In Oda Kiri's heart, trend dramas are synonymous with brain damage to a certain extent, a group of guys with chaotic relationships between men and women engage in love triangles on campus or in clubs, which cannot be compared with workplace dramas in terms of style and social significance, and cannot have the effect of educating the people.

But he doesn't plan to prevaricate, trend dramas are trend dramas, and he can finally get through this stage! Oda Kiriko made a heart.

Kei Fujiwara handed over the plan and the script for the first two episodes to Kiriko Oda, "You can take a look at it first."

Oda Kiri knew that once he read the script, he would have to shoot it, so he opened the plan with a heartbeat.

After a rough glance at the core plot, Oda Kiri Gongzao has only one idea, dog blood, very dog blood, but according to his experience, it seems that such a dog blood plot can also be filmed very well.

"The actor has not yet been chosen, but since you are the main director of this drama, I will also refer to your opinions to the greatest extent, if you want to be a good candidate, you can tell me." Kei Fujiwara said.

Oda Kiri nodded, "Okay, I'll go back and think about it."

After Oda Kiri finished speaking, he was about to leave the office, but after thinking about it, he turned around and asked, "Fujiwara-sensei, I want to ask. Isn't the company planning to shoot three dramas recently? In addition to NHK's morning drama and this trend drama, what kind of drama is there?"

"Medical-themed professional dramas." Kei Fujiwara said, "Is there any problem?"

"That ......," Oda Kiri plucked up his courage, "if it were me, I would be confident that I would be able to dig out the deep themes of professional dramas."

This is Mao Sui's self-recommendation, and Oda Kiri Gongzao is really more inclined to professional dramas.

"Inspector Oda Kiri, aren't you interested in directing trend dramas? Or do you think that trend dramas are low in style, so they lack interest?" Kei Fujiwara asked with a smile.

Although Kei Fujiwara is deliberately smiling to show friendliness, in the eyes of his subordinates, the boss's smile naturally has the meaning of deterrence.

Oda Kiri was a little flustered, but still explained, "It's not like that, it's just that I think professional dramas are more suitable for ......

"The director of 'The White Tower' has been decided, and I don't plan to change it unless there are special circumstances." Kei Fujiwara said.

"It's okay......" Oda Kiri Gongzo was a little disappointed and a little frightened, and was about to leave, when Fujiwara Kei said, "Oda Kiri-san, now that I happen to be free, why don't you talk a little more, please take a seat."

Oda Kiri sat down again, Fujiwara Kei poured him tea, recently Yoshida Kashi gave him a set of tea sets, and also taught him about the knowledge of the tea ceremony, Fujiwara Kei was not interested, but Yoshida Kashi told him with a smile that there can be nothing else on the entrepreneur's desk, but there must be a cabinet full of books and a complete set of tea sets, which is the cultural heritage of entrepreneurs.

You can also put a world map on the wall, which means that you have the world in mind.

When chatting with subordinates, make tea for subordinates, not only have the demeanor of a corporal of courtesy, but also give yourself a little reaction time when sorting out the language.

"To be honest, the filming and production of trend dramas will become the company's main business in the coming period, and I would like to hear what industry professionals like you think of this type of drama." Kei Fujiwara said as he made a cup of tea for Kiriko Oda Kirizo.

"No, no......" Hearing that Kei Fujiwara called him a professional, Oda Kiri Gongzao was a little ashamed and uneasy, and hurriedly waved his hand. If Kei Fujiwara was just an ordinary business owner, he would have been happy to be this professional in front of Kei Fujiwara. After all, it is normal for managers to lower their posture in front of technicians, and the key is that Kei Fujiwara is not an ordinary club president, he himself is the most famous producer in the industry, and no one dares to take the professional's score in front of him. So hearing Kei Fujiwara say this, Oda Kiri Gongzao was inevitably a little ashamed.

Fujiwara Kei looked at Oda Kiri Kozo with a smile, and after a while, Oda Kiri Kozo said: "To be honest, I think trend dramas lack nutrition, and as literary works, they should give the audience some inspiration, but trend dramas often can't do this, all it can do is satisfy the audience's boring fantasies."

"I think so too." Kei Fujiwara nodded, "Full."

Enough of the audience's boring fantasies – it is. But I don't think it's just the mission of trend dramas, I think that's what all types of dramas should achieve."

"From the very beginning of my first work, I had only one goal: to satisfy the audience's boring fantasies, to pass their boring time, to enrich their boring lives – that's all. Now the industry has given me the title of national teacher, although I am very grateful, but it was not my purpose to educate the people and enlighten the people's wisdom or anything from the beginning. My purpose in filming TV dramas is even more vulgar than the TV series I shoot itself."

"Whether it's TV dramas or movies, I don't think they have the role of educating the people, and the people don't want to be educated. So for me, whether it's "Naoki Hanzawa", "The White Tower", or the trend drama that will be filmed next, for me, the essence is the same, they all use illusory stories to let the audience get rid of the real predicament for a short time, that's all."

As he spoke, Kei Fujiwara flipped the plan of "Blue Life and Death Love" with his fingers, "I plan to let you co-direct this drama with Miyabe, you and Miyabe-kun both have experience directing works independently, and compared to you, although Nishimura is more familiar with the filming process of TV dramas, he has no experience in taking the lead alone. So I'm more devoted to this trend drama than 'The White Tower'."

"I need this drama to subvert all the trend dramas in the past, I want it to give the audience a beautiful and romantic feeling, whether it is for the plot or the picture. Even the investment in this drama is a grade higher than that of "The White Tower". I actually have a lot of expectations for you and Miyabe, of course, you may have pressure, but this is also a test for you."

Kei Fujiwara said this half to arouse Oda Kiri's attention and passion for this drama, and the other half is indeed true. Compared with "The White Tower", he is more interested in "Blue Life and Death Love".

As the king of Japanese dramas, the quality of the script of "The White Tower" is undoubted, and because it is a local work, it naturally has its best-selling soil in this place. What's more, most of the team led by Taro Nishimura this time are the team that participated in the filming of "Naoki Hanzawa", and they are very handy for this kind of hot-blooded workplace drama, and the audience groups of "Naoki Hanzawa" and "White Tower" are highly overlapping, so it is equivalent to repeating the successful experience again.

And although "Blue Life and Death Love" is also a strong drama that is popular in Asia, in the parallel world, this drama has indeed caused a trend in Yueben, but after all, it is broadcast in a niche period as a foreign drama, and it has not been challenged by a large number of people in Yueben, so Fujiwara Kei is inevitably a little bottomless. So I am more interested in this drama.

And Fujiwara Kei will launch a series of trend dramas that imitate Korean dramas in later generations, so it must be shaped well, because the next works will inevitably imitate this drama, so "Blue Life and Death Love" also plays the role of a textbook to a certain extent, and will be a unified model for the next type of trend dramas.

(End of chapter)