After Sugisawa opened his PPT, he quickly entered a state of speech.

The first thing that was presented was of course Sugisawa Hai's design drawings for the actor Ren Xiaosu, Ren Xiaosu Shanzawahai did not choose to show all his designs at once, but presented them one by one.

Ren Xiaosu is the protagonist, so many of his details need to be shown, which is an important reason why he did not release Sugisawa Hai's shape as a whole.

Sugisawa Sea says:

"Ren Xiaosu, our team made a total of seven character modeling drawings to match the characteristics of his characters in different periods, including the character design drawings of the refugee period that everyone saw in front of them, and I chose a relatively primitive and shabby costume to present this design drawing."

At this time, someone below asked directly:

"Why do you choose to use the original image of animal skin, instead of the material of linen, isn't linen more suitable for the image of the character?"

Sugisawa replied:

"Linen cloth is indeed a good choice, but we need to take into account the content of the original work, the original book is still introduced in Ren Xiaosu's early clothing, Ren Xiaosu relied on hunting to make a living when he was a refugee, so at this time choosing to use animal skins as clothing is a more ideal clothing performance, this clothing will be old, after all, fur is also a thing that can be exchanged for money in the novel, Therefore, Ren Xiaosu's early clothing is a form of animal skin wrapping that is biased towards the primitive society period, the difficulty of the production of this clothing lies in the texture of animal fur, followed by the makeup of this period, we will choose to use some dirtier colors to treat the face, and at the same time we will draw some camouflage lines directly on Ren Xiaosu's face, which will also better meet his needs when hunting. ”

After seeing that everyone had no problems, Sugisawa continued:

"This is our first set of looks for Ren Xiaosu, and it is also the overall presentation of the refugee period, and the second set of looks is Ren Xiaosu's 。。。。。。 from refugees"

After Sugisawa finished talking about Ren Xiaosu's seven sets of shapes, after answering everyone's various questions and questions, he also presented some of the next character shapes to everyone in turn, and talked a little longer on the modeling of Yang Xiaojin and Yan Liuyuan, and then the character modeling Sugisawa Hai was directly presented in the form of a group picture, which can ensure the overall efficiency, and some unimportant characters are even directly brought over.

Even with such a quick explanation, it took Sugisawa more than three hours to show all the results of the week.

Everyone was still shocked to see the results of Sugizawa's team, you must know that this is only a week, and many times at the second production meeting, the protagonist will only have 2 or 3 sets of character design drawings, but Sugisawa has so many design drawings even if he is a supporting role, and the overall quality is very complete, which directly crushes the design drawings on the stage design.

Such a high work efficiency is undoubtedly to speed up the progress of the overall work, Sugisawa can be said to have completed the production of character modeling with lines and even only one line, which makes those departments that are obviously a little paddling this week a little embarrassed, after all, the pre-production time of a movie is still relatively long, I didn't expect Sugisawa to work so hard, this is estimated to be a month's workload of other character modeling teams.

Director Zhang was still very shocked after seeing the production of Sugizawa's team, basically he was able to see so many character design drawings completed in the second production meeting for the first time in addition to the kind of national-level large-scale production, which is still very shocking, even if it is a national-level large-scale production, it is because of the number of character designers there, but he knows how many people in Sugzawa's team there are only six people, and the character designers of large-scale productions are at least a dozen starts.

The quantity and quality of the production of Sugizawa's team is undoubtedly a wake-up call for the seniors here, and there are countless latecomers who are silently waiting for an opportunity to surpass them.

After everyone entered the thinking, Director Zhang did not interrupt, he knew that the current film and television industry really needs such a group of young people to stir up this pool of stagnant water, and the emergence of such a group of people, the older generation of film and television people will also have a sense of crisis, speed up their own progress, and strengthen their professional ability.

After waiting for a minute or two, Director Zhang spoke:

"The character design drawings made by Kosugi's design team are still very good and comprehensive. What problems can be raised on these character design drawings, let's discuss it together with the stage design, some character design styles still have a certain conflict with the overall stage design, in the end we need to discuss which style we want to use to get a plan, so that we can take a step closer to implement. ”

At this time, everyone was still very silent, and did not answer some questions from Director Zhang, in fact, they still underestimated Sugisawa Sea at first, but they didn't expect these young people to have such a perfect design plan and design logic, it is obvious that they have a strong professional foundation and systematic teaching. And these people must have read the script well, rather than starting to design after a cursory reading.

Seeing that everyone didn't speak, Director Zhang said directly:

"Do you have any suggestions for the character modeling team from the stage art team, and the questions you discussed with Sugisawa before, do you have an answer, you can also talk about it?"

Hu Kaizhong is also a little embarrassed, at first Sugisawa said that he was still a little unhappy about their design problems, and was ready to pick thorns in Sugisawa's design drawings, but Sugisawa Hai's design drawings were presented in front of his eyes, and he didn't know what to say, people are really doing this thing, and all the design drawings are perfect, and they only need to deal with some details in detail, and they can basically use it directly, and the 20 atmosphere maps on their side are just very simple sketches, and there is no way to compare them at all.

Hu Kaizhong finally spoke:

"Director Zhang, we don't have much opinion on the character design drawings here, they have provided a lot of inspiration to our stage design team, I think the previous question is still very pertinent for the suggestion of the stylist Sugisawa Hai, we will come up with a plan at the next production meeting, our other atmosphere maps also have a lot to adjust, and it should be more in line with the original work."

Director Zhang nodded after listening to Hu Kaizhong, and the meeting continued, but all the plans did not revolve around the stage design this time, but all the assumptions and discussions around the design drawings of the characters.