This is my last Korean entertainment book.

After writing this book, I will not touch the theme of Korean entertainment again in the future.

Write down three books, write about the feelings that Korean entertainment gives me, and describe it in three words - tired, annoying, and losing.

To be honest, until now, or at the end of the book "Popular", I have already understood in my heart that I am not suitable for writing Korean entertainment.

I started writing about Korean entertainment from watching Korean entertainment, and it was also because I liked it more, and I also had the desire to write by myself after reading more, and I happened to be obsessed with Korean entertainment back then, so I entered the circle of Korean entertainment.

But in fact.

I don't have a fan mentality, I don't chase stars, I can't understand the kind of worship and liking that Korean entertainment fans have for idols and idols.

And because of this.

In fact, the Korean entertainment I wrote is not so much Korean entertainment, but a variant of urban entertainment with the skin of 'Korean entertainment', and it is not the kind of urban entertainment that is white and cool, but a variant of the fusion of traditional urban entertainment and Korean entertainment.

Traditional Korean entertainment is actually based on 'idols' as the core point, and the focus of the story is not the protagonist, but idols. It depicts the sweat and bitterness of idols, the bitterness and unwillingness of idols, the beauty of idols, and the truth, goodness and beauty of idols, in order to vent the dissatisfaction of fans with the reality of idols, and to change their experiences and vent their depression when they learn that they are in love.

I know all of this, but I can't write about it.

Why?

I don't chase stars, I don't chase Korean entertainment stars, I don't have that mentality, and I can't empathize with them.

And any Korean entertainment that is portrayed with 'idols' as the core point, whether you are a chaebol boss, a warm-hearted man, or a scumbag label, as long as it is written in this way, you can't avoid the mode of 'kneeling and licking'.

Because your core description is idols, you have to write about their bitterness and unwillingness, and their truth, goodness and beauty, and as long as you write like this, your writing tendency will inevitably be biased towards them.

This is the way most Korean entertainment authors write, and it is also what most Korean entertainment fans like to watch.

But I can't write about it.

The Korean entertainment I write is centered on the protagonist, and the focus of the portrayal is on the protagonist, the story of the protagonist, the protagonist's mental journey, the protagonist's various encounters and career life, which is also the way most traditional urban entertainment essays are written.

There is a difference between traditional Korean entertainment and other types of entertainment literature, and the difference is that one core is idols, and the other core is the protagonist.

So.

Many readers say that mine doesn't have the sour kneeling and licking smell in Korean entertainment, and the fundamental reason is this.

I'm writing the story of the main character, not the story of idols.

This has also led to some readers thinking that the Korean entertainment I write is almost meaningful, and what I write is not the Korean entertainment in their hearts, at least not the kind of Korean entertainment they prefer and prefer, and there are even readers and some authors in the book review area, in the post bar, in other Korean entertainment groups to scold me as a chaqian author, satirize my garbage, and I won't talk about all kinds of slander and abuse.

I've seen it, I've heard about it, it's not that I don't know it, I just don't want to pay attention to it.

And because of this.

Except for when I first started writing "Bad", I also mixed with the Korean entertainment industry for a while, and interacted with other Korean entertainment authors, and then except for my own group, I basically didn't add any Korean entertainment groups, and I didn't communicate with any Korean entertainment authors.

It's not a person all the way, and you can't talk a piece, so it's boring.

This actually proves my opening sentence, with my mentality, I am actually not suitable for writing Korean entertainment, at least not for traditional Korean entertainment.

I don't have a fan mentality, I don't chase stars, I can't empathize with most Korean entertainment fans, I can't understand their love and distress for idols, I can't write, and I don't want to write about the type they like to watch. I want to write only the story of the protagonist, not the story of idols, and even the idol characters in my book mostly have two personalities, and I don't want to write about the characters they show in variety shows in front of the camera.

Because this kind of character is not real, people's hearts are changeable, people's hearts are selfish, where can there be so much truth, goodness and beauty, at least I don't think it's real, I can't write it, and I don't want to write it.

