Stage teacher, I think the atmosphere of the refugee area may be too neat and clean, this is not like a place where real refugees will live, but just like a very dilapidated remote area, I think this piece can be more shabby in the treatment, can form a more stark contrast between the rich and the poor, and only this piece is dirty enough to better mobilize the audience's emotions."

胡开忠 says:

"I don't think there's much of a problem with this scene, after all, this is a wasteland era in the future, and I think it will seem very deliberate if it is too dilapidated and dilapidated."

Sugisawa retorted:

"The scene outside the barrier where the refugees live described in the original book is very dilapidated, and they have a civilization fault for a long time, so I think this scene should be made more shabby, too clean design is out of the original work, which also makes the overall picture effect weaken a lot, there is no very poor contrast, and there is no way to cause the audience to think more deeply."

Hu Kaizhong continued: "If it is too shabby, it is likely to cause some of the actors' positions to be very difficult, and it may also increase the difficulty of post-processing, these are some very real problems, and I feel that even if there is a cultural fault, there is no need to deal with the dilapidated refugee area too tragic, after all, our drama is not a movie that mainly tells about the gap between the rich and the poor, so I still don't think there is any need to modify the setting of this part. Even refugee areas can present a relatively clean environment under the management of barriers. ”

Sugisawa further retorted:

"The First Sequence" does not explain the practical problems brought about by the gap between the rich and the poor, but this is also a very important clue hidden in the dark, if it cannot reflect this extremely strong gap between the rich and the poor, there is no way to compare the people outside the barrier and the people inside the barrier, and the follow-up Northwest No. 173 barrier to break the class will have no meaning for his existence, so I still think that an extremely strong contrast needs to be formed before this story can be fully and perfectly narrated."

The two of them started a few rounds of discussions, and no one could convince each other, which may be a possibility that will only appear in film and television creation, if it is just makeup or painting, it will always be more of your own method, and you don't need to take into account the concept of other designers, so this is also the charm of film and television creation, the collision of different ideas and different points of view, just to form a better work, a work that everyone completes together.

Director Zhang also spoke at this time:

"I think both of them have a reasonable point of view, let's first take a look at the idea of the character design on Sugizawa's side, let's combine the design of both sides and then discuss which plan will be more reasonable, so it will also be very objective."

In fact, everyone is very curious about the design drawings of Sugisawa Hai's side, Sugisawa Hai can be regarded as the master of an alternative "bringing capital into the group", everyone is full of curiosity about this young man, what kind of young man will have such charm to attract such a large investment, in fact, everyone knows very well that the Cai family is not only investing in this movie this time, but also investing in such a young makeup artist.

Of course, everyone will not think that Sugzawa Hai is a person who has no ability, after all, although Director Zhang values such an investment very much, but there will be no shortage of such an investment, if this investment will affect his movie, he will decisively refuse, not to mention that Sugisawa Hai did not "bring capital into the group" at the beginning, and he has been determined by Director Zhang to be known for the character modeling, such a young man must have his charm, otherwise Director Zhang and the Cai family are not fools, Young people on both sides are so optimistic, they really want to know what kind of ability such a young person has.

Director Zhang is really optimistic about Sugisawa Hai, Director Zhang also graduated from the National Theater University, the annual stage art department of the teaching inspection of the exhibition in fact, he will go, he has paid attention to Sugisawa Hai's works feel very thoughtful young people, very capable, this time when the producer recommended Sugisawa Hai to him, he saw Sugisawa Hai's information, and thought of Sugisawa Hai's teaching inspection works, and directly determined Sugisawa Hai's position as a character stylist for the production of the "First Sequence" film.

And Chairman Cai is largely because of his daughter, coupled with the experience of cooperation with Director Zhang, so he is so determined to invest in the movie "The First Sequence", in Chairman Cai's opinion, the hope of losing money in this movie is very small, even if it loses money, it will not lose too much, even if it is a venture capital, in fact, he doesn't know much about Sugisawa at all, but this is the person selected by Director Zhang, he believes in the eyes of Director Zhang's selection, and also believes in his professional judgment, so he made a very decisive investment.

After everyone's attention, Sugisawa connected his computer to the projector, and clicked on the PPT he prepared unhurriedly in everyone's expectations.