There are too many fakes, and you can get used to thinking that the real ones are also fake. The real and the false can be converted into each other, and the fake copy imitates the real one, and may eventually surpass the real one.

There is such a sentence in Wang Xilian's "General Commentary on the Dream of Red Mansions": "Truth is false, and fake is true." There is a truth in the truth, and there is truth in the false. True is not true, false is not false. ”

Sometimes the fake is too perfect, and you like it too much, which tells you that it is fake, and you are willing to want the fake perfection, not the real flaw. Things that shouldn't exist exist where they should be, and things that should exist don't exist without a suitable environment.

What you don't have is what you have when you have it, and what you have is no longer there when it's time to lose it.

If it doesn't exist, it is said that it exists, and if the authority speaks or everyone does not oppose it, it really exists. As the saying goes, "the official is the most accurate", Zhao Gao "refers to the deer as a horse", obviously it is a deer, Zhao Gao said that it is a horse, then the deer does not exist. Another example is a pair of men and women with a normal relationship, they are good friends, and there is nothing wrong with them, but there are a lot of gossip, and the fabricated facts are even more convincing than the facts that exist, how will they get along in the future? Either they really become lovers, or they reduce contact or don't contact, and this pair of good friends doesn't exist.

"When the fake is true, the truth is also false, and there is no place for inaction." Just a dozen words write Zen, truth and dialectics. Therefore, our Chinese characters and Chinese are the most concise, efficient and vivid!

For thousands of years, our culture has never been cut off, and Chinese characters and Chinese have a degree of inheritance and stability that cannot be compared with other languages. With the accumulation, precipitation and development of Chinese culture for thousands of years, Chinese characters and Chinese have a superiority and vitality that other languages and scripts cannot match.

We all know that the United Nations has six working languages, Chinese, English, French, Russian, Arabic and Spanish, write work reports with the same content, save pen, ink and paper, and be environmentally friendly enough.

However, the lack of words does not mean that the expression is insufficient, and our Chinese characters and Chinese are the best at using concise words and sentences to express complex meanings, profound truths and fascinating cultures.

National self-confidence stems from cultural self-confidence. Chinese characters and Chinese are the most advanced, the most beautiful and the most charming arts in the world, and many foreigners come to learn them, and our descendants of Yan and Huang should have this self-confidence. For example, the author of "Dream of Red Mansions", he or they have this self-confidence.

The author of "Dream of Red Mansions" has rich experience and writes like a god, and the critics have learned a lot from him, so the more the critics say that "Dream of Red Mansions" is not a cynical criticism of reality, the more it seems to remind readers to carefully read and experience those criticisms of reality and dissatisfaction with society.

[The floating life is very hard and busy, and the grand banquet is finally over. 】

[Sorrow and joy are all the same as illusory, and a dream in ancient and modern times is absurd. 】

[The red sleeves of the abuse are scarred, and the infatuation is long. 】

[Every word seems to be blood, and ten years of hard work is unusual. 】

This poem will be more flavorful if Mr. Guo Degang comes to read it, but unfortunately we don't have that ability, so let's just listen to it! Life in the world, empty and uncertain, what is it for all day long, busy. The grand and lavish feast will eventually come to an end. Things that make people sad and happy are like illusory dreams, and there is no dream that is not absurd from ancient times to the present. Don't just say that women always cry and cry, but also that infatuated men resent for life. Every word of "Dream of Red Mansions" is condensed by blood and tears, and the author has worked too hard and not easy in the past ten years!

This poem is still very good from the overall artistic conception, the wealth and prosperity in the red dust will disappear in the end, just like no matter how big the pomp and circumstance of the banquet will end. Joys and sorrows, the evolution of reincarnation is like an illusion. Throughout the ages, in the final analysis, it was just a dream. Isn't it even more ridiculous that there are people who are so busy working for this?

However, if you strictly judge from the perspective of poetry appreciation, this poem is generally written, and the seven-character poem requires repeated consideration in the choice of words while fighting against each other. Let's look at Du Fu's masterpiece in his later years, "The wind is urgent, the sky is high, the ape is howling, and the white bird flies back." Boundless falling trees and Xiao Xiao, endless Yangtze River rolling", can be said to be a model in terms of word choice.

