As these irises spread out, Sugisawa had more vision than anyone else.

A lot of danger can be predicted in advance, just when Sugisawa feels lucky.

Suddenly, a large number of irises disappeared in Fa Fa's perception.

Sugisawa sensed the message that Fa Fa had sent to him, and immediately let those irises come back.

The losses are not too great.

He was getting a little nervous at the moment, knowing that so many irises had suddenly disappeared.

If not even a bit of news comes back, then there are only two possibilities.

The first is the same as what Sugisawa encountered in the painting "Five Sunflowers" before.

These irises enter a small space of their own.

Either these irises were instantly killed by high-level painting demons.

But Sugisawa didn't feel too many aura fluctuations here.

So his own subjectivity was more inclined to the previous guess.

After all, within this painting realm, there is indeed Van Gogh's "Sunflowers", but Sugisawa can't tell which one it is.

Looking at this glazed and colorful sky, this scene alone is indeed very attractive.

If Sugisawa hadn't been on high alert at the moment, he would probably have taken out his paintbrush and started painting directly.

The sky is interspersed with several top-notch oil paintings, although each oil painting is an independent painting.

But under the mixing of the painting environment, it has become a splendid landscape.

There is no sense of disobedience at all.

Sugisawa walked cautiously, unaware of the changes in his surroundings.

The originally colorful sky was gradually dyed with a layer of golden brilliance.

By the time Sugisawa reacted, he had lost contact with the coordinate point matrix he had just drawn.

He enters Klimt's "The Kiss".

This painting Sugisawa is very familiar, and it is a painter he likes very much.

Born in Vienna, Klimt was a well-known Austrian symbolist painter.

He founded the Vienna Secession, a representative of the so-called Viennese cultural circle.

Klimt's paintings are characterized by special symbolic ornamentation and extensive use of sexual themes in the paintings.

"The Kiss" is a square painting showing a pair of lovers embracing each other, their bodies intertwined by robes.

This method of expression was influenced by both the Art Nouveau and Arts and Crafts movements of the same period.

Klimt covered traditional oil paintings with gold leaf to make the paintings even more modern.

The Kiss is a representative work of symbolism and Klimm's most popular work.

At this moment, not only gold appeared in the sky, but also the earth where Sugisawa walked was made of gold.

It looks far more luxurious than the Golden Toad Treasure Pavilion.

Just as Sugisawa was walking, he raised his foot as if he had kicked something.

Looking down, it was a golden orb, much like a slime.

This is a decorative pattern on Klimt's paintings, and Sugisawa did not expect this pattern to turn into such a cute painting demon.

After Sugisawa kicked it, it stupidly slammed into Sugisawa with its brain.

Sugisawa hurriedly dodged, this two-star golden pimple, if it fell on his body, it would probably be uncomfortable.

For this cute little guy Sugisawa directly let Qingqiu show his charm, and then kicked into his own painting demon space.

This cute little thing is often used as a butt stool when drawing.

What's more, this golden pimple looks like a thick-skinned master, if there are a lot of them, Sugisawa wants to get a few for Li Le to go back.

After all, Li Le's main focus is defense, and it seems that this little guy's growth potential is also good.

After thinking of this, Sugisawa was not so nervous, after all, he himself was in stock every time he went to the painting realm.

Along the way, quite a few of these golden bumps were collected, as well as some golden-red ones.

It was at this time that Sugisawa saw very clear footprints on the ground.

After a closer look, Sugisawa knew that this was not a military man.

After studying military theory classes for so long, I also learned a lot of criminal investigation methods, and this kind of footprint is not a standard military boot at first glance.

And seeing that this person walks very calmly, this look is not a common person who has strayed into the painting.

Then there is only one explanation, which is the footprints of that group of mysterious people.

It doesn't look like one of those poachers, and there are a lot of resources around that can be sold for money.

The poachers Sugisawa had encountered before had basically been plucked by geese.

It is simply impossible to let go of these resources.

Thinking of this, Sugisawa directly quickened his pace and began to move forward along this footstep.

He took the holy armor with the strongest combat power directly into his arms, and as long as the situation was not right, he directly activated the bloodline of the holy armor and smashed a solar dung ball over.

Sugisawa saw more and more different footprints along the way, as if they were heading towards the same destination.

Sugisawa didn't know whether to follow up at the moment, after all, there were almost four or five people in the footprints here.

He is not afraid to carry out the mission with the squad, after all, their squad is fully functional.

There are still life-saving means, but if he goes alone, he will capsize in the gutter.

Sugisawa misses Tian Jiaxiang's wind falcon a little at the moment, and if there is a wind falcon, you can also explore it in advance.

Just as Sugisawa was struggling, suddenly he felt that something was wrong, and his heart was beating wildly.

Tumbling forward in an instant, a huge axe silently slashed from the top of his head.

It was a middle-aged man dressed in a black hat, and Sugisawa could only faintly see the man's face through the gap under the hat.

Sugisawa didn't talk nonsense, and directly activated the bloodline of the holy armor.

The man snorted and scolded:

"The lackeys of the Federation, I didn't expect the little beast to react very quickly."

Sugisawa squinted at the man and said:

"Who are you?"

The man didn't intend to give Sugisawa time to continue talking nonsense, and directly summoned his own painting demon.

A fire-attribute wurm painting demon.

"Who am I? Go down and ask the underworld. ”

The hat man has obviously reached the strength of the demon painter, and in his eyes, Sugizawa, the demon painter, is simply a little Luo.

But he didn't hold it up, and still summoned his painting demon.

This is obviously a painting demon envoy who fights with his brain.

Although Sugisawa had also killed the Demon Envoy before, but that time it was a sneak attack.

This is where the crisis really comes in, and this is an opponent who is guarded and not lightly attacked.

It's completely a knife to kill chickens, and this wulong has also reached the strength of four stars.