It's not so much that I'm writing 'Korean entertainment', but rather that I'm just writing my story, the story of the protagonist I'm setting.

But some readers and authors scolded me for being a money-earning author who dressed up Korean entertainment, but I didn't admit it.

Because I just didn't write about the Korean entertainment they wanted to see, but who stipulated that Korean entertainment can only have one mode, and I also changed from watching Korean entertainment to being an author, if I didn't like this genre at the beginning, I wouldn't have started writing Korean entertainment.

So although I am not suitable for writing about traditional Korean entertainment, I also write about Korean entertainment, and I write about Korean entertainment that I like to watch and want to watch.

I spend a lot of time looking up information, watching videos, and coding words, isn't this my effort, is it that the energy I pay, the stories I write are not worth subscribing, they are worthless?

scolded me for being just money, but at least even if I was 'just money', I was more qualified than most Korean entertainment authors, and I had more authorship quality.

I've finished at least the first two books, at least most of the time I've been able to update them stably, I promised not to be a prisoner, even if it's broken for a long time, I'll continue to come back to write, I keep my promise, I at least have a sense of responsibility and literacy as an author, even if the ending of the first two books is not satisfied with many readers, but at least I'm still done, and I put an end to the first two books.

I can say with a clear conscience that I am worthy of subscribing to my readers.

I didn't give up halfway, I didn't have eunuchs, and I didn't update in my mood, and although I was sometimes busy, and there were times when I was tired or bored and didn't want to write, I still tried to find time to make sure I was updating. Even if the endings of the first two books did not satisfy some readers, at least the story had an end and came to an end, and it did not make the readers who subscribed to my book feel too much of a loss, and did not let them waste all their money.

From this point of view, scolding me for 'just money', in fact, I want to ask rhetorically, who is 'just money'?

At this point, I always felt that it was boring, unnecessary, and boring to explain a lot of things before.

But since the title is to open the skylight and say bright words, this is also the last Korean entertainment book I wrote, and after this one is over, I will not write about Korean entertainment in the future.

So if there is anything to say this time, I won't hide it.

As mentioned above, after "Popular" ended, I don't want to write about Korean entertainment anymore, why? Feel the loss! Worth!

The reason why there is a third Korean entertainment, and I am not afraid of losing face when I say it, is because when I wrote "Popular" before, in order to let a reader in the group reward my alliance leader and increase the exposure of my new book, whether it is fooling or promise, I promised at the time that as long as he rewarded the alliance leader, I would write a Korean entertainment book specifically for him.

Of course.

At that time, the Korean entertainment book was actually originally scheduled to be a short story, not "The Director", but a story of traveling back and forth through time and space, soaking Korean entertainment girls in different time periods, from Lee Young-ae and Son Ye-jin in the 90s, a generation of girl groups to the next four or five generations of girl groups, the protagonists traveled through different timelines, and knew each other when they were young at the time, and then connected the entire timeline in series, a bit like the meaning of time travelers in the American drama "Hero", in the same time and space, different time periods, meet different girls.

I did have a plan to write at that time, and even wrote the beginning, but I couldn't write the beginning.

Because I love to be entangled in logic, I don't want to write the story too brainlessly, I hope to write it relatively reasonable, even if it still can't talk about the real logic, it can't be reasonable, there is still a stupid and intelligent character to write, but at least in my heart can achieve the minimum logical self-consistency, can be relatively reasonable.

But I couldn't be logically consistent with that book, so I had to give up in the end, which was considered a failure to keep my promise.

And one of the reasons why there is the book "Director" is that since the words have been spoken, they still have to be complied with, so they wrote the third Korean entertainment.

In fact, I also know that I have this problem, and some old readers in the group have also complained about me, and I always like to entangle some senseless logic.

It is also for this reason that many readers in several books always complain that I am too watery, too long-winded, I have too many private goods, and the protagonist always likes to preach and make people upset.

It's like the last few chapters, and some readers have commented and complained......