We read what Yan Zhai wrote, "Sorrow and joy are all the same as illusory, and a dream in ancient and modern times is absurd." She uses "a thousand kinds" to "a dream", which is not rigorous enough, giving a more rigorous example: "The prosperous world is good, and Shenzhou is new", and "a thousand things" is against "Vientiane". Another example, "a newlywed love in a thousand ways, a small farewell in ten thousand loves", "a thousand kinds" to "ten thousand kinds".

Let's read what Yan Zhai wrote, "The red sleeves are scarred by the slander, and the infatuation is even more hateful", and "red sleeves" are not rigorous enough for "infatuation". What should the "red sleeves" be more neat for? Let's look at the example in the book "Dream of Red Mansions", Zhen Shiyin's only daughter Zhen Yinglian was abducted by traffickers, and later changed her name to Xiangling, Xiangling was bought by Xue Pan, the dumb overlord, and entered Jiafu, and later studied poetry with Lin Daiyu.

At the beginning of the forty-ninth chapter, Xiangling wrote a poem, "The essence wants to cover up the difficulties, and the shadow is from Juan Juan's spirit and cold." An anvil knocks thousands of miles white, and the half-round chicken sings five more remnants. Listen to the flute in autumn on the green river, and lean on the railing at night on the red-sleeved building. Chang'e should ask herself, why don't you reunite forever! ”

Because Xiangling is a character in the novel, this poem was of course written by the author of "Dream of Red Mansions" instead of Xiangling. Among them, the artistic conception of "listening to the flute in autumn on the green river, leaning on the railing at night on the head of the red-sleeved building" is very beautiful, and the words are also exquisite, which shows that the skill of the author of "Dream of Red Mansions" is more profound than that of the critic of the book.

"Hearing the flute in autumn on the green river", the green lily is the green lily clothes, and the children will carry the "egret flying in front of the Xisai Mountain, and the peach blossom flowing water mandarin fish fat." Green hats, green clothes, slanting wind and drizzle do not have to return". "Green lily" is used to refer to a person wearing a lily robe on a rainy day, what does this person do? "Autumn flute on the river".

Lonely and lonely sitting on the boat, this person can be a fisherman or a wanderer who travels far away, in this poem refers to the wanderer who travels far away, and we will discuss it in depth when we read the forty-ninth chapter in the future, especially referring to Xue Pan, the dumb overlord.

"Autumn flute" can be understood as hearing the ethereal sound of the flute on a rainy night in autumn. What tune does the flute play, the author did not write, we need to combine the artistic conception of the poem to expand the imagination, the poet fairy Li Bai said: "Whose jade flute flies in the dark, scattered into the spring breeze full of Los Angeles." In this nocturne, who can't afford to love the old garden? "Oh, it turns out that the flute plays "folding willows".

"Book of Songs" in the "past, I go to the past, willow is still in the past", there is "folding willow songs" in the Han Yue Mansion, "willow" homonym "stay", in ancient times of our country, someone left their hometown to travel far away, relatives and friends separated, the send-off person to fold a wicker to the person who will set off, give you "willow" is to let you stay, the last years of the Sui Dynasty sang well, "the willow is green and drooping, and the poplar flowers are flying in the sky." The wicker is broken and the flowers are flying, and the pedestrians are asked if they will return". The sound of the flute is clear and long, and the "folding willows" are played, which can arouse people's longing for their hometown and relatives and friends.

Xiangling's sentence "Hearing the flute in autumn on the green river" is also expressed in a cold rainy night in autumn, the lonely wanderer of the world, drifting on a flat boat, "the wild path is dark, the river boat is unique", since ancient times, the most bitter amorous, unable to sleep, suddenly in the sound of the rain faintly heard "folding willows", the flute is far away and clear, erratic, this wanderer to his parents, to his hometown, to the heart of her she misses even more, and can not sleep.

I think that the autumn flute on the Green Ridge River is more flavorful than Zhang Ruoxu's "Whose house is flat boat tonight, where is the Acacia Mingyue Tower"! "Who's Flat Boat Tonight" only has a flat boat, a wanderer and a missing, "Hearing the Flute in Autumn on the Green River" adds a drizzle and flute, and the lonely image of the wandering wanderer is more fully set off, and the kind of longing for the wandering world is more fully rendered, and the artistic conception is more beautiful.

