Yes~

Bumps and bumps, finally waited for this day.

It's going to be put on the shelves, the specific time is still uncertain, it may be 0:00 in the morning on the first day, or it may be 12:00 at noon on the first day, and it depends on how the editor notifies, most likely it is 0:00 in the morning on the first day, that is, twelve o'clock tonight.

I'm afraid that you don't know in advance, so I will send a testimonial in advance, hoping that you can order a wave of support for the first time.

Speaking of which, this is the first book I have written seriously at the beginning.

In the past few years, I have been wandering around the small station outside, and I can be regarded as watching the rise and fall and ups and downs of the novel industry.

can be said to be a breakout, but it has not made a name for itself;

said that he ate this bowl of rice, but he never ate enough by writing books.

The starting point has always been a very sacred existence in my heart, especially the history column of the starting point, which I regard as a solemnity that cannot be easily touched by idle people.

Therefore, when I was in a nervous mood, like that vulgar saying, 'back to the original starting point', my attitude towards this book "I am really not the King of Zhongshan Jing" is extremely rigorous and serious.

Perhaps my concept is still stuck in a few years ago, the stereotype of the starting point history readership;

Or maybe I've been gone for too long and no longer have an understanding of the history of the starting point, which has led to a lot of content that I thought 'the starting point readers would definitely understand', which has caused confusion to some readers in the past month or so.

But even so, I still like to believe that the starting point of my perception of the historical reader is not my imagination, but real.

This group knows what it means to be 'Zhou Gong is afraid of rumors, Wang Mang is humble and not usurped', specifically in this book, it is 'Liu Yu is young and not yet strong, and Wang Wan is silently hiding in the deep palace'.

-- History should not be consequentialism, but should be a special product with a development process and a specific historical period.

The Emperor Wu of the Han Dynasty in history is indeed the pride of the Chinese nation and a rare male lord in history;

But in the historical timeline of the book, the legendary Emperor Liu Che of the Han Dynasty is indeed a baby who has not yet been weaned.

Liu Rong, the abolished prince in history, may really be a good-for-nothing fool, and he is a more unbearable existence than the prince Fusu, filial piety Liu Ying, and the prince Liu Ju;

But in the timeline of the book, Liu Rong is the quasi-prince.

As for the protagonist as a traverser, why didn't he go to Liu Che and Wang Wan to hug his thighs as soon as possible, but to fight wits and courage with Liu Rong and Li Ji's mother and son, who are bound to be destroyed, it is exactly what I want to express the point mentioned above, and it is also the overall idea of my opening part:

- The protagonist does not have the intention of taking the initiative to win the heir, and the existence of the protagonist does not affect the general historical trend, but the protagonist intentionally or unintentionally exerts an influence, which makes the history "reasonable" deviate to a certain extent.

For example, Empress Dowager Dou likes the protagonist;

For example, Shen Tujia is not dead;

And in the end, Liu Rong was still deposed as the crown prince, but the newly established prince of Emperor Jing became the protagonist Liu Sheng.

In this process, I want to analyze what has happened in the Han family in the past few years through the perspective of the protagonist, who is obviously a traveler, but who does not know much about specific historical events, and who is obviously from later generations, but who has grown up in the deep palace since childhood. What kind of harvest and growth does the protagonist gain in these events?

In other words, what I want to bring to you is not 'I know that Liu Yu will become the Emperor of the Han Dynasty in the future, so I have to do my best to fight wits and courage with my one-year-old brother Liu Yu', but to let the protagonist integrate into that era as much as possible, and bring you the most real and enjoyable immersive experience.

The reason for this arrangement is also very simple: the wasteland, the Western Han Dynasty, which is the subject of historical online literature, is very cold.

I have to admit that a considerable number of readers know a lot about every historical event written in the article, and even have extremely unique opinions;

But it is also undeniable that even the readers of the starting history column still have a considerable number of people who are not very familiar with this dynasty.

