Chapter 102: Repeatedly
As Sugisawa and the others continued to go deeper, even the soles of the specially made military combat boots on their feet had melted a large piece.
It's as if there is no center and no end.
Everyone kept moving forward in this hot sunflower sea, but they never found any coordinates and directions.
I didn't see any other teams along the way.
If it weren't for the time when you could see it with your device, everyone would have collapsed by now.
In this painting, there is no change in the sky and the earth, and the passage of time is completely invisible.
This place where the speed of time is not visible is often the most terrifying.
Such an environment can easily lead to extreme anxiety.
On Earth, Sugisawa knows that NASA once had an experiment to prove that the concept of time does not exist.
They put the experimenters underground where they couldn't see the sun and let them spend 280 days inside.
But in the end, no one persevered.
Many people who stay for a long time are replaced by mental illnesses.
Therefore, after people do not perceive time, their mental state is likely to be abnormal.
Fortunately, the time in the painting was only seven days, plus the electronic equipment in the hand.
The crowd should not be too tired.
In this way, everyone did not gain much.
Sugisawa and the others were a little disappointed to stay up until the sixth day.
Just as there were ten minutes left, a huge explosion rang out in front of everyone.
Sugisawa and the others didn't have any defense at all, and their entire bodies were shattered by this explosion.
Consciousness was in chaos.
The five senses and the five senses are all enclosed.
With a big gasp from Sugisawa.
Everyone opened their eyes again, and what had happened before seemed like a dream.
Looking at his intact body, there were no signs of melting on his shoes.
Everyone was at a loss at the moment, and they didn't know what was going on.
However, the surroundings are still in the painting environment, and there is no difference from the previous painting environment.
Obviously, seven days should have passed at this moment.
But the crowd didn't teleport out of the painting.
There isn't much power left in the electronics at the moment.
It only has about seven days of power in reserve.
A fear that there will be no concept of time fills everyone's minds.
Sugisawa felt a little tired at the moment, and he didn't know what the situation was.
One can only hope that they can be teleported back when the next seven days are over.
Fortunately, Sugisawa's painting space is relatively large.
Inside, Sugisawa usually has a lot of food and water stockpiled.
Here, the benefits of painting are highlighted.
Squad members don't have to worry about lack of food and water.
But now it is unknown how the other teams will complete this test.
The average military has only seven days' worth of food.
If you don't stock up on some food in advance, it is estimated that many people will have a hard time in the next seven days.
Although it will not die of thirst and starvation, the decline in state is an inevitable result.
Under this torment, Sugisawa and the others finally survived the seven-day test again.
But a bomb pulls everyone back into the painting again.
Sugisawa and the others already had an extremely vague sense of time, and this time it felt like it had taken more than ten days to wait for the explosion.
There is no reference to the time scale, and the time that everyone rests and travels produces cognitive impairment.
Now it is impossible to follow the teleportation formation every half a day.
Even further back, Sugisawa's concept of this thing became extremely vague.
Li Huanhuan was a little broken, this concept of no time.
It's really maddening not knowing when you'll be able to get out.
The art here is bound to be even more terrifying than NASA's experiments.
At least during the NASA experiment, people can withdraw at any time.
There will also be a constant supply of food and water.
But in this painting, everything is unknown.
No matter how much food and water is stored in Sugisawa, it will be used up in one day.
Li Le was relatively calm at the moment, and finally showed his responsibility as an elder brother this time.
is constantly comforting Li Huanhuan.
When Li Huanhuan's mood eased slightly, Sugisawa spoke:
"Let's continue to explore, we don't have to be afraid of destroying the environment here, just use the formation to blast the ground and see if it will have any effect."
Because the surrounding environment is relatively simple, everyone has no other way at the moment.
I can only agree with Sugisawa's one idea.
But before that, everyone summoned a white fleur-de-lis.
Let the long vines in its depths be tied around its waist, and when the formation explodes, it will quickly pull itself back.
Sugisawa also asked Hair to find a white iris to help.
Let the vines of hair entangle him, but Sugisawa doesn't dare.
Not to mention the great pain caused by the vines that make the hair, just saying that the hair can only act on the soul.
At the point that it doesn't have any effect on the flesh, Sugisawa doesn't use rattan for hair.
After everything was ready, everyone began to carve out the formation.
When the formation of four people is drawn at the same time.
The white irises all pulled everyone backwards at a rapid pace.
With the shock wave of the formation explosion and the pulling force of the irises.
Sugisawa and his party were quickly pulled into a safe area.
None of the four suffered much damage.
This explosion was much more exaggerated than the previous one.
A pit seven or eight meters deep also appeared in front of everyone.
But there doesn't seem to be anything special about this pit.
The same healing speed is extremely fast.
Sugisawa's direction seems to be wrong, the ground is still underground, and there is no shadow of anything to go out of.
Once again, everyone fell into confusion.
Everyone walked for two seven days, but they still didn't find where the midpoint of the painting was.
It seems that there really is no border and no midpoint here.
After this explosion, Sugisawa decided to take the people of his team and start running wildly.
The consumption of resources is also not considered.
Maybe there will be some kind of breakthrough point at the midpoint of the painting.
This also turned out to be futile, and it simply did not reach the midpoint.
The crowd was left feeling a third explosion.
It's like a cycle of nothing.
But I don't know why every time I die, I can come back to life again.
None of this is like a hallucination, everything around is unusually clear.
Sugisawa was confused, coupled with the perception of no time, at this moment Sugisawa looked at this dark sky and began to be stunned.