The next sentence of "Hearing the flute in autumn on the Green Ridge River" is "Red Sleeves Loutou Leaning on the Fence at Night", students pay attention, it is to use "red sleeves" to "Green Leaves", red, green, and color is very rigorous about color, so I said that "the red sleeves are scarred and the infatuation is heavy, and the infatuation is long", and the "red sleeves" are not rigorous enough for the "infatuation". In addition, "red sleeves" and "green lily" are both used to refer to the characters with clothes, and Yan Zhai wants to use "red sleeves" to refer to the infatuated woman, and "infatuation" is used to refer to the infatuated man, but the parts of speech of "red sleeves" and "infatuation" are not so harmonious.

Some picky friends may say that the person who wears the green coat is not necessarily a man, and a woman can't wear it? Infatuated people are not necessarily men, women are sometimes more infatuated! Why do you say that "red sleeves" refer to women, and "green lily" and "infatuation" refer to men?

Because ancient women's dresses were all long-sleeved, "red sleeves" later became synonymous with women. Du Mu's poem in the Tang Dynasty: "Picking lotus red sleeves wet, peeking at the frequency of green moths", in which "red sleeves" and "green moths" can refer to beautiful women. There is a sentence in Xin Qiji's "Qingping Le-This Body is Long and Healthy": "I expected to be drunk tonight, and the two lines of red sleeves competed for help." Xin Qiji expected that if he got drunk tonight, there would be a queue of beautiful women vying to support him. Guan Hanqing of the Yuan Dynasty also wrote, "The feast in Hua Province does not end in waiting, and is busy with red sleeves in a hurry." "Before the luxurious banquet was served, someone left in a hurry with the beloved beauty and went on a solo date. Before "Dream of Red Mansions" was written, there were many such poems, and I will not give examples of them one by one.

The development of Chinese culture is continuous, and it is customary for "red sleeves" to refer to women, and in the Qing Dynasty, the women referred to by "red sleeves" have more profound meanings, and they are women with full artistic images and living an artistic life.

Yuan Mei celebrated his 79th birthday, and the female disciple Xi Peilan congratulated the teacher on his birthday, and wrote a sentence "Green clothes hold inkstones to urge the question paper, and red sleeves add fragrance to accompany reading", everyone should pay attention to the fact that "green clothes" are used in this sentence to "red sleeves", which is also color to color, which is very rigorous. In ancient times, scholars wore green clothes, so green clothes became synonymous with boys.

Yuan Mei is the Jinshi of Qianlong for four years, and is also the Jishi of the Hanlin Academy, and now he lives at home, many literati, wealthy businessmen, and celebrities come to visit, earning to ask Yuan Mei to inscribe on the plaque, compose poems on the paintings, and write prefaces in front of the book. The green-clothed scholar held an inkstone in his hand and urged his turn to write for whom, and he was busy for a while, and when everyone dispersed, Yuan Mei read quietly, and the red-sleeved beauty added spices to the smoker and accompanied him. This line of Xi Peilan's poem evolved into "Red Sleeves Fragrance Night Reading", which is regarded as the most elegant thing for readers.

Xi Peilan wrote a sentence "Green clothes hold inkstones to urge the question paper, red sleeves add fragrance to accompany reading", which evolved into "red sleeves add fragrance to night reading", which is regarded as the most elegant thing for readers. The ancients with high living standards often smoked incense in the house, which can expel mosquitoes, flies and turbidity, so as to achieve the effect of removing moisture and dampness, refreshing the mind and strengthening the body. "Red sleeves add fragrance" is a great beauty to do an extremely elegant thing, beautiful and beautiful, beautiful!

In ancient times, "adding incense" is very different from what we are common to now. Nowadays, there are common spiral coils, rolled out by large machines, a few dollars a box, usually use this kind of incense, and people's "red sleeves" ignore you!

Slightly better, it is the kind of delicately packaged fine incense stick, called incense sticks. When the incense is lit, smoke rises from the stick. However, "red sleeves to add incense" is not as simple as taking a stick of incense and inserting it into the smoker. If you look at the smokers in ancient paintings, you can hardly see how many incense sticks are inserted in the smokers. People who use incense sticks are generally not worthy of "red sleeves".

