Originally, there should be one or two chapters as a supplement to the painting, but I struggled for a long time, and I still didn't think about how to show the scene and how to cut in, so I simply stopped writing. After all, the main story is already complete.

I was relieved to think so. Sure enough, there is nothing difficult in the world, as long as you are willing to give up.

After Shouyang, the state is very poor, it's easy to get tired, and the work is very busy, and there is no courage and energy for code words, even if the code word, it is not in the state, but it finally insists on ending, after all, the story must have an ending.

In fact, there is no yang, and it is a little impossible to write, and it has always been supported by the obsession of the book.

To be honest, the creation of this book has influenced my work and life. I was probably too hasty to open the book at the time.

Before opening the book, I occupied a hexagram, watched the 63, watched my life, and advanced and retreated.

I thought I figured it out, I wanted to write.

But now that I think about it, I still haven't thought it through, and I haven't made a cautious decision to advance or retreat.

People are always like this, sometimes they feel that something is very important, and they feel that they can overcome all difficulties.

But I'm not as capable as I thought.

How to put it, after all, he left 1.8 million words, which is not a waste.

I wrote this book because I like to read the same people like the gods, the flood and the wilderness, and I think the homogenization of the books of the flood and the gods is more serious, the same character design, and the characters with faces.

Zixiao Palace preaching, robbing futon, Hongmeng purple qi, good old man Hongyun, Nuwa making people, Kuafu chasing the sun, Houyi shooting the sun, the Three Emperors preaching, etc. Ten Absolute Formations, the Yellow River Array, the Zhuxian Array, and the Ten Thousand Immortal Array.

Although the protagonist's identity, cultivation, exercises, stance, and golden finger are all different, in fact, in my opinion, they are all the same.

Some people say that it is because Fengshen and Honghuang have written too much, and all the changes that can be written have been written, so this is the case.

Actually, no, there are many things that can be changed.

The reason for this situation may be the author's reluctance to step out of his comfort zone, and the reader has become accustomed to this routine, and even expects to see through the changes in the future.

But there should be some readers who want to see something different. Take me, for example.

There is another reason, that is, Yuan Shi Tianzun, Taishang Laojun, and Tongtian Sect Master are too cheap, and they are not worthy of Sanqing.

Not in terms of strength, but in terms of force.

I want to show their compulsion a little, not only in strength, but also in temperament and realm. Even I didn't have Hei Zhun Ti, although the Zhun Ti Daoist was deflated, he was only injured. His body is still "the same longevity and solemn body as the sky, and the archmage will not be damaged by ten thousand calamities", and he has always had a supreme bearing.

I'm just writing the same people in "Romance of the Gods". So most of the plot in the original book was retained, and then various changes were made, various changes were added to make it appear different.

I deliberately write in a very old way. It's probably the kind of tone that started on the web more than ten years ago.

This book is written for myself in general, not for anything else. It would be better if there were a few like-minded people to support it.

Most of this book was written according to my plan, there was no crossing at the beginning, the protagonist is emptiness, it is the Eastern Emperor Taiyi, this is all a setting, not a hastily added later. Taiyi Zhenren was sealed, also because Taiyi avoided Taiyi and so on.

In the early stage, the protagonist can't remember all kinds of his previous life, and he doesn't act like a normal traverser, and he doesn't kill decisively, it's all foreshadowing.

Some people also say that the protagonist's character should cultivate Buddhism, that's right, the setting is like this, the protagonist should become Rulai.

The protagonist has never had a name, his real name is never known, and finally getting a name from Baiyun Daxian is also intentional, because the protagonist is nameless and lifeless.

Well, it's not actually foreshadowing, I'm showing it explicitly.

I am above board, and I put all the antecedents of the gods in the first few chapters. At the beginning, I also hoped that some readers would be able to guess my thoughts. And it's not right, it's my own problem, and I won't ever do it again.

There is no crossing, the protagonist is emptiness, and this design is not for the sake of being unconventional, but for consideration.

The setting is not a crossing, because if a few Supreme Mixed Yuan Daluo Jin Immortals are as strong as I set them up, then they will know about it as soon as they have crossed, and they can't hide it from them.

If a system can block your supreme induction, and it can also make the protagonist stronger than the leader, those leaders are too weak, and it seems that the whole world is weak.

As for emptiness, the Eastern Emperor Taiyi is to give the protagonist the reason and strength to participate in the supreme battle of the last ones, and witness all this.

At first, I didn't want to set Daozu as a boss.

At first, I wanted to write a very ordinary work.

