In the beginning, God @#$!@#$!@# created the heavens and the earth.

In the beginning, it was man who created the heavens and the earth.

The earth is empty and chaotic, the face of the abyss is dark, and the Spirit of God hovers over the waters.

The earth is full of thickness, and the gods of men march in the waters.

Or that man is the heaven and earth of creation.

And God said, Let there be light, and there was light.

So man obscured the light, used the light, threw down the light, killed the light, both darkness and light.

God saw that light was good, and he separated the light from darkness.

People don't care about light or darkness, they just use light and darkness together.

This is not a world created by God, but a man-made, man-made world. There are many things in the world, and they exist before they are set to run.

However, it is necessary to set according to the "center", starting from the setting of the protagonist and then entering the setting of the world around the protagonist.

All the lower narratives begin to change and develop around the absolute core, the only protagonist, and since the protagonist is in a fictional world, he turns the fictional reality into reality.

However, this is not fiction now, although it is not reality, it is not fiction at all, and the reason for this is that there is another character who once existed.

As a result, the fiction of Gensokyo has changed from an almost fictional reality to a reality, a reality that can be scrutinized and logically consistent, while the original reality of the outside world has been deprived of the possibility of being a stage and changed to a setting that only serves some characters.

Whether the so-called setting that serves the character exists, and whether it is the same as imagined, can be speculated, whether it is living in the vassalage of the character or living under the vassal of the work.

Is the setting part of the work or an accessory to the work, is it the author's setting or is it an existence that must be derived because there are characters?

Why does there exist, is it because the world in the work is different from the real world, where is the reality, is there also a setting in reality, and is the human thinking and thinking about everything also a set existence?

Is the reality of existence a vassal or an existence that must be derived from the world given by human beings?

If this is just a brain in a vat, it will be too boring, characters and people are the same, and the ultimate purpose of existence is to deconstruct. The deconstruction of oneself, the deconstruction of the world, the deconstruction of the process by which the unknown becomes known, the deconstruction of the concept of the deconstruction itself.

Objectively speaking, deconstruction itself is a subjective act in which the public participates, unlike the thinking named philosophy, the act of deconstruction itself is not necessarily embodied by thinking, deconstruction is a definite act, which is not out of the ordinary of philosophy, but it does not need the recognition of the objective and the majority, because it is not the meaning of thinking.

At this moment, man himself has a new meaning for the world he is set into, that is, he deconstructs rather than sets up a world that does not exist.

Is there a higher level above the high-level narrative now, or can the low-level narrative reach the bottom, and how does the low-level existence deconstruct the setting they understand?

The imagination of incomprehensible deconstruction flows into the world that is set up, bringing a deconstructed imagination to everything in the world.

As a result, the world has stepped onto the biggest stage together with the harvest of deconstruction itself and the act of deconstruction.

From self-deconstruction, to negation, to affirmation, it is ultimately an act of complete deconstruction.

Unlike philosophical thinking, this kind of behavior does not need to be recognized and understood, it does not belong to philosophy but to self-thought, but deconstruction is an action, and the act itself is an act, not a thought that needs to be denied.

In the presence of contradiction and infinity, in the case of the external world and the present coexisting but set at the same time, the world is composed of awkward and complicated everything, and the world is constructed by the center.

The center of the world is undoubtedly the protagonist.

The protagonist triggers all the problems, detonates all the problems, picks out everything clearly, everything in the world exists for this character, whether it is deconstructed or not, the world that is set to depict everything will think about everything.

People and everything that is set is put on the stage, whether they are deconstructed or not, whether they think or not, whether they exist or not, everything is not important, and the center of everything revolves around the protagonist.

Okay, let's put aside all the illusions of existence or non-existence, everything that exists and does not exist, everything is set or deconstructed, what is the relationship between people really like? What is the relationship between people and the world? Thinking every day or not thinking every day, is it submerged and buried under the torrent of thinking, or is it just that I don't dare to think about anything and dare not do anything, and I always feel that everything is designed-

Well, let it all come to an abrupt end.

The violence of so-called philosophy and so-called thinking should stop today.

The world has been constituted, and the first day of existence is the infinite day of existence.

The first day, or the first day?

How to define this first day? To define or to be defined? So Qin Deng was born.

Born in his only place as the only protagonist, it is precisely because of his existence that things that existed in the past exist, and it is precisely because of his existence that the world can continue to turn its head backwards.

Everything depends on him to act.

When everything was built—it wasn't to be there, there was no time limit, and there was no time—Qin Deng was put on the stage.

On the morning of the first day, he woke up from his home, he didn't know what was going on, he didn't know yet, just all the memories, the deleted memories stuffed into his mind, and from this moment on, changed.

He was still a soul steeped in sorrow and gloom, like a clump of fluff that had been soaked in pickled sewage and wastewater, and everything was immersed.

Now, right now, two beings have noticed him.

He and ......

Hecatia.

Since the day Qin Deng was born, Hecatia, who had been set up as a higher being, noticed the changed world together with Him, who had been set up as a supreme being.

Unlike Him, Hecatia is powerful and must have been able to perceive changes in the world, but she was consistent with His choice and accepted the changes in the world.

They didn't care about their existence or replacement, but after being changed, Hecatia was surprised to find that he could still look at Qin Deng and remember Qin Deng.

She understood a lot and understood everything.

Just as she was watching Qin Deng before, Qin Deng was also peeking at her now.

Everything is mutual.

"It's going to the moon......" Qin Deng muttered.