Especially for the events that happened during the reign of Non-Gaozu and Han Wu, most of the readers' cognition is still at the level of 'I have heard of this name, and through this name, I can think of a general historical event'.

- such as the chess saint Liu Qi and the like;

It's like the opening part, the protagonist's mother, Mrs. Jia, went on a trip with Emperor Jing, and encountered a wild boar on the way, which was obviously a historical event recorded in the official history, but there were readers who accused me of saying: Can you not make it up? When the emperor travels, how can he encounter wild boars?

Later, when I wrote about the Taimiao incident, many senior readers with more than ten years of book age jumped out, accusing me of 'distorting historical figures and smearing Emperor Jingdi Liu Qi'.

So next, I will focus on answering the doubts in my heart for all the fathers.

--------- Dividing Line----------

The protagonist is a time-traveler, why don't you understand history?

Since most readers don't know about this history, I think that the protagonist should also be consistent with the readers, and work with the protagonist to understand this history little by little.

Of course, there are also many excellent readers who are already very familiar with this history;

But what I'm trying to do is to make this part of the readers who understand this period of history still not find what I write boring, even if I am just restoring the historical scene and quietly mixing the variable of the protagonist Liu Sheng into it.

What I want to write is not a routine historical essay, but a less common traditional historical online essay.

Why are many of the characters you write about different from those recorded in the history books?

- This is because historical books cherish words like gold, many things will not be recorded in too much detail, and there will be many factors, resulting in historical records being 'sharpened in the spring and autumn';

So what I'm doing is to restore a grand historical scene through the few numbers in the history books, and present it in front of the readers.

Also, as for the question of some readers questioning my distortion of historical figures, I will also focus on replying.

Regarding Liu Qi, I think my description should be more than eighty percent similar to Emperor Jing in history, and even Liu Qi's lines, I try my best to use the content recorded in history, but in the process of description, I slightly filled in some artistic processing.

As for Li Ji, Cheng Ji, Mrs. Jia, Empress Dowager Dou, as well as Shen Tujia, Chao Cuo, Zhi Du and others, they basically completely follow historical records to restore the characters.

Among the nine princes other than Liu Che, Liu Yu, the fourth stutterer, Liu Fei, the fifth muscular man, Liu Fa, the sixth stealth man, Liu Pengzu, the seventh witty man, and Liu Duan, the eighth yin and yang man, are all based on historical records.

If there is something that is not in place, it can only be attributed to my lack of pen strength, and I am here to compensate you fathers.

Liu De, the second child of the good article, and Liu Si, the third otaku, were set by me as 'in order to help the eldest brother Liu Rong, deliberately set up a deceptive character', which is artistic processing, I hope you will understand (and in real history, this possibility cannot be said to be non-existent).

The remaining protagonist Liu Sheng and the emperor's eldest son Liu Rong, the protagonist doesn't need to say much, after all, he is a traverser, and the character design naturally doesn't have to follow history, but in the later stage, he will try to fit the real historical record, but he will not completely blindly follow, everything is subject to the needs of the plot.

And Liu Rong is a character I want to highlight.

When I wrote about Liu Rong's 'not very wasteful', many readers expressed extreme incomprehension;

- Liu Rong really has this ability, can he be deposed as a prince in history?

- People who can be scared into suicide have a fart ability!

This is perhaps the most frequent opinion in the comment section.

And for this point, what I want to say is: In the history books, there has never been a single sentence mentioning that Liu Rong is 'useless' and 'unworthy of the crown prince';

Regarding Liu Rong's deposed crown prince, the only reason mentioned in the history books is Li Ji's sentence of 'old dog', that is, 'words are not inferior' in the official history.

Therefore, my understanding of the character of Liu Rong may be slightly different from everyone's.

In my opinion, as the eldest son of Emperor Liu Qi of the Han Dynasty, Liu Rong was at least trained according to the standards of princes and princes, if not according to the standards of princes and princes.