It's just to conform to the plot.,Crossing for no reason.,Meaningless battles.,Make a little cheap everywhere.,It seems that the protagonist has done a lot.,In fact, there is a protagonist without a protagonist.。

At the end of the gods, there was the cultivation of the golden immortal, and it was almost close to the strength of the red sperm.

That's when it's time to finish.

If you are still interested, write some of the Eastern Zhou Dynasty Chronicles, Spring and Autumn Period and Warring States Period, Journey to the West, Journey to the West, Eight Immortals Crossing the Sea, Baolian Lantern, The Legend of the White Snake and so on.

I just changed my mind. Hongjun's practice of using pills such as the Three Corpse Brain Divine Pill to control Sanqing, I really can't accept it.

Obviously, Sanqing is the supreme god of Taoism, even if there is a master, why should he be controlled by the pill? What is this like?

And they can still be controlled by the elixir, what is this?

So at that time, I wanted to write about the Dead Dao Ancestor.

Another point, I don't understand, why should I be a god. What is the significance of being a god? I can't be convinced by the fact that I am replenished for the sake of Heavenly Court.

Because it seems like it's just a script, a farce.

After thinking about it for a long time, it was set like this, and you supreme beings had to deal with Dao Ancestor. Everything is the work of the supreme handiwork, purely the fight of immortals, and the suffering of mortals.

The matter of making a god and the person who is a god seem a little forced.

And all the adventures of the protagonist are actually the inevitability of everything, so there is a reasonable explanation.

In the end, to deal with Daozu, of course, there is an outline, "Six realms fall together, thousands of demons, extradition is like coming". I wrote exactly as outlined. So I'm writing a one-page book.

I have two considerations for adding Donghuang Taiyi:

The first is to add a big guy to make the protagonist's strength jump in a row a little more believable.

The second point is that when I set it up, I was afraid that the reader would feel very aggrieved when he found out that everything was under supreme manipulation.

Even if the strength is high, but the fate is all controlled, it will definitely be uncomfortable.

So I added the Eastern Emperor Taiyi, so that it became my own design, or someone else's sacrifice of their lives to fulfill themselves, thinking that it might be better this way.

As an online writer, I made a lot of mistakes.

The most wrong point is that my positioning and mentality are all about me writing a fanfiction.

The existence of the protagonist is more like a clue, connecting the plot, and many times I am trying to highlight the characters in the original book. For example, you are supreme, such as Jiang Ziya.

I'm just showing that passage of the gods in a bland text, so that the protagonist has no inner drive. In the end, he was willing to help deal with Daozu, but it was only because "the skin does not exist, and the hair will be attached". Although the protagonist is empty, which fits the character in this way, it is not good after all.

There are many written texts that are written for the purpose of rationalizing or suggesting many irrational situations in the original work. It's a bit redundant.

is like the plot of building a temple for Nezha, there are many comments that the protagonist should not build a temple, in fact, I started to make everyone think about the unreasonableness of this situation in the original book.

Why, can the Yin family give Nezha a god? Why didn't Ao Guang give Ao Bing a god?

Ao Guang built a temple for Ao Bing, so that Ao Bing would be resurrected. Everyone's good, isn't it?

Because he was a god privately, he was guilty of the heavens, because the cave god Emperor Yuan changed the scriptures.

For example, the Four Saints of Kowloon Island, it is the mount that makes the war horse unable to stand up, so what's wrong? I really don't see any big impact.

For example, Princess Longji and Hong Jin got married, and they all felt like they were out of their minds, inexplicably, Jiang Ziya dared to marry Haotian God's daughter? is the palace maid of the Heavenly Palace, and Jiang Ziya is not qualified to marry.

Wait, there are a lot of places.

I'm just writing something and rationalizing everything. It's not so much writing as revising the original.

But this kind of discussion is unreasonable, and it is not the way to write online articles. So I am not wronged for the poor grades.

When I opened the book, I was too optimistic, thinking that everyone knew about Fengshen, so I used this beginning. As a result, I didn't expect that most readers didn't even know who "Qiao Kun" was.

I didn't write this book with the mindset of writing fanfiction from the beginning.

I'm already reflecting on it, and if I have the opportunity to write a book again, I will write it according to the basic routine of the starting point, focusing on the protagonist, so that everyone can watch it well.

After all, everyone is here to relax, not to really discuss the rationality of the original work. Variations may also not be needed.

In the end, I finished writing, and I finished the idea overall, and there were many differences from the original plan.

In the original design, Xia Hua did not become a mountain ghost, and after receiving the traces of emptiness, the protagonist would do something when he changed into a god list, so that Xia Hua would become Bixia Yuanjun. This is also the reason why Xia Hua's other doppelganger is called Bixia Fairy, which has been thought of from the beginning.