Here's what I said, I deleted the comment, one is that I wrote it for my own reasons, which will be explained below, and the second is that such comments also affect the perception of other readers, and I read it, to be honest, it's not happy. So I saw your complaints, and I know what you are not satisfied with, but keeping it is really a bit of an impact, affecting readers, and also affecting the mood of my codeword, so I'm sorry here.,Deleted your comments.。

But I'll talk about it here.

Reading this kind of complaining comments for a long time actually affects the author's mood very much, and if it continues to accumulate, it will only become more and more upset, tired, and even less and less inclined to write, and the less motivated to write. I've already experienced the first two books, so as I said before, I set boundaries for myself, and I will delete anything that affects my mood and hits my motivation to write, whether you say it is right or not.

After all, it's already tiring to keep the code word every day, and seeing these comments again will only make people feel more tired.

I hope you can empathize with me.

If you can't understand it, it doesn't matter, I hope it's good to get together and disperse.

……

Back to the point.

Many readers complain that I have a lot of private goods, a lot of preaching, and I like to talk about big truths, but in fact, if you think about it from another perspective and look at it from a different angle, in fact, these contents are not for you at all, but for the characters in the book.

Take the last few chapters, for example.

Lin Yun'er's character setting is combined with reality and part of the second setting, in terms of the character she is positioned in the book, if the protagonist doesn't keep 'belittling' her, suppressing her self-confidence, and lowering her expectations, do you think with Lin Yun'er's identity and character, will she be willing to be one of the protagonist's harems? Just use 'love' to reduce her intelligence, so that she is dead set on the protagonist?

Writing like this not only makes Lin Yun'er too stupid and sweet, but also does not conform to human nature, does not conform to logic, and seems too fake.

Although it is really logical, Lin Yuner cannot be the protagonist's harem, but the online article cannot be completely logical, and it is not a YY online article that is completely in line with it. But even if it's not completely logical, at least it can barely justify itself, and there is a certain amount of logic.

And the character of the protagonist set is impossible for the protagonist to chase Lin Yun'er backwards, to contact Lin Yun'er every once in a while, to meet with Lin Yun'er, date, etc., then it is inevitable to constantly 'brainwash' Lin Yun'er, lower her expectations, and make her bow her head in front of the protagonist, so that after some later experiences, Lin Yun'er can be willing to be the protagonist's harem in order to have a reluctantly self-justifying logic.

And IU and Wu Xiarong are similar.

You complain about me, love to preach, love to explain reasonably, but why don't you want to think more about why I write like this?

It is undeniable that I also admit that writing too much is a manifestation of insufficient writing, and it is not up to the level.

I don't deny that.

But the reason why I'm writing this way, this way, is because I want to be logically self-consistent that at least makes me feel relatively satisfied.

The identity of the protagonist is the director, and he is also a relatively arrogant and arrogant person at heart.

And where is the biggest problem in Korean entertainment, most readers are familiar with idols, and what they want to see the most is idols, which also leads to a slight increase or decrease in the protagonist's career positioning, and they and idols are two circles.

For example, the chaebols, ordinary people, and the director of my book, the circles do not coincide much, there are few intersections, and if you don't write well, it is easy to write too fake, and it is easy to kneel and lick the protagonist.

Because the protagonists have no reason to approach them, and they have no reason to get close to people who don't have a good relationship, and they are infatuated and affectionate.

I don't mix in a circle, I can't see each other a few times, and the logic can't be circled.

It's like these two chapters, why am I writing this, saying that these things are talked about in some readers, because the protagonist only breaks Wu Xiarong's three views, Wu Xiarong will change his mentality and get along with the protagonist in the future, from a simple outspoken girl, consciously lower his identity, to approach or even 'chase' the protagonist. If she doesn't approach the protagonist, what reason does the protagonist have to ignore her?

Fancy her beauty? In terms of the character of the protagonist, this is not nonsense.

I wrote these from the perspective of the protagonist, as mentioned above, I am telling the story of the protagonist, and the core is the bits and pieces of the protagonist, rather than taking idols as the core, telling the stories of idols, the core is different.

