Chapter 13 Comprehensive Cultivation Goes Together, and Cultivation is a Double Breakthrough

Volume 1 Chapter 13 Comprehensive Cultivation Goes Forward Together, and Cultivation is a Double Breakthrough

After getting the five resources of the spirit ring, the black sword, the unicorn armor, the elixir, and the void sand, as well as the swordsmanship, palm technique, and physical exercise method promised by Lao Tie, and upgraded his skills halfway, Lao Wang felt that he had gained a lot and it was worth the trip.

Coming out of the inheritance library and teleporting to the deep platform of the cliff cave as usual, Lao Wang thought that he could simply practice in this cave for some time, improve some cultivation, and have more means of self-protection, at least he could go down the cliff safely without relying on external forces. Besides, there is no better place than here, there are formations, spiritual yuan is abundant, and there are no outsiders to disturb it, it should be a good place to practice.

Lao Wang took out five resources, and urged the senior Tie to recall and sort out the swordsmanship, palm techniques and physical exercises. The name of the sword technique is "Kunlun Sacrifice", which was realized when the ancestor was about to attain enlightenment when he saw the ancient immortals Kunlun Sacrifice to the sky. The swordsmanship is integrated into the solemn and distant artistic conception of the immortals when they worship the sky, showing the ancient and simple spirit of swordsmanship. There are a total of nine swordsmanship, which fits the number of Kunlun Nine Sacrifices, so the swordsmanship is also known as the Kunlun Nine Sacrifices. There are nine variations for each move, for a total of ninety-nine eighty-one variations. The Kunlun Nine Sacrifice Sword Recipe and Move Atlas soon appeared in Lao Wang's mind.

The first trick is called the Folk Festival. A small figure first appeared in his mind, holding a small sword in both hands and raising it to the heart of his chest, and then slowly raised it to the center of his eyebrows for three breaths, then holding the sword in his right hand and pinching the sword trick in his left hand, he made the first move, which looked like the actions of the ancient people when they were fishing and hunting. Next, nine variations evolved, including stabbing the eye and nose, throwing point piercing, slashing the beast's neck, and parrying the beast's pounce.

Lao Wang saw that the original more than a dozen basic movements of swordsmanship, such as splitting, chopping, stabbing, pointing, teasing, collapsing, intercepting, wiping, piercing, picking, lifting, twisting, sweeping, pressing, hanging, grid, etc., are all summary changes of the hunting actions of the ancient people. To grasp the essence of this, you must understand the scene and the essentials of the actions of the ancient people who attacked the beasts and fish with a sharpened wooden stick and sharp stone tools without metal tools.

Understanding this, Lao Wang substituted himself into the environment where Ru Mao drank blood and struggled to survive, and imitated them to fight with the beast naked, not only to protect their own vital points, which is probably the origin of swordsmanship, but also to effectively attack the vital parts of the beast, this is probably the basic action of swordsmanship, and then connect several actions with attack effects and related actions, which is probably a move or a series of related moves.

It turns out that the essence of each sword move is here, and Lao Wang suddenly has a great joy, and involuntarily dances with his hands and feet, and between his hands and feet, it is all the primitive, clumsy, and simple charm of being naked at the beginning of human beings, and dancing with his hands and feet to kill birds and beasts. The first move and its nine changes have reached this realm, which has completely integrated the essence of the living folk sacrifice, and also completely integrated the spiritual essence of the sword technique created by the ancestor master.

I saw Lao Wang's move, ethereal and no traces, no murderous spirit in the dance, the depth made people dazzle, and the remoteness made people palpitate. To this extent, the swordsmanship cannot be said to be just the essence, it is already close to the Tao, very close to the essence of nature.

Lao Wang's perception benefited a lot, although the sword moves are not proficient, but the essence of swordsmanship or the way of the sword has been first glimpsed into the doorway, as long as the daily logistics plus practice, diligent perception must have practiced to the day of completion.

On the other side, Xiaohong swallowed the Ning Ling Pill, and Tie Senior passed on to her (Xiaohong is a female) a set of Shenlong Transformation Skills. Xiaohong's skills have increased greatly after practicing, first of all, the cultivation has been officially promoted to the Ning Dan period, and then the dragon has become a snake, python, Jiao, dragon and other authentic divine skills, after the practice, the body is agile and agile, unpredictable, and the cultivation to Dacheng is really the dragon to see the head but not the tail, the scales in the east and the claws in the west.

Lao Wang's swordsmanship became small, so he invited Xiaohong to practice. When I first saw Xiaohong and the two dismantle the moves, Lao Wang was completely at a disadvantage, but at that time, Lao Wang did not take advantage of weapons, nor did he systematically learn swordsmanship, so he had the upper hand. At present, Lao Wang's strength has increased greatly, and now it is not what it used to be, and his skill has been improved to the consummation level of the Tongmai Enlightenment Period, one step away from the Yang Jue Yin Jue Period, and he has obtained this black sword with the same heart, and he has also learned the first sacrifice of the Kunlun Nine Sacrifices, and has practiced to the point of Xiaocheng.

