Zhou Zhihua still hopes that everyone can be more powerful, and every time they have more means to fight the enemy.

can have a better chance of winning in the battle.

To be honest, if Sugisawa really couldn't learn this accurate gun type, he would eventually let Sugisawa exchange it for another shotgun.

Sugisawa also tried to ask Tian Jiaxiang for advice, but Tian Jiaxiang's gun sense was almost innate.

Although some of the tips he taught are not completely useless, to be honest, the overall use is not much.

The days passed like this, until the five days after coming to the barracks this time ushered in a painting mission again.

By this time, Sugisawa's marksmanship had not improved a bit, but fortunately, it was not a realistic task but a painting mission.

Everyone is still very nervous about this wasteland.

After all, the last time the poachers had planned too wildly.

Although it feels like they won't have it in the near future, and they don't dare to make a big move.

But there's no guarantee that they won't take the risk of doing anything in this painting.

When everyone arrived at the scene, there was an oil painting of sunflowers in front of them.

When Sugisawa saw the painting, he was extremely excited.

This painting is one of Van Gogh's eleven sunflowers.

This is an important reason, and another reason is that the original painting of "Five Sunflowers in a Vase" no longer exists on Earth.

Because in 1888, it was destroyed in the fire of World War II, and there is no original painting of this painting since.

That's why Sugisawa was so excited to see this painting here.

It feels as if Sugisawa has found another meaning in this world.

Go in search of the works of art that leave regrets on the earth, and discover the beauty that has been hidden in the snow.

Just like the "Thousand Miles of Hunger" at that time, if Sugisawa hadn't come to Blue Star.

Maybe "A Thousand Miles of Hunger" will really only appear in wild history.

It would not have been proven at all.

Returning to this "Five Sunflowers in a Vase" Sugisawa as a whole, I am still very emotional.

Looking down from above, a tall, stretched petal gushes like a flame, scorching a royal blue aura.

In the middle, the two fruits are abundant and thriving.

At the bottom, two dead leaves and flowers are dying, and one has withered, not counted.

Within a stone's throw of cobalt blue and bright yellow, death and brilliance, the contradictions are tangled and meaningful.

There wasn't much time left for Sugisawa to think, so Sugisawa followed the team and entered the painting in the order of the team.

This time, Sugisawa turned on the detection equipment as soon as he landed, but fortunately, there were no controlled items as far as the eye could see.

The sky here is dark, and only the sunflowers on the ground show a withered golden glow.

Although this scene is very strange to describe, it does not seem to be inconsistent.

The combination of withered sunflowers and a flame of hope to be honest seems to have an eerie sense of sacredness.

These sunflowers have all lost their lives, and Sugisawa doesn't know if these sunflowers were originally painted demons or plants.

The whole painting is filled with a sense of war desolation.

Perhaps it is a temperament of the painting itself, or perhaps the painting was destroyed in the war at a certain point in history.

Everything about this kind is unknown to Sugisawa, but that doesn't stop him from liking this picture.

The temperature in the painting is much higher than that of the outside world, and the fire element aura during the period is unusually abundant.

Qingqiu was very excited in this painting environment, but the other two little ones were not so active.

They are all a little sick, but the Holy Armor is still able to move normally for now.

But the hair is a little uncomfortable, it seems that this is the hell of the botanical painting demon, and it is not more comfortable because it is also from Van Gogh's painting.

Sugisawa can only temporarily withdraw the hair back to the demon painting space, such a state of hair hair not only can't help much, but may even divide Sugizawa's energy to take care of it.

The instructions received by the four-person team this time were also very simple, that is, to keep exploring the painting world.

Draw a coordinate point matrix every half a day to ensure that the external teleportation array can be smoothly located to the coordinate points in the drawing area.

Finally, if there is any prohibited material, collect it as much as possible.

In case of force majeure factors, if you cannot collect the contraband, try to make sure that you draw more teleportation array coordinate points near it.

The overall task is relatively simple, and compared with the previous tasks, this time there are only coordinate point markers.

Therefore, it will not cause too much trouble to everyone, and the bureau's intelligence system, there are almost no civilians transmitted in this time, and if there are any, the number will be very small.

Therefore, there is a high probability that you will not meet the previous strange-eyed man.

Looking at the concentration of aura in the instrument, Sugisawa chose to lead the team to the area with high aura to approach.

Sugisawa discovers that all the heat here comes from sunflowers.

Some sunflowers still have sunflower seeds left, and Sugisawa doesn't know if it's useless, but the number of melon seeds and the remaining treasure are not much.

The heat in these melon seeds is even hotter than the sunflower itself.

Received the melon seeds into the painting demon space, and asked Qingqiu to find an area away from the irises and store them.

This painting space still has an impact on everyone's vision, the bright color of the ground and the dark color of the air.

This contrast makes the vision of the eye very uncomfortable, but you have to pay attention to the surrounding environment.

Afraid of encountering some danger, Sugisawa found an opportunity to ask Aooka to bring out the drawing he brought out in the iris painting last time.

Corresponding to the screen of "Five Sunflowers in a Vase", the brightness has been slightly increased.

But Sugisawa felt that this was not enough, and perhaps he didn't just need to enter this painting realm.

It also takes an opportunity or a token to fully activate the conditions on the drawing.

Sugisawa was still a little confused at the moment, so he could only start exploring in this withered sunflower forest.

Li Le directly summoned Abu and sprayed everyone with some water from time to time to ensure that everyone would not decline due to dehydration.

With Abu's water supply, Sugisawa and the others are still in a good state to be able to explore this painting realm.

Suddenly, a fire-like creature appeared in front of everyone's eyes, its whole body was illusory, and its whole body was made of fire elements.

The strength of this painting demon is not too strong, and it has reached the strength of a two-star painting demon, but the painting demon composed of this element is a little difficult.

Until everyone surrounded his entire body, he was annihilated by Abu in one fell swoop.