The painting demon here Sugisawa has only encountered this kind of painting demon that exists in the form of an element.

Along the way, there were almost no physical creatures encountered.

Everyone didn't spare their hands, and they didn't let go of any of the painting demons they had encountered.

This kind of purely elemental painting demon is almost impossible to complete the painting demon contract.

It is unlikely to be exploited by humans at all.

There have been quite a few people who have tried before, but they don't have a physical entity, and unless they actively cooperate, it is almost impossible to succeed.

As long as the contract is carved slightly, the formation of their mobilization body will also be broken, and it will not be formed at all.

Similar research has been carried out in the Federation on the painting of this elemental body, but it has always been in the research and development stage to explore a more suitable way to draw demons in the form of an elemental form of contract.

After all, these painting demons have no entity that can help humans accomplish many things that they couldn't do before.

For example, the water elemental demon is composed of the water element, which can help humans better explore the unexplored marine resources in the deep sea.

These painting demons all have a certain strategic significance, but it's a pity that this kind of painting demon is too difficult to contract.

Of course, there will be some exceptions here, which are the painting demons of the wood attribute.

Almost all of the painting demons of the wood attribute are presented in the form of wood elements.

However, woody has a quality, and it is unlikely that it can be as illusory as other elemental bodies.

The essence of wood is also life.

Therefore, among the elemental painting demons, only the wood-attribute painting demons are the most peculiar existence.

Of course, earth and gold will also have entities.

However, the Earth Elemental Painting Demon can also achieve the property of turning entities into sand, and the same can be done with the Gold element, which can be turned into molten iron.

Most of these elemental painting demons also have their own limitations.

I don't know if it's because their own elements are too single.

Generally speaking, their growth potential is not too high, and it is not easy to reach 4 stars if they grow naturally in the painting territory.

This is probably a restriction on them.

The realm of painting, like nature, has its own internal balance system.

Often, these pure elemental painting demons can easily kill the same realm, and it is not too difficult to cut them down.

Therefore, the Demon Painter cultivators like to study these elemental Demon Painters so that they can find a breakthrough in the evolution of the Demon Painting.

Now there are two basic cultivation theories, the first is to improve the physical strength of the painting demon, and the second is to purify the aura attribute in the painting demon's body, and the second point of inspiration is the painting demon of these pure elemental bodies.

At present, there are not too many types of pure elemental body painting demons found, and they are all based on gold, wood, water, fire, and earth.

Some of the more special painting demon attributes are the painting demons of the thunder element.

Other types of painting demon attributes,Sugisawa himself has at least not heard of。

Perhaps, but the number is so scarce that it has not been recorded.

Thinking about these questions, Sugisawa and the others have been in this painting territory for half a day at this moment.

It's also time to depict the coordinates of the teleportation formation.

The team of four, after each person had been separated by a certain distance, began to draw the formation runes.

Now Sugisawa has regained some self-confidence, knowing that it was too painful to be tortured by shooting training some time ago.

He began to wonder if he could do it, and it was a terrible thing for a man to doubt that he could do it.

As the formations were carved one after another, Sugisawa carefully modified the rune parameters of the formation according to each condition.

Factors such as temperature, topography, humidity and other factors are all in line with the requirements.

Sugisawa was the first to activate the formation, and then the three of them also finished carving in turn.

Originally, Sugisawa thought that there would be no problem, but he saw Li Lego shouting:

"Brother Ze, help!"

Li Le estimated that he was too involved in studying the formation in real life some time ago.

Directly here, the formation is also used in real life, and it is conceivable that there is only one consequence of this.

That's the explosion.

Sugisawa had no choice, so he could only quickly drag Li Le back when the formation was about to explode.

It's nothing if it explodes in normal times, and if you do more, you'll be paralyzed for a few days.

However, if you are paralyzed for a few days in the painting, it will affect the action secondarily.

The main thing is that it is simply not able to fight on its own, and when it is necessary to fight, there is also a need for someone to guard the wounded.

Sugisawa didn't want that to happen.

Fortunately, Li Le's call for help was timely, and Sugisawa quickly made the right response.

In addition, Li Le himself is mainly defensive, so in the end, he still did not suffer any substantial damage.

Li Le's original complacency about cracking the formation has disappeared at this moment.

Sugisawa patted Li Le's shoulder and said:

"Okay, pay attention next time, this kind of lowest-level mistake won't happen again in the future, you say you're not stupid, why are you so stupid sometimes?"

"Brother Ze, thank you, I will pay attention next time."

Sugisawa nodded, and then Sugisawa stared at Li Le's depiction formation one by one.

to prevent any further problems.

Sugisawa finished reading Li Le's drawing, on the whole, Li Le actually really has his own talent in formation.

However, there is still a need to strengthen the grasp of these details.

Otherwise, if you learn the formation of the enemy's means in the future, if you don't get it right, maybe you haven't killed the opponent, but he will be the first to die.

There is no way for Sugisawa to help Li Le establish careful habits in a short period of time, and these can only be slowly tempered in the future.

Thinking of this, Sugisawa also shook his head a little helplessly, I hope this kid can really have a longer memory.

A large crater appeared in the area after the explosion.

Originally, Sugisawa didn't pay attention, but Aogaoka dragged Sugisawa closer to that area.

Sugizawa, who came to the edge of the pit, looked at the quality of the aura in the pit, and was a little dumbfounded.

There was nothing else in this pit, but the aura was almost reduced to substance.

Sugisawa pulled Qingqiu and jumped into the pit, and began to absorb the aura of these fire elements with great effort.

But Sugisawa didn't take a few bites, and the earth was healing rapidly.

Soon Sugisawa would not be able to access these spiritual auras that had turned into substance.

This is supposed to be the self-healing function in the painting, but I didn't expect this self-healing in this painting to be so exaggerated.

Thinking of this, Sugisawa wanted to continue to blast the earth, and wanted to explore.

However, he found that it was only possible to achieve an impact as large as the explosion of the formation just now.

At the moment, they were all on a mission, and they didn't dare to take such a big risk.