207 That's it
Peter interrogated Seaman in the conference room, and after about ten minutes, it seemed that the results had been achieved, Peter stood up and left the room, while Seaman looked depressed with his head down, his hands clutching his hair.
Peter came up to Jones and handed him a note: "Jones, go and apply for a warrant for Seaman's roommate, who works as a waiter in a restaurant."
Jones took the note, then stood up and picked up the suit hanging from the back of his chair and walked to the elevator.
Peter picked up the phone and made a call as he walked upstairs, "Diane, what's going on over there?" "Keep tracking, we're going to take them down together."
Peter hung up the phone, came to the door of the office, and was about to go in, when he suddenly stopped, he turned around and shouted "Jimmy", hooked his hand, and then entered the office.
Jimmy had actually turned to look at them when Peter and Jones were arranging tasks, and now they were so bored to see Peter calling himself upstairs in a puff of smoke, and it was so boring to keep looking at the computer screen in a daze, and it was a good thing to have a task.
Jimmy: "Peter, what's the matter?"
Peter: "Seaman has already confessed, it was Parker who arranged for him to steal the paintings, and the two people who did it were caught first, and Parker will do the rest."
Jimmy: "Understood, so what am I going to do?"
Peter: "I don't need you to do anything yet, but now that the basics are in place, can you figure out what's going on?"
Jimmy: "Surprise exams? Well, I'll think about it."
Jimmy thought about it for a moment, "I can probably figure it out, but I still have some questions.
Parker found Rachel, who was already well-known in Paris, so it would definitely be good to have a solo exhibition in New York, to make a name for herself, and if she could sell it at a high price, it would also be good for her value.
After the exhibition began, Parker arranged for Seaman to steal the paintings, because Seaman was not convenient to transport alone, so he asked his roommate to carry out the theft at 1 a.m., because they knew that there were no cameras outside the gallery, only two cameras inside, so their whereabouts would not be leaked.
Seaman had the gallery key, so we thought it was someone picking the lock, but now it looks like the inner ghost opened the door and came in.
They put the painting in Seaman's roommate's room, probably because we went to investigate and alarmed Seaman, he contacted Parker, and after Parker met him, he arranged for Seaman to move the painting to the mini-warehouse. Then he was caught by us just as he was about to transfer.
What I don't understand is why Parker did this, for him, the gallery is labeled as unsafe, and it will be very troublesome to start a business in the future."
Peter: "You're missing one person, Rachel, and this eucalyptus is probably a plan that Rachel and Parker made together. Don't understand? The best way for a painter, especially a well-known one, to become famous is for someone to buy their paintings at a high price. Secondly, there are art thieves who are eyeing their paintings, which can also enhance their fame from the side.
In this case, it is highly likely that Rachel will receive fame and compensation, while Parker will receive cash compensation from the insurance company. Through their cooperation, the theft was made into a headless eucalyptus, and you can privately publicize that a thief has taken a fancy to Rachel's painting, you can understand it."
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Jimmy nodded, he really hadn't thought about the benefits that Rachel would get before.
Peter: "I just got some scattered news from Seaman, and I haven't confirmed it yet, Seaman said that Rachel had sold for more than 50,000 euros for a single painting in Paris, and if they did do it this time, maybe the next Rachel solo exhibition should be in the six-figure figure."
Jimmy nodded, "So are we going to arrest Rachel now?"
Peter: "No, we need to arrest Parker first, but we can't catch Parker with Seaman's confession, and when Jones is done, we're going to fish."
Jimmy: "Did you ask Seaman to tell Parker to go to the warehouse with the painting?"
Peter: "Well, it looks like you're still thinking a lot, when did you think Parker had a problem?"
Jimmy: "We confirmed that there was Parker in the picture and that he noticed something unusual when he returned to New York early, and I even did
I suspect Parker didn't leave New York at all."
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Peter: "Go on."
Jimmy: "When Jones contacted Parker during the investigation, it was only Parker who said he was out of town, and he met Seaman in advance yesterday, assuming he was out of town, no matter what mode of transportation, it would be troublesome to come back early, and if we caught him, we could make further determinations about his time, and if he insisted that he didn't come back, then the photos I took were evidence, and his perjury was a certainty."
Peter: "Anything else?"
Jimmy: "No, I don't have a lot of eucalyptus, and this kind of eucalyptus is the first, so I don't have much experience."
Peter: "Well, you go out first, and then you come with you when you fish."
Jimmy turned and left Peter's office, Seaman still in the conference room, but he probably wouldn't run away.
Jones came back soon after, Seaman's roommate was already locked up, Peter saw Jones come back, so he took Seaman downstairs with him, Peter drove himself, Jimmy and Jones drove the surveillance car, and took Seaman and the painting to the agreed warehouse.
Seaman had already obtained the keys, and Jones had installed cameras and bugs inside and outside the warehouse, and Seaman called Parker and asked him to come to the warehouse to inspect and hand over the goods.
Peter, Jones, and Jimmy stopped the car far away, waiting for Parker to arrive, Diana had been notified by Peter in advance, and when Parker came to the warehouse, she also came and parked the car next to the surveillance car.
Diana enters the surveillance car, Peter and Jones are listening with headphones on, and Jimmy is still sitting next to the back door playing with the revolver.
Peter: "Target enters the warehouse, Diana, Jimmy, go, wait for orders to arrest."
Jimmy, Diana: "Understood."
The two left the surveillance car and walked to the warehouse, Parker had already entered the warehouse, and Jimmy and Diana came to a short distance next to the warehouse from the side, just waiting for Peter to give the order on the intercom.
"Up."
Jimmy pulled out his gun and ran ahead, while Diana followed.
"FBI, don't move, put down the painting in your hand." As soon as Jimmy entered the door of the warehouse, he began to shout, Parker was holding a painting in his hand, but he couldn't let him fall, and it was difficult to explain later.
Parker saw two FBIs raising guns against himself and Seaman, and he could only admit it, Jimmy took out two handcuffs from behind his belt, one of which was asked for Diana in advance, and the torture must be a man.
Finally done, Peter and Jones drove the car over, put Parker and Seaman in the back seat, and retracted the surveillance car, finally able to return to Federation Square with peace of mind.
North American Gunslinger Detective.
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