The next day, Kei Fujiwara came to Fukuyamadai again, and Monet Shiraishi had already arrived at his workstation early. Her workstation was facing Kei Fujiwara's office, so Kei Fujiwara could see it as soon as he entered.

Normally, when Kei Fujiwara comes, the moment he walks to the office door and touches the doorknob, Monet Shiraishi reacts quickly and stands up to say hello to Kei Fujiwara. Often, without waiting for Kei Fujiwara's answer, he immediately sat down and continued to work, as precise as a machine.

But today, Fujiwara Kei didn't hear the voice of "Fujiwara-sensei, good morning", and suddenly felt a little uncomfortable, and when he looked back, he found that Shiraishi Monet had a rare panicked look, scrambling to find something in his office area.

Kei Fujiwara walked into the office and continued to write today's script, and then put the materials he brought home yesterday on the table, among which Monet's script by Shiraishi was placed on top.

After less than half an hour, Kei Fujiwara picked up the telephone receiver and pressed the "well" button, and after a while, a voice came from the receiver: "Fujiwara-sensei, I'm here."

"Shiraishi, give my new script to Shimizu Producers."

"Okay, wait a minute."

In less than five seconds, there was a knock on Kei Fujiwara's office door, and Monet Shiraishi walked in, and after taking the script for the new episode of "Renzaburo Furuhata", he was just about to leave, but his eyes suddenly caught a glimpse of the Mary Sue script on the table. Suddenly, his expression froze, and the whole person seemed to stiffen.

Kei Fujiwara glanced up at her, "What's wrong, is there anything else?"

"Fujiwara-sensei......" Shiraishi Monet's face gradually turned from white to red, his hand raised slightly, and his trembling fingers pointed to the script on the table, "This ......"

"This one, it was sandwiched into the information yesterday, and I don't know which screenwriter wrote the script." Kei Fujiwara said, "Shiraishi, do you know which screenwriter it is?"

Monet Shiraishi was silent for a few seconds, and then said slowly, "Fujiwara-sensei...... What do you think of the script?"

"It's good, as a trend drama, it can be engaging, and even though I'm a man, I also find it very interesting. Although some plots that deviate from reality make people feel unreal enough, but trend dramas don't need to be too rigorous......

Trend dramas, that is, idol dramas. At the beginning, it was a genre drama that imitated Western soap operas and sitcoms at the beginning, and later spread to Taiwan and was renamed an idol drama by Taiwan.

"Fujiwara-sensei also thinks that trend dramas are not in the flow?" Shiraishi Monet said suddenly.

Fujiwara Kei glanced up at her, since Monet Shiraishi became his assistant, he was like an instrument that performed tasks, and he would not question his orders or ask rhetorical questions.

The moment Monet Shiraishi met Kei Fujiwara's eyes, he immediately lowered his head, as if he felt that he didn't dare to say such a thing, and just wanted to turn around and leave, Kei Fujiwara said: "I have never thought so, on the contrary, I think that trend dramas are very viable in this book and even in the entire Asian market."

"And you should know that my latest Yuejiu drama is also a trend drama, although "Long Vacation" and "Beautiful Life" are pure love dramas, they are also born from trend dramas...... "....

"I said that trend dramas don't need to be too rigorous, and it is also based on reality. As a trend drama, if the story is rigorous, it is naturally better, and if it is not rigorous enough, it will not hurt. For creators, this is not only not a disadvantage, but an advantage."

"White Stone." Kei Fujiwara looked up and asked, "Is this a script you wrote yourself?"

Shiraishi Monet was still a little squirming and embarrassed at first, but staring at Kei Fujiwara's eyes, he felt a calm emotion like water in the other party's eyes, so the tension in his heart disappeared, and he nodded directly and admitted, "Yes, Fujiwara-sensei."

"It's very well written." Kei Fujiwara said, "Is this your first work?"

"Yes...... It's not a ......," Shiraishi Monet took a breath and said, "Actually, to be precise, I don't have a single work right now. I've written a lot of books before, but I haven't been able to make a drama, and the scripts that can't be filmed are just waste paper."

When he said this, Shiraishi Monet's face showed a little

Xu looked sad.

"Oh? Did you give the script to the producer?" Kei Fujiwara asked.

Monet Shiraishi said with some embarrassment, "I'm not embarrassed to hand it over to the producer directly, but I can submit it to Fukuyamadai under a pseudonym...... But it's all gone."

"And what about your script? Are you planning to post as well?"

"Fujiwara-sensei has this book, and I used it to participate in the Young Screenwriters Contest." Shiraishi Monet said seriously.

[At present, it is the most complete and best sound for listening to books, integrating 4 major speech synthesis engines, over 100 kinds of timbres, and it is an artifact that supports offline reading.

In this book, there are three main ways for new screenwriters to get ahead and have their own screenwriting works. One is to work in a TV station, starting as a screenwriter assistant and rising up the career ladder step by step. Gradually get in touch with the core process of script creation, from screenwriter assistant to line screenwriter, and then to episode screenwriter. is the same as the promotion path of an ordinary TV station employee, even if it is a creative job like a screenwriter, many times it is difficult to escape the shackles of interpersonal relationships and years of success.

And many people who engage in artistic creation have a way of thinking, and they hate this kind of workplace constraints the most, plus they don't like circle culture, so they often choose the other two paths.

Participate in the New Screenwriter Contest and submit directly to production companies and TV stations.

Among them, the most influential in the newcomer screenwriter competition is the Young Screenwriters Competition, which is not weaker in the screenwriter circle than the influence of the Ranbu Award in the writers' circle, and the newcomer screenwriters who win this award are often able to make their own screenwriting works directly.

Submitting to TV stations and production companies is also a method, and many screenwriters have made their debut in this way, but the hope is even slimmer. It takes a screenwriter and time to create a drama, but the producer has to invest real money, and the production cost of a drama is hundreds of millions of yen.

Young Screenwriters Competition...... I remember it's past the deadline, right?" Kei Fujiwara said.

And this competition also invited him to be a judge not long ago, but because he was too busy, he refused.

"Yes, but I've already submitted...... This is a copy in Fujiwara-sensei's hand." Monet Shiraishi sighed, "Actually, I also submitted last year and the year before last, but I was not selected. This year, I just tried to vote, but I didn't have a score in my heart."

"Shiraishi, are the works you submitted last year and the year before last also trend dramas?" Kei Fujiwara asked.

Monet Shiraishi nodded: "Yes, because I'm more interested in trend dramas, so I ......."

Fujiwara Kei sighed and said, "Shiraishi, I have to tell you something. I have also been invited to be a judge in some screenwriting competitions, so I still have some understanding of the rules of the screenwriting competition. Often, the more influential the screenwriting competition, the first to be eliminated are the scripts of trend dramas...... The competition is more optimistic about dramas with deep intentions and emotions, and pure trend dramas like this are often not welcomed by the judges and organizers."

Shiraishi Monet was stunned, and casually, the light in his eyes gradually disappeared visibly.......

Sima Guitai