The incense that "red sleeves" add to the smoker is incense pills, incense balls, incense cakes, or powdered spices that are hot on the day. On some short video sites, some beauties scrape sandalwood or agarwood into powder with a special tool, and then roll it into strips or spirals in a smoker with a special tool. The utensils are exquisite and elegant, the jade hands are delicate and lubricated, and then the incense powder is gently lit, and I want to learn "red sleeves to add fragrance", but I still can't learn it after all.

Ignite the spices directly, the fragrance bursts out at once, it is inevitable that there will be fireworks, and then the strong fragrance is pungent, although the house is full of incense after the smoke is extinguished, the fragrance is getting weaker and weaker, and it cannot be balanced and lasting.

"Red sleeves add fragrance" is not as simple as putting incense balls, incense cakes, and incense powder into the smoker. It is not possible to ignite incense pills, incense cakes, and incense powder directly. "Red Sleeves" pursues the realm of incense, which is to minimize the smoke and fire, so that the fragrance is balanced and light, and the aftertaste is long.

Then you need to use good bamboo charcoal and charcoal, and the charcoal fire in the smoker should burn as slowly as possible, and the fire should be as small as possible and not extinguished. Therefore, it is necessary to prepare for the charcoal fire before "adding fragrance to the red sleeves".

The special small pieces of charcoal are burned thoroughly, placed in the incense burner, and then buried with fine incense ash. Then poke some air holes on the incense ash, so that the small pieces of charcoal buried under the incense ash can have limited contact with the air, which is the first step. Then put the "fire insulation board" on the incense ash, there are many types of fire insulation boards, including ceramics, gold and silver, ores, etc., all of which are hard and high-temperature resistant flakes. In the last step, put the incense balls, incense cakes, and incense powder on this fire insulation board, and bake them with a charcoal fire buried under the incense ashes, and slowly bake the fragrance out.

However, this is not the end, once the incense is put into the incense burner, the "red sleeves" should observe the fire from time to time, in case the fire is hot, it is necessary to add incense ash to block some ventilation holes, if the fire is weak, poke a few more ventilation holes on the incense ash, so that the aroma of the slow roasting is not only not fireworks and the fragrance is uniform and lasting.

The charcoal is buried in the ashes and cannot be seen, so you need to put your hand on top of the incense burner and judge the fire by your hand. Therefore, in addition to "adding incense" in ancient poems, they also like to describe the scene of beautiful women trying incense with slender jade hands. As the saying goes, "I tried the fragrance several times and warmed my hands, and I tasted the wine and lips." ”

The "red sleeves" who stay in front of the incense burner are not only beautiful in appearance, they all love piano, chess, calligraphy and painting, happy to poetry, hops and tea, quick thinking, elegant taste, never have to worry about their livelihood, all their minds are to wait for a successful or successful man. Although there will be the pain of parting, the pain of disappointment, and the sadness of heartache, they are still the most beautiful "red sleeves".

The next sentence of Xiangling's poem "Hearing the Flute in Autumn on the Green Ridge River" is "The head of the red-sleeved building leans on the railing at night", and I don't know how many red-sleeved beauties wander on the platform, tiredly leaning on the railing and in a daze. Xiangling's poems have the thoughts of the wanderer, the sorrow of the lady, the words are rigorous, and the battle is neat, which is better than that of Yan Zhai.

"The red sleeves of the abuse are scarred, and the infatuation holds hatred for a long time." This is probably the greatest understanding and affirmation of the man she waited for who failed to succeed in reality!

