On the streets of New York, a slide car equipped with a camera was speeding and staggered past a galloping Cadillac, and the high-speed camera accurately captured Martin's control of the car from the lowered window.

Cadillac, which was actually not fast, braked and stopped, and a cameraman carrying a camera got into Martin's co-pilot.

Martin started the car again, making all sorts of dazzling maneuvers to control the car.

After the pursuing vehicle followed, he took out a pistol from his arm and fired at the rear.

The speed of the car is not fast, but Martin is relatively easy to operate.

The pistol bullets quickly emptied, and a car collided and overturned behind.

Martin single-handedly returned the empty magazine, replaced it with a new one, and continued to drive the gun.

The style of action shots shot by Chad is different from that of Michael Bay and others.

The latter uses a lot of ultra-short shots intensively, giving people a particularly sharp visual impact.

Chad tried to shoot with long lenses to create a sense of realism.

After the long shot of the car, Martin opened the door and got out of the car, handed the pistol to Bruce, and ran to Chad to see the effect of the shot.

The camera is always in motion, but unlike the pure hand-held camera of "Spy", which constantly shakes and shakes, the footage shot by the camera mounted on the Steadicam moves more smoothly.

Wide-angle lenses, vivid and soft lighting, and smooth camera movement create a unique style.

The constantly shaking footage of the spy gives people an immersive first-person perspective.

And the shots taken by Chad are like a high-level observer.

As a stuntman-turned-director, Chad devised a narrative that uses fighting scenes to promote the plot, using martial arts to bring the text.

From the outset, he decided to ditch flashy quick cuts and use wide-angle and long-shot shots to show every spectacular fight.

Because the style of "Fast and Furious" looks realistic at first glance, it is actually just an action spectacle dressed in a realistic coat.

Martin, as the male lead, is going to kill hundreds of killers in the first part!

A conservative estimate is more than 150 people.

In a way, the male protagonist Jonathan is a video game character controlled by the audience, fighting all the way through the level, and finally killing the boss and completing his mission.

This is very dependent on Martin's completion of the movements.

Even the stand-ins are used relatively rarely, and many difficult actions need to be completed by him in person.

After shooting for a long time, Martin inevitably had a purple and a blue on his body, and the small injuries and pains never broke.

Fortunately, he found a good way to relieve the pain - massage.

The person who gave Martin a massage was called Alexandra D'Addario.

While the crew was working, Alexandra used her hands to help Martin massage.

When he returns to the hotel or apartment at the end of work, he heals his wounds with softness and fiery heat under the guidance of Martin.

Martin returned to the lounge area and sat down, and then his stunt double Buck took the stage to perform a series of flying cars and other scenes.

The crew sealed an entire street in New York for filming.

Compared to when filming "Neverending" in New York, the New York City Department provided much more convenience this time.

A heroine who only lives in the memory of the male protagonist, in exchange for so much cheapness, is very cost-effective.

"Drink water?" Alexandra placed the sippy cup on the small table next to Martin.

Martin nodded, "Thank you." ”

There was a roar of Chad ahead, and the crew needed to shoot as soon as possible, and before the evening rush hour arrived, they would withdraw from the streets, and it would not be long for filming.

Soon, a chain of car collisions appeared.

The crew's safety measures were in place, and no one was injured.

Martin also went over and asked about Chinker, took the suit he had taken off, and put it on his body.

Buck is gone, and he, the leading actor, enters the makeshift set again and engages in a fierce shootout with a group of killers.

With the sound of gunfire, Martin is like the protagonist of a video game, slaughtering enemies on a frenzied scale, fully demonstrating what it means to be a thug in a suit.

"Corpses" lay all over the streets of New York.

When Chad shouted to stop filming, the corpses did not get up, and the cameraman ran over with the camera, chose the right position, and took a few photos of the set.

This is Martin's crew, although because of the busy filming work, he does not have the same creative talent as Nolan, and he can write real tidbits in the way of writing movie scripts anytime and anywhere, but he can still help the crew create news to attract attention.

At four o'clock in the afternoon, the crew called it a day on time, and the cleaning company like a professional scavenger entered the road, collecting all the garbage on the road as quickly as possible, and the road was restored before the evening rush hour arrived.

On the way back, Martin sat in the same business car with Chad and the others.

Marcus looking at the set photos taken by the cameraman: "These can't just be released, right?" ”

"It has to be accompanied by the right news," Chad said. ”

Martin stretched out his head to look at it and said, "It's easy to say, isn't it rumored outside that I'm crazy because of the clown's depression, and this corpse all over the ground is just right for my state." ”

Jessica, the head of publicity next to her, said, "I thought about it. ”

He took out his laptop and turned it on, and began to get busy.

