"Hello Fujiwara-sensei, it's the first time we met, I'm Makoto Yoonto, please advise."

"Well, hello......" Kei Fujiwara looked at the actor in front of him and said to himself: Good name......

The cast took turns to greet Kei Fujiwara, some of whom were newcomers, and although it was the first time he had met Kei Fujiwara, he knew that this was a figure who had recently made a name for himself in the broadcasting industry, so he behaved very reservedly.

"Tokyo Cinderella" uses more new actors, and it is also with the idea of cultivating acting talents for the next nine films.

After the start-up, the crew performed the first scene, a simple scene, and the filming went very smoothly.

"By the way, Shibasaki, I'll give you the script for the second episode later." Kei Fujiwara said, "The script is still being revised."

"It's okay, I'll shoot the first part of the scene first." Hideaki Shibasaki said that Kei Fujiwara's script was written slower than usual this time, but he felt some comfort in his heart.

As usual, at this time, Kei Fujiwara had already written the scripts for the first five episodes, and in a little more than a week, the script for the entire drama would be released.

This time, Kei Fujiwara wrote and produced four dramas at the same time, and the speed of writing finally slowed down a lot, and Hideaki Shibasaki was relieved for a while. If you can still maintain the same writing efficiency as usual, it will be too perverted.

In fact, Kei Fujiwara has already written the original script of "Tokyo Cinderella", but he only plans to make some changes to the script of this play.

From Kei Fujiwara's point of view, "Tokyo Cinderella", as the originator of Mary Sue dramas in the last century, is more or less cheesy in terms of story content, in other words, dirt.

Although in this era, the audience has not been baptized by various idol drama routines, and the acceptance of this initial Mary Sue routine is still high. But Kei Fujiwara felt that there was too much room for optimization in the script.

When it comes to idol dramas, South Korea is still the most capable one, even if it is some daily gags that have nothing to do with the main line, it is also very interesting, and it can hit the audience, especially female audiences.

So Kei Fujiwara recently recalled in his mind some clips of Korean dramas he had watched, thinking about whether he could be in this drama without a trace.

Of course, because he had to create four dramas at the same time, Kei Fujiwara's writing work became extremely heavy during this time, so he also handed over the script of "The Lonely Foodie" to the screenwriter of the production bureau to create.

As a food drama, the plot of "Lonely Foodie" does not matter, because the audience is not here for the plot story in this drama. The important thing is the food that appears in this drama, as for the plot or something, just let the screenwriters of the production bureau play freely.

"Renzaburo Furuhata" has also been started, Matsumoto Konoemon has joined the group and started filming, and Arima Masai often goes to Fukuyamadai to visit the class, and from time to time he comes to Fujiwara Kei to eat, and often asks Fujiwara Kei when he can shoot a movie with him in between filming Fujiwara Kei's ass.

Fujiwara Kei was still a little surprised, when Arima Sasai made this request, he only thought it was a whim of his consciousness, but he didn't expect to remember it until now.

It seems that Inoue Mori has won awards one after another, which has given him a lot of stimulation......

….

The second season of "Renzaburo Furuhata" still follows the path of the previous season, using the narrative mode of unit dramas, one episode at a time, and does not hide the identity of the murderer, and the plot focuses on the process of forcing the murderer into a corner little by little through words and stratagem.

Each episode will also find a social celebrity to play the murderer, unlike the previous season's "Furuhata Renzaburo", which also required Kei Fujiwara and Yui Mizuhara to invite people to make cameos everywhere, this season of "Furuhata Renzaburo" has not yet started, many people volunteered to play the murderer. Even gradually, this kind of saying spreads - artists who have not played the murderer in "Renzaburo Furuhata" are not popular at all.

So as the most famous and topical artist this year, Miyata Takara deservedly went in to be the murderer of one episode, in addition, Kono Aoi and Yamashita Maki, the two popular artists who just starred in the hit drama "Beautiful Life", also experienced a murderer identity card.

Since "Beautiful Life" has not yet been shut down, Kono Aoi is going to enter the crew of "Justice is Victory" to shoot again, and the two dramas are pressed on her at the same time, the pressure and workload are not ordinarily large, and Kono Aoi has recently become a bitter gourd face.

In China, it's almost commonplace for an actor to act in several plays at the same time, but in Japan and South Korea, it's almost not allowed, except in the case of "Justice is Victory" and "Life is Beautiful," which are filmed by a single producer.

Moreover, the mode of filming and broadcasting Japanese dramas is more than twice as much pressure on actors compared to the Chinese model of filming and broadcasting at one time, and many times even if the actors want to make a scene, they can't do it energetically.

Fortunately, she was not the first main player in "Justice is Victory", so the crew first focused on filming Gu Meimen's solo scene; In addition, the pre-filming of "Beautiful Life" is about to end, and Aoi Kono's hard days are coming to an end.

Several dramas were methodically pre-filmed, and Fujiwara spent most of his time writing in his office at Fukuyamadai, occasionally visiting the filming set for a look. I found that the filming was going well, so I went less often, and I started to study the script instead.

It was getting dark, and the employees in the station had already left work one after another, and Kei Fujiwara glanced at the script on the table, then at the wastebasket at his feet, and sighed.

There is more and more waste paper crumpled in the paper basket, and these are all waste drafts written by Kei Fujiwara. Kei Fujiwara originally wanted to optimize the script of "Tokyo Cinderella" and insert some classic scenes of Korean dramas in it to make the plot seem less cheesy.

But grafting is not so easy, and if you don't get it right, it may look nondescript. Although Kei Fujiwara himself has creative skills, for him, original emotional dramas are much more difficult than original reasoning bridges. Idol dramas are women's AV, and as a man, it's really not easy to create a plot that can make a woman orgasm from the heart......

This is why most of the professional screenwriters of Korean dramas are female screenwriters.

After sitting in an office chair all day, his butt numb, Kei Fujiwara stood up and stretched.

The employees were all off work, only three or two people were still left, and in the silence, the sound of a tapping on the typewriter became clearer.

Kei Fujiwara opened the door and saw Monet Shiraishi still working, looking down and knocking on something while proofreading the materials.

"Miss Shiraishi, aren't you off work yet?" Fujiwara Kei asked, but as soon as the words came out, she remembered that she was her assistant, and she was not easy to leave if she didn't get off work, so she smiled and said, "I'm going back now, you should go home early and rest."

Shiraishi Monet stood up and bowed slightly to Fujiwara: "Fujiwara-sensei, you have worked hard."

Then continue to sit down and type.

Monet Shiraishi usually doesn't communicate much with Kei Fujiwara, and only when Kei Fujiwara takes the initiative to ask her about things, he will say a few words to Kei Fujiwara. Although the work ability is strong.,But it seems to be the type that is not good at words.,It's not just with Fujiwara Kei.,It's also a reaction when you get along with other colleagues every day.。

So I've been working at Fukuyamadai for two years, and I don't have any colleagues who are particularly close.

Kei Fujiwara returned to the office, picked up his briefcase, and left.

Sima Guitai