Chapter 121: Fat

Sugisawa also thought a lot of questions after sending this woman away, he has indeed been a little slack over the years, and a lot of knowledge has been forgotten in his mind.

Thinking of this, Sugisawa decided to take a good look at the book, and just wanted to open a certain treasure in the mobile phone to query, the voice of the system sounded from Sugisawa Hai's head.

"Ding, I detected that the host has the idea of buying book materials, now turn on the book purchase function for the host, please check it out."

Sugisawa was pleasantly surprised,I didn't expect the system to open this function.,Basically, it can be said that I want to doze off and send a pillow.,And the system must be a high-quality product.,You must know that Sugisawa has long been aware of the accuracy of the system.,As long as the knowledge transmitted by the system is basically from the current point of view, there is no wrong information.。

So Sugisawa decisively closed a treasure in his hand, and checked the book purchase function of the system in his mind, in front of Sugisawa Hai are books of various dynasties and races, divided very carefully, the price of each book is actually not too expensive, it is 10 points of obsession energy, so Sugisawa decisively bought the books of the Tang, Song, Yuan, Ming and Qing dynasties and the Republic of China, which only cost 60 points of obsession energy, Sugisawa also saw the books of other nationalities and the books of the world, But Sugisawa felt that at least for now, these books were enough for him to read, and the rest would wait until he finished reading them.

In fact, the study of the makeup and history of different nationalities and races is conducive to his creation of makeup, there is a saying that fashion is a reincarnation, so learning from history, absorbing the essence of the past for the present is a good way to learn.

In addition, the makeup of the other world has enriched Sugisawa's cognition, so these books are rare treasures that Sugisawa Hai thinks, and after Sugisawa exchanged these books, each one is very thick, Sugisawa Hai also thought that each book was about a few dozen pages, but if you think about it carefully, it is true that the makeup of each dynasty has the characteristics of the times, and it must not be summarized by one or two makeup faces, so the Tang Dynasty gave an example of the early Tang Dynasty, the prosperous Tang Dynasty, and the late Tang Dynasty, and each period had a large number of brilliant civilizations, There will also be a lot of distinctive makeup in the middle, and Sugisawa Hai is relieved when he thinks of this, and after reading some of the books here, the Tang Dynasty is basically the thickest, basically several times the thickness of other books.

Sugisawa was also the first to pick up the book of the Tang Dynasty, not because the bone was hard and he was like gnawing on a piece, but the main reason was that he was most interested in the history of the Tang Dynasty, and the civilization of that era was too bright.

Sugisawa still likes to read these books, mainly because there are still a lot of contents in them that are worth careful study.

On the Tang Dynasty Sugzawa Hai's favorite makeup or the makeup of the Tang Dynasty, the makeup of this period is very bright on the whole, looking at the books provided by the system, you can clearly see some differences between this and the murals, the murals because of weathering and the painting is originally a person's subjective drawing, so some places will actually be elaborated with personal subjective tendencies.

However, what the system provides is photos, more precisely, video data, so the details will be fuller and more conducive to accurate research.

The makeup of the Tang Dynasty can be said to be an open beauty and an unrestrained beauty. "Old Tang Dynasty Books and Servants" recorded that "at the beginning of the Kaiyuan Dynasty, those who rode horses from the palace were all wearing hats and makeup, and the Shishu family followed suit, and the hat system would never work." "That's exactly what it was back then.

The aesthetics of the Tang Dynasty is to be fat as the beauty, which also produces a lot of characteristic makeup, which will show the charm of women's plumpness, which is also worthy of modern makeup, the current makeup is more for the "thin man" to serve the makeup, and the Tang Dynasty is diametrically opposite, their makeup plump women are also unique, this can also break some limitations, why can you not show your fat charm, why must you work hard to study how to make yourself thinner, In fact, everyone and each state should have their own different ways of presenting beauty, and the world will be colorful because of diversity, which is what everyone needs to explore, and it is also worth thinking about by everyone.

If aesthetics is imprisoned, then what's the point, just go straight to plastic surgery to become an Internet celebrity face, it is precisely because the world's colorful people should tolerate the beauty of diversity, rather than being limited to one aesthetics, which will make the public's aesthetic ability gradually decrease, mistaking beauty is unified.

Sugisawa is also against such things, so in his makeup, he considers the unique beauty of each person, rather than making them the same beauty or handsome guy.

This is the content pursued by every qualified character stylist, just like some time ago someone was saying that a certain actor surnamed Ma was in good shape, which directly made the actor surnamed Ma scolded on the hot search, through this matter, you can find that the aesthetics of modern people are actually limited, Why is the fat beauty no longer so recognized, Sugisawa felt that it should not be like this, seeing the actor surnamed Ma being scolded, he was actually reflecting on a question, The extremes of the current aesthetics are largely due to the fact that their film and television workers have implanted the concept of thinness as beauty into the public's concept, and it is basically rare to see that kind of fat actor as the heroine in the play.

Of course, some comedians are exceptions, idol dramas are basically impossible to have chubby heroines, the public still hasn't established their own concepts correctly, and there are not so many people who will instill them with correct aesthetic concepts, many children will be scolded because they were fat when they were young, "fat pigs" and "dead fat people" These insulting words, this concept is directly rooted in the hearts of children, Sugisawa doesn't think fat is good, of course, fat also needs a degree, in the case of healthy fat, Why can't we see their brilliance?

Marilyn Monroe in the West can not be regarded as thin, she also belongs to a slightly chubby group, people in the last century can accept the beauty of being slightly chubby, but why can't it now, they are all in the pursuit of what A4 waist, melon seed face.

After thinking about it, Sugisawa is also very powerless, the current society is like this, it is difficult for them to change it by themselves, even if it is when he casts many roles by himself, it is not that he doesn't want to find those slightly chubby people to play, but the current actors are affected by such thoughts, and they will deliberately thin themselves only skin and bones.