Finally, the last episode of "Housewife Mita" was officially broadcast, and along with the final episode, NBC's "My Ex-Husbands 2" was broadcast.

The sequel to this hit drama will definitely attract a group of diehards of the show after bombardment publicity. And the final episode of "Housewife Mita" will definitely gather most of the audience in this time period, even if it is the audience who left halfway before, according to the usual broadcast rules, they will return again in the last episode.

Kei Fujiwara is confident that NBC's debut episode won't beat their final episode in terms of ratings, but it will have a more or less impact.

Because the Yuejiu drama has formed an influence, the average ratings of the drama "Housewife Sanda" so far are higher than those of "Homeless Child". If it weren't for the NBC guys, the ratings of the finale would have surpassed 39% of "Homeless Kids" and broken the 40% ratings mark, which shouldn't be a big problem.

It is even possible to enter the top three in history.

However, there is a great possibility that this plan will fail.

Sure enough, the ratings report came out the next day, and Kei Fujiwara saw that the ratings of the last episode were only 35%.

It's not bad, but it's still a lot of way from what Kei Fujiwara envisioned.

Judging from the ratings trend all along, the last episode of this show can be more than 10% higher than the average rating, and this result is bound to be low.

Some people in the main creative team were still happy, but Yui Mizuhara was silent when she handed the ratings report to Kei Fujiwara, and the tacit understanding between the two was very deep, and she also knew that this result was lower than Kei Fujiwara's expectations.

Sure enough, Kei Fujiwara reached out and closed the ratings report, as if to mean "I don't want to see it again", and asked, "By the way, what are the ratings of NBC's concurrent programs?"

「25.5%。」 Yui Mizuhara said.

Kei Fujiwara nodded, feeling a little better. 25.5 is not bad, but according to the popularity and audience base accumulated in the first season of this show, if it were not for the influence of "Housewife Sanda", the first episode of this drama would have reached 30%.

The corners of Fujiwara's mouth suddenly showed a smile, and he didn't know what NBC's creators were thinking after seeing this achievement, so he was probably scolding NBC's top management.

However, this is also something that cannot be helped, and NBC's senior management may not be heartbroken when they look at the lower-than-expected ratings, but in order to prevent the development of Fukuyama Channel's Yuejiu drama, this is also the price that must be paid.

And the goal of Kei Fujiwara and his party is to make the price of NBC and Starry Channel more miserable, and to frustrate their purpose, only in this way that no one dares to trouble them in the future.

For this, "Naoki Hanzawa" must succeed!

Kei Fujiwara came to the filming center of Fukuyamadai again, and when he met the staff of the production bureau along the way, they all bowed and greeted him very respectfully and politely.

Even some veteran creators began to behave humbly and cautiously in front of Kei Fujiwara.

Fujiwara Kei smiled and nodded, walked to the studio, and happened to meet Yoko Matsuo and Miyata Takara sitting together, each holding a script in their hands, talking and laughing.

Kei Fujiwara stepped forward, "Miss Matsuo, I mainly filmed your scene this morning, and I won't be using it for the next two days." ….

Yoko Matsuo nodded slightly, "I'm sorry for you, Fujiwara-sensei."

Yoko Matsuo is now acting in two plays at the same time, which is logically not allowed, but both dramas are works of Fukuyamadai, and she has fewer roles in the drama "Naoki Hanzawa", so it doesn't matter.

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Kei Fujiwara briefly explained the script to the two and left. At this moment, a woman in a sequined dress suddenly jumped in front of Kei Fujiwara.

"Good morning, Fujiwara-sensei!"

Fujiwara Kei subconsciously took a step back, looked at it, and realized that the person in front of him was Kono Aoi, and he almost didn't recognize it.

It wasn't until the other party still bowed deeply and greeted Fujiwara Kei that he heard the familiar voice that Fujiwara Kei reacted that the "goblin" in front of him was Kono Aoi.

Aoi Kono is invited to play a supporting role, which only appears in some scenes in the first five episodes, with very few scenes.

The character is the mistress of a fraudulent loan merchant, so the makeup artist put a little more thought into her dress, in order to be more in line with the character of "mistress".

And in this way, Aoi Kono, who has always shown people with a pure face, has changed her image in the play 180 degrees.

Kei Fujiwara looked at Aoi Kono and was silent for a long time, standing in place, his eyes looking her up and down.

Aoi Kono's hair was combed straight black, her face was smoky makeup, and her slip dress wrapped her figure tightly, making her look a bit like a wine girl.

Aoi Kono was a little shy by Kei Fujiwara, hehe, it seems that even Fujiwara-sensei is fascinated by me...... She also felt that she was beautiful in her real outfit today—she had wanted to dress like this for a long time, but she was afraid that Miss Fukuyama would break her leg.

After looking at it for a while, Fujiwara Kei said, "Makeup, change your body again, the smell of wind and dust is too heavy, just dress up according to her usual style, just make some changes in makeup, and don't change your clothing style much." Not all mistresses are dusty."

Kono Aoi originally took the pure route, and this demonic dress is indeed not suitable for her. So the person in charge of the guidance service re-dressed her, probably in the style of the second female in a Korean drama.

Kono Aoi left with the makeup artist with some disappointment, she really likes this dress, isn't it very good-looking? Fujiwara-sensei really doesn't know how to appreciate!

Kei Fujiwara sat behind the supervisor and started today's shooting, and Hideaki Shibasaki was in the studio next door, and the two of them could communicate at any time and cooperate with each other's progress.

filmed all afternoon, and the actors were in very good shape. Especially Miyata Takaliang, who has been tempered by many stage plays, already has a very powerful aura, and during this time, under the guidance of a group of elders, he has made rapid progress.

Now a frown can highlight the momentum, which makes Fujiwara Kei admire, if he can maintain such a professional spirit all the time, Miyata Takara will definitely become a great actor.

"Everyone's done a great job." While shooting, a short old man with eyes walked in.

When Kei Fujiwara saw the visitor, he also stood up and greeted, "Mr. Uchida."

Uchida Kurami, one of the directors of Fukuyamadai, is also a senior executive of the "Sankei Daily" of the Fukuyamadai Holding Group, and there is also a crucial identity, that is, he is the president of Mizumi Productions, and he is considered to be the boss of Kei Fujiwara.

However, he doesn't usually see him much, and Kei Fujiwara sees Yoshida Kashi more often than him. In fact, although Uchida Kurami is the president, the shares held are far less than those of Fukuyamadai, and it is Yoshida Kashi who really has the right to speak.

"Fujiwara-san, is the shooting going well?"

"It's not bad, everything is going well." Kei Fujiwara smiled and instructed the staff, "Bring a chair."

"No, I'll just take a look, I'll go to Director Yoshida in a moment." By the way, I brought you snacks by the way. Let's work after eating, it's hard work."

"Thank you very much."

After greeting the main creative team, Uchida Kurami left. Filming continued into the evening, during which Kei Fujiwara received a phone call.

It wasn't until it was dark that today's day's filming work was over, the crew called it a day, and Kei Fujiwara walked out of the filming center, and a white car was parked on the side of the road.

Kei Fujiwara walked over, the glass window of the driver's seat of the white car fell slightly, and Arima Katsumo's face was revealed, "Let's go, let's eat."

Sima Guitai