When the group arrived at the hotel, Jessica not only uploaded the news to the official website of the crew, but her team also reposted it on a series of entertainment websites.

The pictures in the news are all on the set of a shootout on the streets of Manhattan, each with multiple corpses lying on them.

It's just corpses all over the field, and rivers of blood are flowing.

The headline written by Jessica herself: "Fast Pursuit" has just started filming, and Martin Davis is killing crazy on the set!

When she came to the hotel, Jessica took someone to find the crew's psychologist to shoot a news video.

The psychiatrist takes a salary to work naturally, and warns in the video: "Martin must reduce his work load so as not to cause a recurrence of old diseases because of too violent scenes." ”

This statement not only highlights Martin's condition, uses him to attract people, but also speaks of one of the major characteristics of the film: violence!

Violence is one of the biggest selling points of commercial films.

After dinner, Martin went back to the room, and tonight Alexandra was home, a little free.

Bruce took a bottle of essential oil and deliberately asked, "Do you want me to massage it for you?" ”

Martin gave him the middle finger: "Save your strength for Kim and Kohler." ”

"It's Kohler!" Bruce emphasized, "It's nothing to do with Kim. ”

Martin despised this rotten man: "You are a scumbag, you all flew together, and you didn't admit it." ”

Bruce quickly changed the subject: "You watch out for Alexandra's sister, the look in your eyes is not normal. ”

Martin was determined: "How can a good person like me touch Catherine, it's too late to hide." ”

Bruce put away the essential oil, took a book and threw it to Martin, and said, "Scumbag, you took people's books, don't you read them?" ”

"I've been too busy these days, and I'm busy filming during the day." Martin took the copy of "The Prince of Thieves" given by Chuck Hogan and said, "Not to mention the evening, these days have all been spent in the magnitude 9 earthquake." ”

When the two are alone, Alexandra won't let him be idle, even if he is tired, there is an oil massage.

Martin stretched and went to make a cup of tea first, just in time tonight, he could calm down and watch slowly.

He lifted the cover and read it carefully.

Graham King has been a producer for Scorsese for a long time, and he is very reliable, and the writers he recommends will not be bad at least.

It is a crime set in Charleston, an old town in Boston, whose inhabitants have a long tradition of crime.

Charleston is a true portrayal of the original Boston, the residents are mainly Irish, most of them are engaged in ordinary workers' work, this town has a very big characteristic, the highest rate of cash truck and bank robbery in the United States, the community is also monitored by the Massachusetts Police and the FBI The number of bank robbers is also the highest in the United States.

The protagonists are four young people in the town who are brothers and sisters, all of whom are hidden bank robbers, well-armed and unique in their modus operandi, until a bank robbery that changes their fate occurs, in which the male protagonist and the female bank manager have a series of entanglements.

Martin is a super scumbag, but he has enough patience to endure watching it for a while, and gradually immerses himself in the plot.

Chuck Hogan's writing is very good, in terms of crime plot alone, it is more exciting than Alan Grien's "Dark Field", and it is not obscure at all, it is very entertaining, especially the several robberies of the protagonists, which are thrillingly written.

After looking at the previous part, Martin took a quick look at it, and by late at night, he had flipped through nearly half of it.

Bruce came back from outside and was a little surprised to see that Martin was still there: "This book is very well written, with a plot of Sacred Valley?" ”

"The crime realistic genre took place in Boston, but after I watched it, I thought about our life in Atlanta," Martin said. ”

Bruce took it, flipped through the pages, and said, "We were lucky enough to get out of the quagmire, and if we stayed in that kind of place for a long time, we might end up on this path, after all, the money came fast enough." ”

Martin laughed, "I'm an American hero, the kind of guy who caught a Russian spy." “

Bruce knew Martin well enough to pick it up and shake it: "You fancy it?" Want to buy film and television adaptation rights? “

"You still know me." Martin didn't need to hide in front of Lao Bu, and said directly: "Say hello to Jessica tomorrow and let her ...... No, let's take the time to make a personal trip. ”

He is more thoughtful: "Chuck Hogan is a friend of director Scorsesese, and he was introduced to me by Graham King himself, and now I have a crush on him, and I always have to show the importance he deserves. ”

In this regard, Martin has always been very good at being a person.

Bruce took Chuck Hogan's business card and jotted down the address and contact details.

Martin prepares to take a shower.

As for the plot of this one, it reminds him of a movie, "The Thief in the City" directed by Ben Affleck.

Big Ben, it's a coincidence.

(End of chapter)