Under such cultivation efforts, no matter how unbearable Liu Rong is, he should at least be 'middle-class', not a useless straw bag.

Combined with the fact that there are almost no negative records of this abolished prince in the history books, His Royal Highness the abolished prince should be a candidate for the prince who is not outstanding, but at least barely qualified.

After all, until Li Ji's 'old dog' shouted, Emperor Jing Liu Qi didn't have the idea of Yi Chu, and even almost passed the throne to Liu Rong;

After the abolition of the crown prince Liu Rong, the crown prince Dou Ying and the prince Zhou Yafu also expressed strong dissatisfaction.

Although the actions of these two people are more likely to be 'Dou Ying doesn't want the prince he educated to be deposed, and Zhou Yafu wants to maintain the primogeniture inheritance system', but from the side, this is enough to prove that no matter how bad Liu Rong is, it is definitely not much worse, at least to the extent of 'barely making do'.

In addition, there is another point that cannot be ignored: Liu Rong's age is not young;

According to the age of Emperor Jing Liu Qi and several other princes, the emperor's eldest son, Liu Rong, should have been born between the ages of 15 and 17, and the time point in the text is close to adulthood.

In the feudal era, an adult prince and a six-year-old prince were two very different options.

Liu Rong's only problem is that the existence of Li Ji made Liu Rong lose his position as the crown prince, and because the later prince Liu Che was too young, Liu Rong posed too much threat to Liu Che;

Coupled with Li Ji's 'old dog', Liu Qi hated Wu and Wu, so he had to kill the killer and kill the crown prince Liu Rong, paving the way for the later Emperor Wu of the Han Dynasty.

Why?

- Because Liu Rong was deposed as the crown prince, he also took in a Zhou Yafu;

As for Zhou Yafu's death, Emperor Jing Liu Qi's evaluation was: This cowardly person is not a minister of the young master.

This can show that after the abolition of Liu Rong, everything Emperor Jing did was basically paving the way for the young Emperor Wu of the Han Dynasty, so as not to be suspicious of the future Han family.

As for 'Liu Rong, the king of Linjiang, damaged the wall of the Taimiao', I think it is most likely that Emperor Jing wants to add a crime - destroying the wall of the ancestors, and blaming others for this, Liu Qi has this criminal record;

In the end, the cause of Liu Rong's death: suicide in the lieutenant's mansion out of fear, made it difficult for me to resist the urge to invoke a proverb.

- What else will a person who is not afraid of death be afraid of?

Even if Liu Rong is a deposed prince, he is a relative of the Liu family, what can happen in the world that can make Liu Rong commit suicide in place?

Therefore, I think the real situation is more probable: Lieutenant Zhi found Liu Rong, communicated with Liu Rong in depth, and relayed the will of Liu Qi, the son of heaven, and finally persuaded Liu Rong to 'keep his own dignity' in accordance with the political traditions and conventions of the time.

In other words: Liu Rong's death was not a 'frightened suicide', but he knew that he would die, so he simply came by himself and retained the last bit of dignity.

As for Tai Shi Gong's description of it as 'scared to suicide', it is also likely that Emperor Wu succeeded to the throne, making 'Hei Liu Rong' correct.

Later, after Emperor Wu of the Han Dynasty succeeded to the throne, he forced Liu De, the king of Hejian, to death with a sentence of 'Wang Zituzhi', and it can also be seen that 'eradicating the three princes born to Li Ji' is the political need of Emperor Jing to Emperor Wu (Liu Yan, the third king of Linjiang Mourning, died early in the reign of Emperor Jing and was extinct).

To sum up, my understanding of the character of Liu Rong has been mentioned in the introduction: poor emperor's eldest son Liu Rong.

A poor man who is not very good, but at least reached the qualified line, but was finally killed by the old lady.