It turned out that when the Nuwa clan was refining stones to make up for the sky, [Jiaxu side criticism: make up the sky and help the world, don't be serious, use common sayings. "Mending the heavens and helping the world" is the ideal of many scholars in ancient times, and we will say in detail later, in the Great Wilderness Mountain [Jiaxu side batch: absurd also. ] Nonsensical Cliff [Jiaxu side batch: Nonsensical also. ] Practiced into a high meridian of 12 zhang, [Jiaxu side batch: should always be 12 hairpins. ] Fang Jing twenty-four zhang [Jiaxu side batch: according to the deputy twelve hairpins. Thirty-six thousand five hundred and one stones. The myth of Nuwa mending the sky is recorded in many ancient books, and the author of "Dream of Red Mansions" recreated on the basis of the myth of Nuwa mending the sky, adding the size and number of stones, which is very meaningful. The stone is 12 zhang high, which is equivalent to 40 meters, and the big stone, why is it so high as 12 zhang? Because "twelve" is a very special and very important number, the ancients found that the twelve full moons are a year, and "twelve" was regarded by the ancients as the "great number of heaven" to convey the will of heaven. The year is divided into 12 months, and in these 12 months, it is divided into 24 solar terms, and the critic said that "twelve" should be the twelve hairpins, that is, the fifth episode of "Dream of Red Mansions" Jia Baoyu looked at the twelve ladies in the Jinling twelve hairpins, and the twenty-four zhang were just twice as many as twelve, taking care of the twenty-four women in the sub-book and the sub-book of the twelve hairpins in Jinling, and these twenty-four women either played a role in setting off and rendering the twelve hairpins, or they were the insinuations of the image and fate of the twelve hairpins. Many readers feel a strong sense of "Qing is the shadow of Daiyu, and the attack is the deputy of the hairpin", Qingwen is the shadow of Lin Daiyu, and the attack is the stand-in of Xue Baochai. There are also Xiangling like Qin Keqing, Shi Xiangyun like Jia Baoyu, Wang Xifeng has the shadow of Jia's mother, Lin Hongyu has the shadow of Wang Xifeng, etc., we will talk about it later.

The myths of Nuwa mending the sky, such as "Historical Records", "Huainanzi", and "On Heng", are not exactly the same, probably a god called "Gonggong" fought with other gods, and Gonggong hit the pillar between heaven and earth with his head--- Buzhou Mountain, causing the sky to collapse a hole, Nuwa took remedial measures to avoid a catastrophe. There are even more records about Nuwa and other legends of Nuwa, such as "The Classic of Mountains and Seas", "Liezi", "Chu Ci", "The Book of Rites" and other ancient books.

With the evolution of matrilineal clan society to patrilineal clan society, and later the transition from slave society to feudal society, Nuwa's deified status changed. Many friends have heard the legend of Nuwa creating people, theoretically Nuwa should be the ancestor of the Chinese nation, but now people often say that the Chinese nation is the descendants of Yan and Huang, the descendants of the dragon, the Yan Emperor and the Yellow Emperor are men, and the dragon also represents men, and Nuwa is no longer so closely connected, Nuwa's name is Feng Lixi, if you affirm the supremacy of Nuwa, it can be said that we are the descendants of Feng. The development and improvement of the feudal system has continuously strengthened the patriarchy, husband's and men's rights, which has become the main reason for suppressing the development of Nuwa's myth and leading to the decline of Nuwa's status. The author uses the myth and legend of Nuwa mending the sky at the beginning, and I think there are three purposes. 1. I just said the absurdity of this book, and I immediately used myths and legends to prove this "absurdity". 2. Nuwa mends the sky because the sky has fallen, and the strengthening of patriarchy, husband's power, and male power has led to the strengthening of monarchy. Between the monarch and the minister, the monarch and the emperor are the sky. Between the government and the people, the common people call the officials in charge of their hometowns "parent officials" or "the big man of the blue sky", and the officials are the sky. In the family, the father is the sky, and the husband between the husband and wife is the sky, you see that the Chinese character "husband" is higher than "heaven", between men and women, the man is the sky. The sky fell, Nuwa came to make up for it, the men couldn't, and the women showed their great strength. 3. When everything is running normally, Nuwa's role is not obvious, just like if Jia Daishan died early in Jiafu, then Jia Mu would not have become the person with the highest status. If Jia's mother was not alive, Jia Min's daughter Lin Daiyu would not have been able to enter Jia's mansion, and Jia Baoyu might have gone another way under the direct management of Jia Zheng. In addition, Jia Yuanchun's status is very high, her father Jia Zheng and her grandmother Jia mother have to kneel down to her and salute, the reason is that Jia Yuanchun married a man with the most special identity in the country, and the imperial power has greatly enhanced Jia Yuanchun's status, and Jia Yuanchun has the opportunity to send the young Jia Baoyu into the Grand View Garden to live with those girls. However, we have to see that when everything is running normally, Jia Yuanchun's role in Jiafu is not obvious, and the king is like a tiger, after all, Jia Yuanchun failed to survive until the emperor died, she left first, and Jiafu accelerated its decline. The author's use of "Nuwa to make up for the sky" also shows that in the social system and real environment at that time, the role played by women was limited!

