"Although I have left Fukuyamadai, we will continue to cooperate with Fukuyamadai in the future." Fujiwara Kei said that he did not take the initiative to mention or say much about Fukuyamadai.

Yoshida Kashi regretted bidding farewell to the position of director, although he still behaved very steadily, but he must still be sad in his heart, and Fujiwara Kei did not mention it very knowingly.

"Fujiwara-sensei, what's next?" Yoshida asked, "I believe Fujiwara-sensei's plan is not just to continue to provide dramas for major television stations."

With Kei Fujiwara's name, it is impossible for any program produced by Mizubo to worry about sales, and the five major folk releases and even NHK will spend money to buy them. But Yoshida felt that Kei Fujiwara's ambitions and intentions should be even greater. If it's just a TV drama for a TV station, it's no different from staying at Fukuyama Station.

Fukuyamatai will give him a higher position, better treatment, and will also help him share the risk, judging from such outstanding achievements of Kei Fujiwara, he has been immersed in Fukuyamatai for more than ten years, and it doesn't even take so long to be the director of the production bureau or special manager, there is no problem at all. It may even sit on the throne of the president in the future.

But none of this impressed him, so Yoshida wanted to know what exactly he wanted.

"It's still going to be a TV series, but ......," Kei Fujiwara continued, "the movie side will also be driven at the same time. There are also animations, special effects, and artist agents, and I don't want to miss it...... Most importantly, I want to bring these cultural works to overseas markets."

Yoshida Kashi smiled, "Isn't there enough money in the country to make money? Still want to go to sea? Cultural products are different from automobiles and television, and it is difficult for audiences in different contexts to accept them, but nowadays, the only way to achieve a strong cultural output on the whole earth is American film music and animated games, and this is a great cause that has been completed after several generations of accumulation. And now the film industry is sluggish, and it is exported to the outside world...... It's hard."

"No matter what kind of work you do, it's not easy to make achievements." Kei Fujiwara took out an orange from the fruit basket he brought and peeled it slowly, "I'm already comfortable filming TV dramas, and I'm already in my comfort zone. But according to historical experience, comfort is a precursor to death, which means an imminent loss of fighting spirit and aggressiveness. So...... I want to make myself unhappy."

Kei Fujiwara peeled off the orange in the shape of petals, revealing the jelly-like flesh of the orange wrapped in white silk, spread it on the palm of his hand, and presented it to Yoshida Kashi, who thanked him and picked up a petal and ate it.

"It is true that there is an independent and thriving cultural industry, but there are also drawbacks that cannot be ignored...... The market is too small. The cultural industry, in the final analysis, is the population. The decline of Hong Kong films is also related to this, and the locals simply cannot support the income of an industry. Taiwan Island stopped buying their films, and they gradually lost their vitality. Because the game and animation industry is strong enough, it can go overseas and radiate the world, and with the protection of overseas markets, it will become stronger and stronger. It's a virtuous circle. If you want the domestic film industry and TV dramas to get such development, it is not possible to shrink in China. And the sooner we do it, the better, and when other countries start doing it and do it, we may be too late."

….

"But so far, in terms of the cultural industry, apart from the United States, there is no second opponent. Why are you so anxious?" Yoshida asked as he chewed an orange, thinking that the orange was really sweet, so he picked up another petal from Kei Fujiwara's hand.

"Not yet, but soon." Kei Fujiwara said, "The slogan of 'cultural nationhood' is now being shouted in South Korea, and although there are no actual policy regulations and systems yet, it is estimated that it will not be far away. South Korea's population is smaller than ours, and if their cultural industry wants to flourish, it must take the foreign route, and when the Korean Wave becomes the chairman of Asia and even the West, we will have no chance at all."

"Korea...... Cultural Nationhood? Why haven't I heard of it......

Yoshida Kashi muttered quietly, although he is in the broadcasting industry, he has a strong interest in politics and the international situation, so he often reports from abroad. To a certain extent, South Korea is very similar to Yuben, both are island countries, both are garrisoned by American soldiers, and they are both countries that make a living from foreign trade. It can even name a lot of the current South Korean politics

The name of the active parliamentarian, but I've never heard of any development strategy for a cultural nation in their country.

But looking at Fujiwara Kei's extremely sure and resolute eyes, I felt that it should be true, but I was lonely and unheard of.

In fact, Kei Fujiwara is only saying that the current South Korea has not officially put forward the development strategy of "cultural nationhood".

"In fact, the South Koreans have mentioned it for a long time, but at first it was just some civil voices, but those folk activists who put forward these slogans have gradually entered the political arena recently, although the voice is not big now, but there are indeed such voices in the Korean political circles." "After the Seoul Olympics in '88, Korean society became more open due to the end of military rule, and the people's minds were active and free, and there were no taboos on various topics. Korean dramas have developed a lot over the years, but they are still a handful of firewood."

Thinking of this, Fujiwara Kei said, "Moreover, the great advantages of the cultural industry over other industries are that they are low consumption, pollution-free, and can increase cohesion internally and promote the national image externally. It can also promote domestic products and stimulate other industries. Therefore, as long as there is an opportunity, it is a matter of course for South Korea to shout the slogan of "cultural nationhood."

Hearing Fujiwara's well-founded words, Yoshida became interested, and talking about politics and the situation seemed to be a man's inseparable hobby, Yoshida continued to ask, "What opportunity?"

Fujiwara thought for a moment and said, "A large, intense financial crisis...... No, it would be more appropriate to say that it was a financial tsunami. As a country dominated by foreign trade and exports, the Korean government will start to seriously consider industrial transformation if something unexpected happens."

Yoshida looked at Kei Fujiwara with some surprise: "Fujiwara, do you think there will be another financial tsunami in the near future?"

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Fujiwara Kei smiled: "I'm not a bank employee, this is just a layman's conjecture of mine, but you also know that I still have a lot of experience in stock trading, and I have heard some bad judgments from industry insiders during this time, so I have cleared some stocks in advance."

When Yoshida was still on the TV station, he also listened to the guidance of Fujiwara Kei and made a small amount of money in the stock market, and since then he has admired Fujiwara's vision very much.

Seeing Fujiwara Kei say this, Yoshida Kashi also sounded the alarm bell in his heart, he has a lot of industries, as well as shares in foreign trade companies. If Kei Fujiwara's judgment is implemented again, he will have to pay a lot of money.

Sima Guitai