And this also corresponds to my deliberate downplay of Liu Che and Wang Huan's mother and son in the opening part - compared with Liu Rong, the eldest son of the emperor who was born with the innate advantage of 'sitting on the storage seat with half an ass' and is close to adulthood, Liu Che and Wang Huan's mother and son at this point in time are really not competitive······

Perhaps in the eyes of many readers, Liu Che and Wang Huan's mother and son are the ultimate victors from God's perspective;

Liu Che is the famous Emperor Wu of the Han Dynasty in history, and Wang Wan is the famous Empress of Xiaojing;

But what I want to say is: Before Liu Rong and Li Ji's mother and son fell, Liu Che and Wang Huan's mother and son were really nothing.

If it weren't for the existence of Li Ji, the best one, and even as long as there was no 'old dog', Liu Yu, the tenth son of Emperor Jing in history, would almost impossible to become Liu Che, the emperor of the Han Dynasty, and could only become Liu Yu, the king of Jiaodong.

This is my view and understanding of the main characters in this book;

For the subsequent historical figures, the historical records will prevail, and appropriate and reasonable artistic processing will be carried out as appropriate.

That's all I have to say about content.

-------- dividing line----------

I still have to say, it's a pity.

The first work after returning to the starting point, only a little bit to go to Sanjiang, but in the end it was still missed.

But I'm not discouraged.

After all, three years ago, I was still a street runner with a collection of 300 and 14 subscriptions, and the monthly manuscript fee once reached a huge amount of 24 yuan 5;

And now, I have returned from a slump, although it is not a miracle, but it is also a first glimpse of the door - this book has nearly 8,000 collections, thousands of follow-ups, and it is likely to start with close to 1,000 subscriptions.

After many years of wandering, my heart, patience, and writing skills have made great progress, and the accumulation of nearly 700w words is enough to support me to complete such a long book of millions of words.

It can't be said that it is complacent, but at least it is necessary to have the confidence to live up to the trust of the more than 1,000 paying readers at present.

Now that it's going to be on the shelves, it's inevitable to talk about updates.

The original plan was to save the manuscript of the new book issue and burst out on the shelves, but due to various reasons, the continuous force majeure events led to the ups and downs of the new book issue, and the news of the release was relatively abrupt - I only learned about it the day before yesterday.

So I specially consulted some seniors who have been working hard at the starting point for many years, and the advice I got was: 10 more by default.

I did the math, 10 more, 2000 words per chapter, that's 20000 words;

So the first one, that is, after the shelves at twelve o'clock tonight, the first time the VIP chapter is opened, I will send out the first VIP chapter, and tomorrow afternoon I will send out another three chapters, each chapter is 5,000 words, a total of 20,000 words.

10 more than 2000 words, and 4 more than 5000 words, are the same thing, right?

It's all 20,000 words anyway.

As for the shelves, the number of words in the chapters is unified to 5000 words per chapter, I write comfortably, and everyone is happy to watch.

The amount of updates,By default, two chapters are updated every day.,A total of 10,000 words.,And then add updates from time to time depending on the specific situation.。

For example, one day, when I finished sending two chapters, but I felt that there was a break in the chapter, which made the readers unhappy, I would most likely add a new chapter to make the fathers feel comfortable.

For example, one day, I wrote an extra chapter, and I probably sent it out, so that you can feast your eyes.

If you add more, the first target is 1000, and every 100 is higher.

The alliance leader rewards plus 3 more;

Long-term plus change rules: every 50 plus one change, no cap;

For every 1,000 monthly passes, two changes will be added on the first day of the next month.

Having said so much, in the end, it is still a cliché: it is not easy to write, and it is not easy to be original.

I hope that all of you will support you, so that I, a rookie who is about to show my talents, will embark on the broad road of full-time code words as soon as possible.

Call~

Nearly two months of materials and literature preparation, as well as a month and a half of new book periods, success or failure depends on the trembling of putting it on the shelves;

I would like to entrust you with your fathers about the subscription.

Vertical blood civet slave, this is polite······