Peter did not go with Diana to follow this time, but continued to watch the surveillance in the surveillance car.

Peter: "Jones, did you hear anything?"

Jones: "No, they shouldn't be talking in the living room, maybe in the bedroom."

Peter: "Go on."

Jones and Peter both had headphones on to monitor, while Jimmy sat bored by the back door, took out the revolver, and started playing with bullets.

This kind of monitoring is not as long-term as it is when studying and testing in the academy, mainly so that the detectives know how to use it. This kind of long-term monitoring made Jimmy a little irritable, so he could only use the revolver to practice his hands, and by the way, relieve his irritable mood.

What Jimmy didn't notice was that Peter was listening to the monitoring while aiming at Jimmy from time to time, his loading technique was too showy, and if he changed to someone else, he would basically not use this one-handed operation of throwing them into the bomb nest one by one, the key is that the speed is too fast, and it is a bit too much to install a round of 6 bullets in two seconds.

Jimmy loaded the bullet, retracted his armpit, and said to Peter and Jones, "I'll take a look, I don't know what Seaman is doing in the house." Jones, give me a bug and I'll see if I can get in."

Jones gave Jimmy a bug, which was very small. "Flip the switch when you plug it in."

Jimmy opens the door with a bug and leaves the surveillance car.

Jimmy walked slowly to the bottom of the apartment building, and as he walked up, he looked at Seaman's room, where Seaman was busy in the bedroom where the paintings were kept, and it looked like he was moving the paintings from the corner to the bed, stacking them in two piles.

Jimmy twisted the doorknob, the door was locked, Jimmy had not yet learned the lockpicking technique, so he had to give up, and now the only thing that is certain is that the paintings are indeed in this room, and what I see from my heart is Seaman's paintings stacked on top of each other, which is very obvious.

Jimmy glanced up at the hidden camera, shook his head, then turned and went downstairs, went to the coffee shop and bought three more cups of coffee, and then came to the surveillance car. "I'm sorry, the door is locked, there's no way to get in, the bugging won't fit."

Jimmy returns the bug to Jones, and then gives Jones and Peter a glass, and because they don't know their tastes, Jimmy buys three identical lattes.

Jimmy already knew that Seaman was going to act, and the action of sorting out the painting just now was obviously a follow-up action, and now it was up to him to do it.

Half an hour later, a van stopped under Seaman's building, and Seaman could be seen walking downstairs with a stack of paintings in both hands, and the driver of the van also got out of the car and opened the side door.

Peter took off his headphones, pulled out his pistol, and said to Jimmy, "Up."

Jimmy opened the back door, came down with Peter, and then slowly walked to Seaman's villa, Seaman was on the 4th floor, and it took time to walk down, and Jimmy The distance between them and Seaman's apartment was more than 20 meters, and it was enough time to walk slowly. Jimmy opened his eyes early and stared at Seaman, who came down the stairs, just in time to meet him at the door.

Peter shouted "fbi", but before he could say the next, Seaman let go and the painting fell to the ground, while Seaman turned to run back to the apartment.

….

Jimmy stepped forward, grabbed Seaman's clothes, and pulled him off, "Stop. fbi。」

When Jimmy went to catch Seaman, Peter reached out and helped the frame, but he still couldn't save all of them, and two of them had fallen to the ground, and the frames were scattered.

Peter looked at the painting, "It's very similar to Rachel's, Seaman Mays, I suspect you have something to do with the theft of the Denley Gallery, and I'm going to arrest you now." Jimmy, put it on."

Jimmy removed the handcuffs from his waist and put them on Seaman. For a normally thin body like Seaman, Jimmy is already a strong man, and resistance is ineffective.

Jones followed behind, armed with his camera, and filmed the painting that had been thrown to the ground at the scene and the painting that Peter was holding onto.

[In other words, it is the best way to read aloud and listen to books at present, @

in the room. Jones, you bring the suspect back to the bureau, I'll apply for a search warrant, Jimmy, and keep Seaman's apartment door at the door, don't let people in and destroy the scene."

He put the paintings back in the surveillance car and took a taxi away, while Jones took control of Seaman to the surveillance car and locked it in the passenger seat.

Jimmy was more worry-free, he only needed to look at Seaman's apartment, but when he turned his head and saw that the van driver was still there, he didn't take advantage of the chaos just now to run away, yes, it saved trouble.

Jimmy thought about it, walked over and made a routine inquiry to the driver, this is a moving company's car, after recording the driver's ID, phone number and license plate, Jimmy is ready to let the driver leave, with this information, if there is anything in the future, you can contact him directly, if he escapes, it is better, you can directly issue an arrest warrant.

I thought it was over, but the driver suddenly surprised him, and the driver gave him an address, the destination of the delivery, a mini-warehouse next to the Hudson River.

Windfall, Jimmy asked the driver to leave, he didn't rush to tell Peter about it, and it was not too late to get the search warrant before he got the warehouse, that Parker Denley, the owner of the gallery, must have a problem, but I don't know if Peter and their later interrogation can be linked to him.

With several paintings as evidence, it was very easy for Peter to apply for a search warrant, and this time he brought with him a few members of the task force, as well as an expert in forensics.

After cleaning Seaman's apartment, other paintings were found from another room, no less than ten paintings, all of them were there.

Returning to Federation Square, Peter did not directly arrange to inform the painter Rachel and the gallery owner Parker, but the recovery of the painting was not finished, according to the previous clues, it was obvious that this employee was not the final boss, and there were people behind him.

Peter didn't interrogate Seaman in the interrogation room, but in the conference room, where he and Seaman were the only ones, and Jimmy didn't know what they were talking about.

As for the address of the mini-warehouse provided by the van driver, Jimmy has already provided Peter, and I believe that an old agent like Peter must know how to use it.

Jimmy was at least a little depressed, this eucalyptus strictly said that it had nothing to do with him, although he thought that Seaman had a problem here, and took a photo, in fact, other people could also judge it, after all, there were only a few employees, as long as they went back to summarize the information, they could naturally tell that Seaman's expression was a little nervous at that time, which was nothing more than saving half a day's time.

This kind of purely cerebral analysis of clues, monitoring of suspects, and finally arrest is a bit too torturous for Jimmy.

North American Gunslinger Detective.

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