The identity and character of the protagonist of the positioning are determined, only the idol will beg him to please him and kneel and lick him, and there is no such thing as him approaching and kneeling and licking the idol.

So if I want to write about Wu Xiarong, I have to give Wu Xiarong a reason to be willing to take the initiative to approach the protagonist.

And the same goes for IU.

The protagonist must give her confidence, so that IU will firmly care about the outside world and fall in love with the protagonist's superficial friends behind the scenes.

The ones in my book are for the characters, for the characters, in order to round out the follow-up logic, so that the writing can be logical and self-consistent to a certain extent, and it is not to tell you any big truths at all.

One or two million words on the Internet, what I want to write in the future, it is impossible to explain to you again and again.

A lot of things I wrote are for the follow-up logical self-consistency, so that the logic can run through, just like when I wrote about Wu Xiarong Park hearing the conversation between the protagonist and Kim Ji-yoon, the movie theater meeting the protagonist, several chance encounters, and follow-up phone calls, etc., it is to advance step by step, little by little, let Wu Xiarong intersect with the protagonist, so that her mentality slowly changes, in order not to let this character have a hole.

So I also said above, the reason why I deleted some comments is that it affects my mood, and second, you don't know why I wrote it like this, and you don't want to think deeply about why I wrote it like this, you just want to complain, but these complaints affect other readers and also affect me, so I have to delete them.

This is actually the reason why I don't think I'm suitable for writing about Korean entertainment, and I don't want to write about Korean entertainment anymore.

Korean entertainment is too stereotyped.

Korean entertainment readers only like idols, if you want to have results, you can only write about those idols, you write other things that no one reads at all, and no one subscribes, and Korean entertainment is a well-known fan article.

Just like some readers complained before, why is it Lin Yun'er IU and them, they all vomited, so they can't write something else, write a few unpopular ones.

Something like this is just a brainstorm, and he only thinks of himself.

The author writes about characters that readers are not familiar with and don't like, so one or two million words, written down in a year or two, no one subscribes, no income, spends so much energy and time, just for a few people who are tired of reading it?

Not to mention that most of the few people who are tired of watching it don't even subscribe.

Speaking of which, it's the last Korean entertainment book anyway, and I've written so much today, I'll complain if I want to complain, and then complain about some Korean entertainment readers who are speechless.

What comment did you post saying that you don't look at this, don't look at that, don't look at chaebols, don't look at scumbags, don't look at singers, don't look at actors, don't look at abuse, don't look at stallions, I'm tired of writing about Lim Yoona writing Kim Taeyeon writing this and that, anyway, it's all kinds of requirements, don't look at seven and don't look at eight...... To put it mildly, here can be regarded as a persuasion to write Korean entertainment peers (if you see this chapter), listen less to their nonsense, whoever believes them will really become brain-dead.

The more demanding readers are, the more critical readers are, and they dare not say ten out of ten, but nine out of nine will not subscribe.

According to what they say, you can't call grandpa even if you pounce!

That's right.

There are also those who want to write about Korean entertainment and mix some extra money, some of them are tired of watching the second and third generations, and don't pay attention to the four or five generations of newcomers.

The newcomer girls don't have a readership, and they are the core to write except for flutter or flutter.

If you really want to make some extra money, the current mainstream is still the old group, don't listen to them fooling around, whoever listens is stupid.

In fact, speaking of which, this is also the reason why I don't want to write about Korean entertainment anymore, as I wrote at the beginning - tired, annoying, and losing.

Tired.

One is to insist on constantly coding words every day, after all, if you do everything repeatedly, you will be tired and bored. The second is to watch some readers all day long, who are dissatisfied with that complaint.

It's the same with annoyance.

I've seen a lot of comments on picks and all kinds of weird words, and it doesn't matter if it's a day or two, but I've been seeing it, I've been sprayed by this and that, and there's a lot of backlog, and I'm always in the mood to be irritable, and I can't help but explode, just like I wrote so much at length today.