As for the mountain ghosts, the plan is to arrange it for Daji. Under the guidance of Pingxin Niangniang, Daji perfected the method of ghost cultivation and achieved ghost immortals. Because it is the body of the soul, the immortal body is achieved, and it is no longer the body of the cloud dream, so the soul goes to the cloud and follows the ghost. She is a ghost fairy, so she was finally named a mountain ghost.

In the end, it was Daji, Pingxin Niangniang and the protagonist who worked together to perfect the method of ghosts and immortals.

This is also to correspond to the five immortals "heaven, earth, man, gods and ghosts" mentioned in "Journey to the West".

So the young lady didn't have to die, she wasn't the Bixia Yuanjun I chose at the beginning, and she was originally set to inherit Qingluan Douque after becoming a true immortal, and she was still the goddess doctor of Da Zhou.

It's just that after all, it's written slowly.,Before I wrote Xia Hua to death.,I changed my mind.,I don't want Xia Hua to be separated from the protagonist.,And I also like that scene.,"If someone is in the mountains, I'm taken by Xue Lixi." is both embarrassed and smiling, Zi Mu Yu is good at being slender".

A large part of the reason I was able to keep writing in the later stage was to show this scene.

It's just that when I finish writing in the end, it doesn't seem to be as good as I imagined, and my pen power needs to be strengthened.

A small part of the reason for insistence, I am for another scene, that is, the protagonist says to Princess Longji, "The princess is bent on seeking the avenue, and I also admire it, I hope the princess will get what she wants, but it's a pity that I love Hongchen and don't want to be free." ”

Setting them to be separated is not a predestination, but a choice.

Let's talk about what I originally wanted to write about the last few chapters.

1. The protagonist is lifeless, and he borrowed his younger brother's life to cover up in the early stage, because of this, Xu Qiaoling, a Western Taoist who led the Taoist, took him out of the list of gods and threw him into a family with the Western surname "Gautama", named Siddhartha.

At the same time as Gautama's birth, a child named Kinnara was born, who was the main character who evolved Gautama's fate. Jinnaro is Qiao Linger's magic calamity, and it is also to make Gautama become Qiao Linger again, and give Qiao Linger another choice.

Later, the entanglement of Rulai, Moluo, and Lawless is the sequel to Journey to the West.

So my younger brother's name Qiao Ling was deliberately designed by me, and everyone also guessed, some people guessed that it was Rulai, but guessed the wrong cause and effect. It's not Rulai who becomes Qiao Ling'er, it's Qiao Ling'er who becomes Rulai. Wutian just made Rulai become Qiao Ling again.

Second, although the Taiji Jinque Emperor died, after all, the achievement is supreme, and there are still traces of supreme left in the Heavenly Palace, and after cultivating for hundreds of years, he will recover a little. The protagonist introduces this supreme trace into the six realms of reincarnation, turns into an old man, and finally goes west to Guguan, turns Hu into a Buddha, and achieves Taishang Laojun.

3. The mountain ghosts turn into grass and tree elves, all of whom are six or seven-year-old children, including narcissus, peony, osmanthus, hibiscus, etc., and these children meet to become flower fairies. The one who is clamoring to become the osmanthus fairy is the doppelganger of Moon Palace Bing'e. Originally, Bing'e was bound in the Moon Palace, but later the protagonist introduced one of her doppelgangers into the world, allowing her to appreciate the prosperity of the world.

There is also a little girl with a dog's tail and a flower transformation, although she is not beautiful enough, but she has a good heart, and she insists that "flowers bloom in all seasons and are naturally created", she is born and can become a flower fairy.

The protagonist gave her the "Flower Magic Formula", promising that if she practiced it to the profound realm, she could become a flower fairy.

Fourth, the body of Shiji was later placed by the ancient emperor under the peak of the nonsensical cliff of the Great Wilderness Mountain, and the cultivation will be psychic after many years, and it will be channeled after many years, and it will be necessary to enter the world in the future to cultivate into the ghost realm. Daji got red silk, marriage books and the like, and cultivated into a police fairy, living above the hated sky, and instilling sorrow in the sea.

Fifth, to fulfill the promise to Huanglong Zhenren, after all, what has been promised, you can't talk and don't count.

As for the rest, I will not say anything else. Think of it as an open-ended ending.

It's a summary, but it's more about talking to you about some of the creative process, ideas or something, the state is not good, and the summary is messy for a few days.

It's not as good as I thought it would be, but it's not that bad. Overall acceptable. There may be a little regret when I opened the book, but now that it's over, it's more relaxed, and in any case, it's finished.

Thank you for your continued support.