The Wa Huang clan only used 36,500 yuan, [Jiaxu side batch: the number of Zhou Tian. The earth revolves around the sun, which is a week, which is what we often call a year, a year is 365 days, and a hundred years is 36,500. People often say: "Rich is not more than three generations", one generation is 30 years, three generations is 90 years, generally speaking, a family has been prosperous for 90 years, if there is a lack of faith, there is no strict offspring training plan and the pursuit of progress and self-reform measures, then it is difficult to continue to prosper. This is true of the family, and it is also the same with a country and a political party. Entrepreneurship, development, and keeping the business to the point of not keeping the business will take about 100 years, and the other 100 years is also the limit of human lifespan.

Nuwa used 36,500 yuan to count Zhou Tian to point out that in 100 years, Jia Yuan, Jia Daishan, and Jia Zheng were just three generations in Jiafu. Jia Yuan, through the drunken scolding at the end of the seventh episode of "Dream of Red Mansions", we know that Jia Yuan was born as a military general, has experienced life and death, and is a generation of entrepreneurs, and it is fortunate to be able to survive in the shadow of the sword and sword, this generation's material pursuit of extravagant life will not be too big, the country is in ruins, all are poor, and it is not easy to be extravagant.

Jia Daishan, who has reached the generation of generations, because he was born in his father's entrepreneurial period, knows that his father has been difficult to start a business all his life, and he is deeply influenced by his father's generation, leading the family to transform from entrepreneurship to shoucheng, and the development of the family follows the development of the country, so he is still more able to restrain his desires.

and then to Jia Zheng, who is a literary generation, since he is a "literary" generation, it shows that his father wants his generation to prosper the family with "literature". It also shows that the country has completed the transformation, and that it is impossible to rule the world immediately after fighting the world, and that all dynasties and dynasties have all "come out of the barrel of a gun", and after gaining power, they have also implemented "civil governance" to develop and consolidate this regime. After two generations of hard work, a family with military merits has grown larger and has a larger population, but it spends more and more on food and clothing, weddings and funerals, and family gifts. However, in "Dream of Red Mansions", the third generation of "Wen" characters in Jiafu is basically abolished, and they can't restrain their desires, and they don't care about their family and country. Jia Jing in Ningguo's Mansion cultivated and alchemy all day long, and he didn't enter the house. Only Jia Zheng is still struggling to support.

Jiafu has reached the fourth generation of the jade generation, exactly 100 years ago, the generation of the jade generation was born with a golden soup spoon, and the suffering of the ancestors is far away from them, and it is a generation of pleasure. Because Jia Jing mixed with Taoist priests every day, he had already passed on all the military titles to Jia Zhen, and Jia Zhen in Ningguo's Mansion was undisciplined, so he could do whatever he wanted. Jia Lian, the son of Jia Yu in Rongguo Mansion, is unlearned, covetous, and has no future. Jia Baoyu's brother Jia Zhu was pinned on by Jia Zheng, but unfortunately he died early, and we will focus on Jia Zhu's death in the future. Rejuvenating the family with "literature" could not be achieved in Jia Zhu, so Jia Zheng took another path, that is, political attachment and power climbing, educating Jia Baoyu's sister Jia Yuanchun well, hoping to have a good relationship with the emperor and then consolidate his family. Later, Mrs. Wang gave birth to Jia Baoyu again, and Jia Zheng saw the hope of rejuvenating the family with "literature", so he wanted to educate Jia Baoyu well. There are concubines in the palace and talented people in the family, this is a double insurance for the revitalization of the family, and Jia Baoyu, who has no choice but to be given high hopes, is just like what is written in the book.

