This sphere is obviously a miniature version of the sun in the eyes of everyone.

The blow slammed into Maderian.

A large area of his chest was scorched.

Even if Maderian didn't take a defense, he suppressed his own level at the level of a demon painter.

The defense it carries is also very terrifying, but the strength of this physical body is still not lightly injured by the holy armor.

And he didn't have the slightest idea of wanting to dodge, which was the most terrifying thing about the Holy Armor.

If he was on the real battlefield, he was waiting for the attack of the Holy Armor on the spot, and the demon painters around him would definitely be able to teach him how to be a man in minutes.

At this moment, his back was completely wet, and he didn't even have time to treat his own wounds.

If it weren't for Sugizawa's reminder, it is estimated that he would have stood in shock for a long time.

Just when Maderian wanted to discuss the cultivation of the next painting demon with Sugizawa, Sugisawa's mobile phone suddenly rang.

A text message appeared on his phone screen.

"Urgent Mission:

Mission Level A

In the Bin Bin Art Museum, No. 28 Bomei Road, a small classical oil painting exhibition was invaded by unknown people and poured a large amount of aura, activating dozens of paintings.

Reclamation Army Headquarters"

At the moment, Sugisawa is in Maderian's shop, just a five-minute walk from Hakumi Road.

Without continuing to talk to Maderian, he rushed straight to Pomeranian.

At this moment, the outside of the Bin Bin Art Museum has been cordoned off by the Department of Public Security.

There are also many Sugisawa who have never seen people wearing different uniforms guarding the perimeter.

This is most likely the other branches of the military.

At this moment, they saw Sugisawa speeding forward, aiming all their weapons at Sugisawa.

Sugisawa didn't wear a military uniform, and his face was too young.

And the strength is only a demon painter, although there are many demon painters in the wilderness army.

But there are often also enchantresses to lead the team.

No one would have thought that this was a pioneer of the army.

"Stop, military restricted area! Stop, military restricted area! ”

Sugisawa saw that these thermal weapons were all aimed at him, and immediately slowed down his pace of rushing forward.

I saw that Sugisawa had slowed down, but he was still walking this way.

The officer who spoke earlier frowned a little, and instantly ordered a tactical cleanup, signaling the surrounding soldiers to prepare to surround Sugisawa.

Because it is in the downtown area, there are many people around, and they have discussed:

"What does this kid do? It can't be poachers, right? ”

"I think these guys are just asking for money."

......

Just as the officer was about to continue to give orders, Sugizawa, who was running wildly, panted and said:

"I'm the one who opened the wasteland."

The officer at the head obviously didn't believe Sugizawa's words, and it really didn't look like those reckless men of the Wasteland Army.

Seeing this, Sugisawa directly took out the documents of his wasteland army.

The officer was suspicious of Sugisawa's ID, but he didn't mean to let the people around him relax their vigilance.

Sugisawa could only wait when he saw this, and the soldier took Sugisawa's ID card to the testing instrument and scanned it, and was a little surprised.

After checking Sugisawa's face a few more times, he resolutely saluted and let him go.

You must know that people like them who do field work still admire the Pioneer Army very much, even if he is now higher in rank than Sugizawa, they will directly salute him.

Sugisawa returned the salute, without too much nonsense, and directly put on the equipment and plunged into the painting realm.

Looking back, the people who were originally talking about him all saluted him with a somewhat non-standard military salute.

Everyone still has unusual respect for the Wasteland Army.

These pioneers are really guarding the peace of the party with their lives.

Sugisawa felt as if what he was doing had really become meaningful.

As the familiar feeling of weightlessness came, Sugisawa opened his eyes and was already in this painting realm.

It is extremely inaccurate to use this painting to describe it, but it should be used this painting environment.

Because at this moment, in Sugisawa's eyes, this is not a single painting environment, but a mixture of several paintings.

Sugisawa's own understanding of the paintings alone reveals several paintings.

The first is Gustav Klimt's "Kiss", a double portrait.

The second is The Death of Marat, by Jacques-Louis David, the founder of neoclassicism, which is also a portrait.

The third one is one from Vincent Willem van Gogh's "Sunflowers", but the environment is so distorted that Sugisawa doesn't know which one it is.

The fourth is Claude Monet's "Woman with a Parasol", which is a landscape figure painting.

There are also some paintings that either have too little representation or that Sugisawa has never seen.

For such a scene, Sugisawa was also the first time to encounter it.

It's no wonder that this mission was judged to be A-class, and this is a crisis in the realm of this hybrid painting on paper.

And that's not counting the things that the mysterious people want to do.

Sugisawa took a deep breath and decided to start exploring the painting.

With the experience of the last poacher, Sugisawa directly took out the detector.

I want to see if there are a lot of controlled items in this art area.

Fortunately, on Sugisawa's monitor, there are still no patches of red this time.

That means that there is a high probability that no one has touched this painting realm, so what are those mysterious people trying to do?

The more Sugisawa thought about it, the more irritated he became.

He gradually quickened his pace, and of course made a teleportation coordinate point from time to time.

The area within the painting can be said to be very large, which is the sum of the area of several large painting areas of the young master.

Sugisawa judged that the reason for the paintings was the surrounding scene and the background of the corresponding paintings.

This was the first time he had come to this kind of painting, which was dominated by portraiture.

He can still grasp the previous paintings of plants and landscapes.

However, for this unknown painting environment, Sugisawa has to say that he has become a lot more cautious.

Summoned all the Holy Armor, Fa Fa, and Qingqiu to prevent the danger that could arise at any time in the painting.

To be honest, this time he entered the painting by himself, and it was still very dangerous.

If Li Le and the three of them are not there, Sugisawa's combat methods will be much weaker.

And without the recovery function of the big nurse's small wooden stake, I don't have many opportunities for trial and error this time.

After thinking this clearly, Sugisawa directly asked Hair to appear in the painting with his army of irises.

The iris of the black sun has become a tool flower for Sugisawa to explore the way.

As for the butterflies, of course, some of them ran out with the hair.

But Sugisawa felt that the existence of these butterflies was of little significance, and if he could communicate with Fa Fa, he could also let Fa Fa pass on the information brought back by the irises.

But these butterflies obviously don't have this function.