After leaving the TV station, I walked two steps, passed by a hair salon, and saw a poster of "Beautiful Life", posted at the door of the hair salon.

On the poster is a solo portrait of Aoi Kono.

Since the launch of "Beautiful Life", the series has been very popular, and Aoi Kono and Maki Yamashita, who played in the play, quickly entered the public eye.

Needless to say, Yamashita Maki's popularity has risen dramatically, and in the ranking of "The Most Popular Male Idol Actor (Under 25 Years Old)" initiated by an entertainment magazine, Yamashita Maki even surpassed Hoshino Koshi and other young male artists in one fell swoop, becoming the current No. 1.

Of course, this is also because when this list was launched, "Beautiful Life" was on the air, and the enthusiasm of Yamashita Maki fans was very high. So the first place on this list does not mean that Yamashita Maki has really surpassed idols of the same age and become the first person in his genre.

If Maki Yamashita really wants to challenge the height of national idols, at least two more heavyweight works like "Beautiful Life" will be made to consolidate it.

Aoi Kono has also become the most talked-about young female artist nowadays, although "Long Vacation" helped her open up the topic, but it was not enough to make her one of the first-line, and even the main roles of many big productions would not think of her at the first time.

But since "Life is Beautiful", Aoi Kono has finally crossed the threshold of A-list stars with one foot, and if there is a role that fits her type in the future, whether she is finally chosen or not, the producer will definitely include it as an alternative at the beginning.

Since "Life is Beautiful" is about the story of a barber and a disabled administrator, after the series aired, Aoi Kono's hairstyle in the play also became the object of many young girls' pursuit, so many barbershops simply posted posters of Aoi Kono outside the store.

Fujiwara Kei was about to walk over, but suddenly he felt something, twisted his sideburns with his hand, and walked in.

"Guest, please come in, is there a hairdresser with an appointment?"

"Nope."

"Okay, please sit here and wait."

Kei Fujiwara took a magazine and waited while reading it, during which several female customers came in and asked for it to be cut into "Kono head", and it seemed that there was a trend of unifying women's hairstyles......

Fujiwara Kei waited for more than ten minutes, and when it was his turn, he trimmed the ends of his hair and it was over, and when he was about to leave with the briefcase, he suddenly thought of something, so he opened the briefcase and checked it.

I forgot to bring my notebook back...... Although it is full of all kinds of ciphertext, it is better to carry it with you. Thinking of this, Kei Fujiwara returned to the TV station the same way.

Fujiwara Keihara returned to the door of his office, but suddenly heard a voice from inside the door:

"Fujiwara, bring that information."

"Fujiwara, go proofread the text and pay attention to the layout."

"Yes, Mr. Shiraishi, I'll do it right away!"

"Mr. Shiraishi, congratulations, the new drama has been a big success again!"

"It's worthy of being the number one screenwriter in this book!"

"This is just the beginning, and our goal is to make the glory of Japanese drama break through the book and envelop the whole of Asia! and the whole world!"

Kei Fujiwara stood behind the door and listened in a daze, these conversations sounded like they were from the same person, and this voice was all too familiar to him. ….

Kei Fujiwara stood behind the door and pondered for a moment, then took a few steps back, coughed deliberately, and then shouted, "Is there anyone else?"

"Peng!"

There was a sudden noise in the office door, like the sound of a person sitting on an office chair and suddenly falling, and then the doorknob turned, and Shiraishi Monet walked out of it, her face was still very calm, she stroked her forehead, and then bowed slightly to Fujiwara Kei, "Fujiwara-sensei, I'm here, do you have any other orders?"

"Well, nothing." Fujiwara Keido, pretending not to hear anything, "I forgot to take my things, come back and pick them up, what are you doing in my office?"

"The information you gave me has been sorted out and placed on your desk."

"Okay, thank you." Kei Fujiwara stepped forward, walked into the office, and said, "By the way, you're alone here

？」

Shiraishi Monet nodded expressionlessly and said, "Yes, the other colleagues have already left work."

"It's so hard, let's go back and rest early."

"Fujiwara-sensei, then I'll go first." Monet Shiraishi bowed to Kei Fujiwara again, then picked up the shoulder bag hanging from the back of his chair and turned to leave. Kei Fujiwara couldn't help but turn his head to look at her, only to find that she was walking faster and faster, almost equivalent to a trot.

Kei Fujiwara couldn't help but laugh, and the sense of contrast was quite strong......

Kei Fujiwara walked into the office, took out his notebook from the drawer, looked at his office chair, and couldn't help but imagine in his mind that Monet Shiraishi was sitting here just now, directing and entertaining himself.

I didn't immediately dismantle her out of politeness just now, otherwise, the expression on her face must be wonderful.

Kei Fujiwara put his notebook and the materials Monet Shiraishi handed in and took them in his bag.

[In view of the general environment, after returning home, I simply made myself a fried rice, and after eating, I leaned back on the sofa, turned on the TV, and watched a variety show that was not a brain, while taking out the manuscript paper and starting to write and draw.

After writing a few paragraphs, Kei Fujiwara picked up the information again and looked at it. These materials are mainly about the development of the Korean drama industry in the world.

If you look at it according to the experience of the original world, Korean dramas have now begun to find their own path, and after 2000, they will start to export all the way to overseas against the trend, and finally form the Korean Wave that swept the world.

If you want to grab this cake, you have to speed up.

The information compiled by Kei Fujiwara and Monet Shiraishi is about some policies in South Korea on supporting the cultural industry. In 98, South Korea proposed that "the foundation of Korea in the 21st century is high-tech and cultural industries", and in the same year, the strategy of building a cultural nation was proposed.

And this strategy is the real source of the rapid development of Korean entertainment, and even counterattack the book.

This strategy was proposed in the original world in 98 years, and according to the data, this world South Korea has not yet proposed a [cultural state], which may be earlier or later, but it should be a matter of two or three years.

Fujiwara Kei was opening the paper one by one, and suddenly, when he saw a piece of paper full of handwriting, Fujiwara Kei was stunned, and then took out a stack of manuscript paper from a stack of materials, and what was written on the manuscript paper seemed to be...... Screenplay?

And this handwriting Kei Fujiwara is also very familiar...... It's his contrast assistant's......

I guess I accidentally mixed my own things into the data. Fujiwara Kei thought, looked down at a few lines, and a few words came into view particularly obviously.

[Consortium Son], [Poor Girl], [Siege Relief], [Car Accident], [Amnesia]......

Fujiwara Kei was stunned and looked at it casually.

Sure enough, Mary Sue...... The taste is really rushing......

But it's still ...... It tastes like that. Kei Fujiwara first took a rough scan, and then carefully read it from beginning to end.

Sima Guitai