Lose.

Whether it's arrogant or arrogant, or whether I can't see myself clearly, I think that since I wrote Korean entertainment, my efforts and gains are not proportional.

I think if I write in a different genre, I will definitely be paid more at my level than I write about Korean entertainment.

Even if it's just an illusion, after I change genres, I'm more fluttering than writing Korean entertainment, but at least I can see my own level clearly, and I can be willing.

But so far, I won't talk about the first two books, and now I really don't want to write more and more.

There are advantages and disadvantages to writing Korean entertainment, the advantage is that as long as you write, it is not too bad, and there will be no shortage of readers. The disadvantage is that Korean entertainment fans are too heavy. And I only wrote Korean entertainment by watching Korean entertainment, I don't chase stars, and I can't empathize with Korean entertainment fans, I can't write it, and I don't want to write what they are more willing to watch. I just want to write my own story. And most Korean entertainment readers will only watch pirated versions, just watch pirated versions, and they like to pick thorns, saying that you can't do this, that can't work.

It's like the one above scolded me for being just money.

And what I wrote has never had a good reputation in the Korean entertainment industry, because I am writing the story of my protagonist, not the story of idols, and I am not writing traditional Korean entertainment, which belongs to the category of deviance.

So the more I write, the more unwilling I become, and I can't see where my level is when I write about Korean entertainment.

And because of this.

After I finish writing this Korean entertainment, I won't write about Korean entertainment anymore.

Even if I write other genres more than Korean entertainment, I am willing, at least I can know my level, and I can really write the stories I want to write, instead of the stereotype, I can only write about those few girls, and even writing is not pleasing to me, accusations and various provocations have not been broken, and I have to bear the reputation of licking Korean dogs again.

Open the skylight and say something bright, just like the title, anyway, it's the last Korean entertainment, so I have something to say, so I don't hide it.

Some words have been held in my heart, and after a long time, people will become more and more tired and less willing to write.

So today I'm going to break out again at length.

The last Korean entertainment, what do you want to spray quickly, I won't touch the genre of Korean entertainment in the future, you just want to spray it and you don't have a chance to spray the Korean entertainment I wrote again.

But you have the right to spray, I don't restrict you, but if I don't like it and it affects my mood, I also have the right to delete posts and ban words, don't blame me.

As for this book, rest assured, I will definitely finish it.

As an author, I still have basic literacy.

Of course.

The premise of the completion of the book is that there are no accidents.

If these irresistible factors are suddenly harmonized, I don't have a problem.

So I'm not going to talk too much.

But as long as there are no irresistible factors, I am sure that the book will be finished, and everyone can rest assured.

As for how many words will be written in this book.

Since the words have been spoken, I will not hide them, but directly say what is in my heart.

Many readers of the first two books sprayed me with a bad finish, and there are still many things to write about, and they ended hastily.

But the real reason is also clear to everyone, when the gap between the energy paid and the harvest is too big, and the monthly remuneration is very little, if he is a true love fan and really wants to write about his favorite idols, then at least he still has the motivation to persevere.

But alas, I'm not.

I'm just an author who has changed from liking to watching Korean entertainment, I don't chase stars, I don't fanize Korea, I don't want to write stories with idols as the core, I just want to write stories with my own protagonist as the core.

So when the difference between the effort and the gain is too big for me to persevere, I don't have the motivation to persevere.

This is also the reason why the first two books were completed quickly.

But you don't have to worry about this, the remuneration for my book is okay for now, at least much better than the first two, so you don't have to worry that I will finish the book in a hurry.

At least not yet.

I will try to think about the plot as much as possible in the future to prevent such a thing from happening.

But there are no absolutes, and words are not too full.

In case everyone who writes it becomes more and more unhappy to read it, and the subscriptions become less and less, I will still finish it when it is time to finish.

After all.

I'm the author of 'Cha Qian'.

The words of a 'just money' author, so far, open the skylight and say bright words, there is one to say.