Chapter 112: Cultural Confidence

Sugisawa looks at the makeup in the book, he will also take his notebook to sketch, which can help Sugi quickly remember the content of it, and at the same time, Sugisawa will not give up because reading is too boring.

The system actually has the function of Daigo empowerment, spending 100 points of obsession energy each time, but Sugisawa didn't choose which way, first of all, because which way to make it to learn is very efficient, but there is a big flaw that it doesn't give Sugisawa to digest it by himself, not only expensive but also not as comfortable as he learns by himself, so Sugisawa still refuses the system, reading books is also a good thing to pass the time, Sugisawa still decided to accumulate the knowledge in these books, Use the system's Daigo empowerment when necessary.

Sugisawa also thought of one point, that is, the next time he goes to the other world, he can first learn the makeup and history of that race before setting off, which is more conducive to him to master the special effects and makeup characteristics of that race, and I feel that the score after this kind of score will be relatively higher than if he didn't know that race.

The books of the Tang Dynasty in Sugisawa Hai's hands are really thick, and they can almost be compared to the thickness of an introduction to art, but each one is a treasure, a rare treasure.

With Sugisawa Hai's flip through the pages, he has a deeper understanding of the makeup of the Tang Dynasty, Hua Tian can be said to be very distinctive, Hua Tian is the pattern on the forehead of the Tang Dynasty women that we often see in costume movies, these patterns are varied, each with its own unique aesthetics.

Because Tang costumes are relatively very open and the makeup is very bright, so Huadian is a good decoration for Tang makeup, but it is not so suitable for modern makeup, modern makeup rarely appears that kind of exaggerated makeup, Sugisawa feels that it is just a very regrettable thing, and it is not particularly suitable for modern clothing, modern clothing is more about wearing comfort, and ancient clothing is very beautiful, This is also what can be seen in some Hanfu lovers.

Thinking of this, Sugisawa Hai also sighed that our Hanfu culture is gradually declining, many skills have been lost, and there are not so many young people who are willing to walk in Hanfu on the street, which is really a very regrettable thing, to know that the self-confidence of national culture will also be reflected in national costumes.

But now many fashion designers are more and more fond of using traditional patterns for decoration, Sugisawa is also willing to believe that maybe in the near future, maybe once again to see the scene of Hanfu in front of everyone's eyes, this is really a very ceremonial thing, at least in the traditional Chinese festival I hope that there will be a day, even if it is based on Hanfu patterns made of modern clothing, at least it shows that everyone has begun to pay attention to such culture.

Because of the close connection between the Tang Dynasty and China, they also have their own kimono, which has a lot of similarities with traditional Hanfu, Sugisawa feels that we should also confidently wear our Hanfu in these aspects, of course, it is not only Hanfu, but also includes the ethnic minorities of China, each ethnic group has its own brilliant culture, and China will be prosperous because of multi-ethnic groups, and the culture will be diverse and colorful.

Nowadays, many ethnic minorities are gradually no longer wearing the traditional costumes of their ethnic minorities, and Sugisawa really hopes that these cultures will not be assimilated, that each ethnic group should have its own things, and that everyone should do their best to protect cultural diversity.

Thinking of this, Sugisawa was actually a little distracted, after all, this was too far.

When he returned to the book in his hand, Sugisawa Hai's thoughts returned to the Tang Dynasty, if he had the opportunity, he really wanted to go to the Tang Dynasty once, but there was no such opportunity on the system's side, he could only shuttle through the ten thousand worlds, and he would never be able to go back to the past, everything in the world could not be perfect, and there would always be some regrets.

Books are indeed very attractive, but they can't resist the protest of the stomach, Sugisawa closed the book and rubbed his eyes, hugged Xiao Hei and went out to forage for food, after coming to the center of Xiangcheng, Sugisawa didn't plan to solve his hunger in a roadside stall today, came to a rice noodle shop, ordered a spicy beef powder, this is a major feature of Xiangcheng, rice noodles are the obsession of every Xiangcheng person engraved into the DNA, every Xiangcheng person basically has to eat powder every once in a while, Some even rely on eating rice noodles for three meals a day.

If you ask a wanderer in Xiangcheng what he wants to eat in Xiangcheng the most, most of the answers he gives you must be powder. This rice noodle shop is the most delicious shop in the neighborhood, and his yards are very fresh, that is, his ingredients are very fresh.

The boss's voice came from inside:

"Handsome guy, eat round or flat?"

Sugisawa Hai's favorite is the flat rice noodles, and the flat Sugisawa Sea feels more flavorful than the round one, so he blurted out and said:

"Boss, if you want to be flat, put more chili peppers."

"Risky questions!"

Sugisawa is waiting for the rice noodles to come up, and at the same time, he is also observing the crowd coming and going, which is the basic professional quality of a character stylist, always observing life and observing everyone who appears in front of him.

Sugizawa's rice noodles didn't take long to be delivered, and Sugizawa, who was eating rice noodles, saw two women wearing Hanfu come to the rice noodle shop.

The Hanfu of the two girls is the large-sleeved sara shirt, Sugisawa Hai's favorite costume in the Tang Dynasty, and it is also the clothing style that Yang Guifei often likes to wear in film and television dramas in everyone's memory, which is the most classic clothing for women in the Tang Dynasty.

The clothes are fluttering, like fairies, looking at the two girls who are very thin, Sugisawa still feels a little disobedient, in fact, if the thin women wear this dress, they may not be able to support the plump beauty that this costume wants to show.

Sugisawa felt that they were more suitable for the clothing of the late Tang Dynasty, and the people of the late Tang Dynasty gradually began to be thinner again, or it may be because the economy of the late Tang Dynasty was gradually depressed, and people did not have such a good life as the Tang Dynasty, so they began to lose weight.

Although the girl's makeup is not quite right, it is obviously the makeup of the early Tang Dynasty with the clothes of the Tang Dynasty, plus the figure of the late Tang Dynasty, but Sugisawa is still very happy to see someone walking on the street wearing Hanfu and Tang costume.