Grandpa's heroic deeds Lin Mu is a little bit understood. Similar to many declining families, for some reason, it is difficult for this inheritance to continue to carry forward the core temperament of the family in the long-term life continuation cycle. Lin Mu received a modern education, and was very disgusted with the so-called feudal patriarchal system and cramming training, and even walked on the opposite side of family thinking for a time.

However, the impact of so many events after passing through Doi Suthep, especially the intensive fear attacks in a relatively short period of time, has given him a strong spiritual antibody in his body. Perhaps this is the so-called "Saion lost his horse, but he knows that it is not a blessing".

If it weren't for Zheng Qimin, he might not have any intersection with the Zheng family in this life. To this day, Lin Mu still can't figure out whether Zheng Qimin approached him out of true feelings or so-called other purposes. However, what he knows very well now is that no matter what Zheng Qimin's purpose is, for himself, there is only one purpose: the things in the box, no matter what they are, belong to the Lin family.

"All things are foreseen, and those who are not prepared are wasted." If you want to achieve a big career, it seems that the core thing is still your own thoughts. For Lin Mu, it has reached the point where there is no choice. Regardless of whether he is a descendant of the Lin family or not, as far as his own cognition is concerned, he must stand on the position of the family. Because from front to back, he didn't feel that there was something wrong with the Lin family. Secretary Lin or Second Uncle, no matter what their true thoughts are, but from the perspective of root interests, he still hopes that all contradictions and problems can be resolved internally. If it can't be solved, it's not something outsiders can participate in. Unfortunately, this kind of cognition, in practice, has encountered great challenges.

The biggest challenge is, who does this painting, this "Eighty-Seven Immortal Scrolls", belong to? Does it belong to the common wealth of all mankind, or should it belong to the heroes behind the bloody struggle to defend it? In other words, does a great work of art belong to society as a whole? If there are some people in the world who do not recognize or understand the core value of artworks, then it is very complicated and difficult to explain whether the value of artworks will encounter different value evaluation systems when they are exhibited or announced to the public in this way.

Lin Mu can only follow his own heart, that is, the natural flow of national aesthetic consciousness, if some excellent works are buried, it can only be said to be a pity, or a very pity.

Where is the "Eighty-Seven Immortal Scrolls"? This is a mystery to the Lin family, the Zheng family, and some groups from the outside world who know about the situation.

From the bottom of his heart, Lin Mu hopes that such an artistic treasure should belong to all mankind, and should belong to all mankind to own and appreciate together. It should be properly preserved and then exhibited in a place where most people can see it on a rotating basis to ensure that its artistic value is maximized.

However, historical changes have always caused regrets of one kind or another. Many cultural relics have been obliterated by the dust of history, and even future generations have no way to explore. Aren't these complex and treacherous stories more worthy of excavation and exploration?

Compared with the artistic value of the vast sea of clouds, what are the ignorant emotional entanglements between him and Zheng Qimin? What is the family grudge between the Lin family and the Zheng family? Mr. Lin Yutang wrote a work called "Jinghua Smoke and Clouds", which describes these trivial historical processes, which makes people feel sad and have no more educational significance.

However, without the support of the authentic works of the "Eighty-Seven Immortal Scrolls", all these ideas would be nothing more than castles in the air.