Another drama is a collaboration with Fanxingtai, "Blue Life and Death Love", a benchmark Korean drama, and it is also a drama that officially rolled up the Korean Wave.

Kei Fujiwara plans to make this drama his first Korean drama remade in Yuben.

There is actually a certain risk in introducing Korean dramas from parallel worlds into Yuben. Because of the risk of adapting to the local environment, the introduction of cultural works that are popular in the country is tepid in foreign countries, and this kind of thing is not isolated.

is like "My Love from the Stars", which was once popular in China and South Korea, causing unprecedented Hallyu popularity, but it is not popular in this book. Although there are many popular Korean dramas that have set off the Korean Wave, if you choose a work that is not so compatible with the social and cultural environment of the company, I am afraid that there is a great chance of overturning.

For example, "Dae Jang Geum" is a record-breaking Korean drama, but because the story takes place in the ancient Korean background, it is inevitable that it will have to be modified a lot if it is grafted into the original background. In case the revision is not done well, it will be troublesome. So after thinking about it, Kei Fujiwara gave up the adaptation and remake of this drama.

First of all, this drama is a modern romantic drama that does not integrate the unique historical background of South Korea, so it is almost effortless to adapt it into a Japanese drama.

Secondly, it caters to his natural preference for mourning, abuse dramas or something, which pokes the aesthetic point of East Asian audiences, especially the audience. If you jump to death on their pain points, they will be happy.

Moreover, in the parallel world, this drama is also very popular in the book. Even its second sequel, "Blue Life and Death Love 2: Winter Love Song", caused a huge sensation in the society of Yueben, and for a long time, no other Korean drama has created the same ratings boom in Yueben.

Even if the Korean drama will only be broadcast on NHK's night schedule, it has not affected the popularity of this drama in the slightest.

Kei Fujiwara will transfer a series of popular Korean dramas to the Yuben position in the future, but before that, it is still necessary to make a more stable drama with a history of successful experience in the Yuben market to test the waters.

Of course, Kei Fujiwara will also shoot "Winter Love Song" again in the future, "Blue Life and Death Love" and "Winter Love Song" both belong to the "Blue Life and Death Love Series", also known as the Four Seasons Series. Korean dramas in this period are still in their infancy, and the audience is not tired of watching the routine plot, so the plot of this period is bloody, but it is energetic.

Even if they know the routines of these plots, many female viewers can watch ***. What car accidents and cancer can't be cured of routines, even after fifteen years, as long as they are used well and use new ideas, they can still capture the hearts of a large number of audiences.

After confirming the project, Kei Fujiwara began to look for the main creator of the show in the company. After some thought, Kei Fujiwara decided to let Taro Nishimura be the main director of "The White Tower", while "Blue Life and Death Love" chose Miyabe Zhenyue.

This is actually a bold appointment, the two of them have never had their own main director's work before, and as the main director, they are considered newcomers.

But the two of them have not been in the industry for a short time, needless to say, Nishimura Taro's career development route is the growth route of a traditional and solid TV station member, starting with the assistant director, and then slowly rising to the main assistant, then to the executive director, and the chief assistant director...... And this process has lasted for ten years, the experience is already very rich, and the level is obvious to all, and it is time to have a work that belongs to his own main director.

After Nishimura Taro was appointed, he was naturally overjoyed

Miyabe Zhenyue is the photographer of the movie "Confession", after the fire of "Confession", he himself became famous in the circle and became a well-known photographer, and the industry also spoke highly of his professional ability. It is even expected to win this year's House Award. Years of perseverance have finally paid off. Matsuhi also threw an olive branch to him again at this time, but Miyabe Zhenyue did not hesitate to choose the production of water waves.