The fifth generation of grass characters, represented by Jia Rong and Jia Lan, now we use simplified Chinese characters, and the orchid of orchids in traditional Chinese characters has a grass prefix. There are also Jia Qiang, Jia Yun, and Jia Yan in the book, all of whom are people with "grass prefixes". In "Mencius", there is a saying that "the gentleman's ze, five generations and beheaded", which means that the character and family style left by the ancestors when they started the business ceased to exist after five generations, and the family wealth accumulated by the ancestors was lost after five generations. If Jia Rong and Jia Lan were born in a rich and noble family, although they broke the saying "rich can not be three generations", they could not escape the holy saying of "five generations and beheaded"! Nuwa spent 36,500 yuan to point out that 100 years is a process of entrepreneurship, success, profligacy, decline, and destruction, that is, to tell readers to learn the lesson of "being rich in the third or fifth generation", and if you want to maintain prosperity, you must establish a correct view of the overall situation, you must constantly self-purify, self-innovation, guard against arrogance and rashness, work hard, and continue to work hard, otherwise you will be eliminated after all. "Looking at Kyushu, the land of the predecessors and the descendants will reap it. The descendants will rejoice in the harvest, and there will be those who will receive it behind. "Meng's side criticism: count the feet, leave me alone." can't be selected" sentence reveals the heart. 】

Only one piece is left unused, [Jiaxu side batch: This piece is left and there are so many stories. So that although he did not make up for the heavens with this on that day, he should go and mend the pitfalls of the earth, so that the earth would be flat, and there would be no such nonsense. This is the critic's ridicule of the author's words, the remaining piece is not used, and it will be abandoned under the green ridge peak of this mountain. [Jiazhu Mei Criticism: Wonderful! It claims to be the root of fallen love, so it has no use to make up for the sky. The critic interprets Qinggeng Peak as "love root", the "love" of feelings, and now there are readers who interpret Qinggeng Peak as "clear root", the root of the Manchu Qing Dynasty, the benevolent see the benevolent! Who knows that since this stone has been refined, the spirituality has been passed, [Jiaxu side batch: after refining, the sex is passed, very good! You can't learn in life. The critic said that the stone had been tempered before it could be spiritually attained and could be used to mend the heavens. If people do not go through study and training, it is impossible to achieve success. Because he saw that all the stones had to make up for the sky, he was alone and could not be selected, so he sighed to himself, and was ashamed of his sorrow day and night.

This mending stone "was unbearable to be selected, so he sighed to himself, and was ashamed day and night." It also leads to a problem that is often encountered by scholars--- "scholars do not meet", which can also be said to be Huai Cai. In the history of ancient Chinese literature for thousands of years, as a common phenomenon expressed in literature and the unique thoughts and feelings of many literati, "scholars do not meet" has always accompanied literary creation, and the author of "Dream of Red Mansions" has continued this creation.

In the pre-Qin period, a group of scholars and scholars wrote the first batch of lyric poems in the history of classical literature that reflected the theme of "scholars do not meet". Then Qu Yuan wrote "Lisao" and "Nine Chapters", the literati closely linked the feelings of personal life and fate, the unhappiness in their careers, and the prosperity and decline of society and the safety of the current situation, such as Song Yu's "Nine Arguments", which conveyed the emotion of "poor people who were derelict in their duties and were uneven" through the autumn scenery and autumn weather.

Later, the exclamation of "scholars do not meet" was further expanded on the basis of frequent wars, turbulent times and the social reality of the suppression of the Hanmen Shu people by the gatekeepers, and it was very common in various literary works such as poetry, essays, dictionaries, and fu. Jia Yi, a talented man in the early Han Dynasty, has studied his "Treatise on the Qin", when Jia Yi was reused by Emperor Wen of the Han Dynasty in the temple, and was later demoted to be the teacher of the King of Changsha, wrote "Ostrich Bird Fu", "Hanging Qu Yuan Fu", Dong Zhongshu wrote "Shi does not meet Fu", his student Sima Qian wrote "Sadness does not meet Fu", and then Dongfang Shuo, Yang Xiong, Wang Cang, Cao Zhi, Ji Kang, Ruan Ji, Liu Ling, Zuo Si, Tao Yuanming and others sighed about their life experiences, and wrote poems and essays about the feelings of "Huai Cai does not meet", as long as you read it, You can feel how strong the literati's sentiment of "scholars do not meet" in that period was.