There's no reason to stay in Matsuhi Pictures.,Maybe you have to continue to look at the eyes of the president's brother-in-law.,And compared to Matsuri Pictures.,Although the scale of water wave production is small.,But it has an advantage that Matsuri can't match.,That is, the president of this company is Kei Fujiwara, a top artist in the industry.。 Miyabe Zhenyue also regards himself as an artist in his daily life, and artists appreciate artists more

, so Shui Wave Productions appealed to him more than any big company.

Miyabe has always broken through the idea of being a photographer and a director, and he also shot his own short film works in the years when he was hidden. But after all, he lacks long-term shooting experience in a TV drama crew, and although he has been learning, he is still a little nervous after being appointed at first glance.

Originally, Kei Fujiwara trusted Miyabe Zhenyue because he felt that he had the professional level as a director. But as soon as he saw Miyabe Zhenyue's unconfident appearance, he suddenly became a little uneasy.

The trust in Miyabe Zhenyue is actually a helpless choice to a certain extent, and there are very few directors who are of sufficient level in Shuibo Production, so he hopes to cultivate a group of directors who can fight as soon as possible. But doing so is a bit of a rush.

At this time, Kei Fujiwara suddenly thought of the newcomer who had signed a contract with Mizumi Productions not long ago, so he asked the assistant to call this person.

Oda Kiri walked into Kei Fujiwara's office, he was wearing plain clothes, and when he saw that Kei Fujiwara's office was closed, he walked in directly, sat on the office sofa, and looked at Kei Fujiwara quietly.

Kei Fujiwara was listening to music with headphones on while reading the plan, and he didn't notice it for a while, and when he looked up, he was really shocked to see the kid Oda Kiri Kozo staring straight at him.

"Oda Chisang, you're here." Kei Fujiwara took off his headphones and said, glancing at the wide open office door, thinking to himself how this kid is silent, it's really scary.

"Hello President." Oda Kirizo stood up, bowed, and sat down again.

"That's right, I asked you to come here to make you a co-director of a TV series, would you like to?" Kei Fujiwara asked.

Because he knows that Oda Kirikozo's dream is to make movies, he himself doesn't like TV dramas, and even has a condescending attitude towards TV dramas. In fact, this kind of film industry's contempt for the TV drama circle is very common abroad, especially Hollywood, but it is often not in the book. On the contrary, in this book, movies may not be as fast as TV series and have a wide influence. In this regard, Oda Kiri Gongzo is the first to connect with Hollywood.

Kei Fujiwara has seen his films, and I have to say that he does have a good talent, but the themes of the films he made before are more niche, but he may shine in time.

If Oda Kiri Gongzao is really unwilling to make a TV series, Fujiwara Kei will not force it, and then let the star station secondment one, but in terms of content, the decision-making power will have to be ceded again. But I didn't want to Oda Kiri Gongzao nodded almost without hesitation: "Okay, leave it to me."

"It's a TV series." Kei Fujiwara reiterates again.

Oda Kiri nodded again, "Please leave it to me."

After doing independent filming for so long, Oda Kiri Gongzo also realized that Shibasaki Hideaki's line seemed to be right. In the social environment where the film industry is not strong, it is actually futile to insist on his film dream, and even if the movies he made before have a good reputation, they will not make money, and it is estimated that nothing will change if they continue.

But Kei Fujiwara's "Confession" gave him some hope, so he deliberately went to Hideaki Shibasaki and introduced him to this company, thinking that it might be a ladder for him to realize his dream.

Therefore, he will also agree to the professional appointment of water wave production.

What happened to the TV series? Lao Tzu must have made him the best in the world!

In fact, he is a little envious of Shibasaki Hideaki who filmed "Naoki Hanzawa", this drama is not inferior to the movie in terms of rhythm, story, and lens language, if he can also direct such a high-level professional drama, the industry and the company may be able to see his ability, then it may be logical for him to direct a big-budget movie next.

"By the way, President, I want to ask what type of drama I want to film?" Oda Kiriko asked.

"It's a trend drama." Kei Fujiwara replied.

Oda Kiri was suddenly a little disappointed.

(End of chapter)