After 300 years of division and war, in the Tang Dynasty, culture flourished again, but with the imperial examinations, partisan struggles, the weakening of national power in the middle and late Tang Dynasty, and the division of warlords and other social phenomena, the works reflecting the "scholars do not meet" were injected with new content such as failing the examination, moving to exile, and the decline of the times. Wang Bo shouted "Feng Tang is easy to be old, Li Guang is difficult to seal", Chen Ziang ascended to Youzhou Terrace, "Thinking of the world and the world, lonely and weeping", Meng Haoran said "Not only the master is abandoned, but many diseases and people are sparse", Li Bai is even more in the "difficult road" "will enter the wine", Bai Juyi was demoted to Jiangzhou, in the sound of the pipa, tears wet the green shirt, sighing "the same is the end of the world". There are also Li He, Li Shangyin, and Wen Tingyun, and the topic of "scholars do not meet" is almost consistent with the entire Tang Dynasty literature.

After the Song Dynasty, the orthodox literature with poetry and literature as the authentic turned into decline, and the theme of "scholars do not meet" expanded to the emerging literary fields such as ci, opera, and novels. or write about the depression and self-comfort of failing in the imperial examination, or write about the melancholy of the politically frustrated being degraded and abandoned. In the Song Dynasty, Liu Yong's "Crane Soaring to the Sky" "is a talented lyricist, and he is a white-clothed prime minister." Endure the floating name, change the shallow low singing! ”。 Xin Qiji, who had the talent to enter the phase, was abandoned in the Southern Song Dynasty for 20 years, and he sighed helplessly, "I was drunk and picked up the lamp to see the sword, and I dreamed of blowing the horn and the battalion." Eight hundred miles under the command, fifty strings turned over the outside sound. Autumn soldiers on the battlefield. The horse-made Lu was fast, and the bow was like a thunderbolt. But the king of the world, won the name before and after his death. Poor white happens! Among them, Su Dongpo has the most works of this kind, and Su Dongpo's allusion to "Dream of Red Mansions" is useful, and we will introduce it with the text of "Dream of Red Mansions" and the criticism of Yan Zhai, here we will first talk about a poem "Dan Dan Er Mountain"

"Abrupt and empty, he is not as good as the mountain. Look at the stones next to the road, all of them are making up for the sky. "Dan'er Mountain stands so high that the sky seems narrow, and no other mountain can compare with it. Please take a look at the strange stones next to the road, all of which are the five-colored stones left by Nuwa to mend the sky!

Su Dongpo's life is up and down in the political wave, he was admitted to the Jinshi at the age of 20, which is more powerful than Qi Lisheng, who was in his 30s that we discussed earlier, Su Dongpo has been a high-ranking official such as a bachelor of Hanlin, a bachelor of waiting, and a scholar of the Ministry of Rites, and he participated in the government at the height of the temple. He also served as the governor of Mizhou, Xuzhou, Huzhou, Dengzhou, Hangzhou, Yingchuan, Yangzhou, and Dingzhou, and was in charge of the party for a long time. In the party struggle after Wang Anshi implemented the reform, Su Dongpo was demoted three times: first Huangzhou, then Huizhou, and finally Danzhou, Hainan. In the face of political ambitions and talents that are difficult to display, and he has been degraded many times, Su Dongpo's feelings of "scholars do not meet" are very strong, "You look at the stones next to the road, and you are all making up for the sky", this sentence connects the myth of Nuwa to make up for the sky and "the scholar does not meet". Confucianism's attitude toward life was originally to advocate active accession to the WTO, not only to seek personal detachment, but to rely on what we have learned in our lives to help the world and the people, and "helping the world and the people" is to promote social prosperity and stability and ensure that the people live and work in peace and contentment. "The rise and fall of the world is the responsibility of every man", and the outstanding intellectuals of ancient China took the world as their own responsibility and regarded governing the country and the country as their life goal and highest ideal. It is the same reason that scholars who have learned and learned cannot realize their ideals of serving the country, and the stones that have been trained to mend the sky are not used to mend the sky.

After Su Dongpo, Ma Zhiyuan, Jia Zhongming, Wang Shifu, Gao Zecheng, Shi Nai'an, Pu Songling and a large number of opera, legend, and novel authors continued to enrich the expression of "Shi does not meet". "Scholars do not meet" integrates the complex reflections and profound thoughts of ancient literati on society, life, history and reality, and their highly lyrical or exquisite words and sentences have a unique charm in terms of ideology and artistry.