The battle between the two can be described as a dragon and a tiger, and it is very fierce. Xiaohong's skill is in the early stage of Ning Dan, which is roughly equivalent to the second level of Lao Wang's Tongmai Enlightenment Period, and he is higher than Lao Wang's second order, and he has practiced the Divine Dragon Transformation that is too sharp and agile.

Lao Wang's skill is lower than that of Xiaohong's second order, but after 7749 days of steaming with the body training liquid, his strength and physique have increased, and the comprehensive assessment is estimated to offset Xiaohong's half level. Lao Wang also holds a three-foot sword, and the first move of swordsmanship has reached the Xiaocheng stage, and the speed and pace are flashing. The sword is added to the small swordsmanship, and then the acceleration, the superposition of the three items is estimated to offset the difference of one and a half orders.

The battle between the two can be described as evenly matched, and the dragon is fighting against the tiger. At the beginning, Lao Wang was still a little down, and after the nine changes of the first enrollment of the folk sacrifice gradually became proficient, the two fought to a draw. I saw the red light flickering, turning and shuttling, and the white clothes on the other side were ethereal, flickering left and right, advancing and retreating like electricity. The little red scaly skin is tough and uninjurable, its voice is slanderous, its meaning is lingering, it is trapped when it is touched, and it is restored when it is separated.

Lao Wang Dou came to the xing, pursed his lips and howled, shouting loudly, getting rid of the reserve of the literati for the first time, revealing the wild posture of young people, and also experiencing the joyful feeling of a warrior fighting bravely. It seems that the world is not immutable, but after changing the environment, you will change your mood, and if you accept your identity, you will change your behavior. Of course, people's deep-seated virtues are generally not easily changed.

The two of them fought and recovered, and at the same time realized the experience of the battle just now.

Lao Wang will next practice the second sacrifice - the Four Directions Sacrifice. The four-way sacrifice is intended in the four directions, and it is a sharp sword move for group fighting. The primeval people were attacked by wild beasts, and one person was weak, so they had to hold on and wait for help, and retreat to favorable terrain while fighting, or by the mountains, or by the water, or by the trees, or by the cliffs, etc., so this move is a sword move supplemented by group defense and counterattack.

The third sacrifice is wind, rain, thunder, lightning and fire, the fourth sacrifice is to mountains, rivers, rivers and seas, the fifth sacrifice is to the gods, the sixth is to sacrifice ghosts, the seventh is to sacrifice the earth, the eighth is to the sky, and the ninth is to worship yin and yang.

The Kunlun Nine Festivals are actually an all-encompassing swordsmanship system, such as the wind, rain, thunder, lightning, fire sword, Taiji sword, heavenly sword, ghost sword, divine sword, yin and yang sword, etc., all of which come from it.

The third festival is the wind, rain, thunder and lightning fire festival, and the practice is deep into the wind and rain, thunder and lightning, and the fire is scorching. The first five changes of this move are single sword moves, the last three are superimposed sword moves, and the last change is five simultaneous shots, which are extremely powerful.

The fourth sacrifice of the mountains, rivers, rivers and seas, the first five changes are also a single sword move, including the thickness of the mountain, the power of the river, the stretch of the river, the mystery of the ze, the vastness of the sea, etc., the last three are superimposed sword moves, and the last change is also five at once, and the pressure is huge.

The fifth sacrifice is the sacrifice of the gods. The ancients feared ghosts and gods, and sacrifices occupied an important position in life. Therefore, this sword grasps the essence of awe, and embodies the lightness and mystery of the sword.

The sixth sacrifice is the ghost sacrifice, the ancients were afraid of gods and ghosts, so the purpose of this sword is to be ruthless and deceitful. Lao Wang is not very comfortable to practice, but it is still very effective to deal with opponents who practice ghosts and shadows.

The seventh sacrifice is the Thick Earth Offering. The earth has the characteristics of being thick and solid, and it also has the strength to carry all things. Therefore, the purpose of this trick is to be dignified and simple, and it is appropriate to use a sword to bear ten thousand jun, and it is appropriate to deal with the heavy pressure of heavy weapons or magic weapons. In addition to the heaviness, there is the meaning of innovation and the birth of all things, that is to say, there is a heavy and light artistic conception at the same time.

The eighth sacrifice is the Heavenly Sacrifice. The heavens are vast and remote, and the heavens are unpredictable. It has both wind and sunshine, and thunder and lightning and fire, which can not only bless people, but also bring disasters to people. Therefore, this move should be in awe, respect a majesty, fear a coercion, and pay attention to the way of heaven and the right and peaceful, and pay attention to the majesty of heaven and the omission. In fact, this trick is the most difficult to grasp.

The ninth sacrifice is the yin and yang sacrifice. The change of yin and yang lies in nature, in the absence of traces, and in doing what you want. This trick is used to see it in the yin, suddenly in the yang, from a distance it is yin, and when it is near, it is yang. The transformation of yin and yang is mysterious. It is the most difficult of all sword moves to practice.

Lao Wang plans to spend about half a year in the first stage, practicing the Yin and Yang Technique of the Three Lives every morning, practicing the sword in the afternoon, sparring in the evening, and practicing the speed of palm training in the evening. The second stage is also used for about half a year, pondering and pondering other auxiliary exercises, such as exercises, practice pills, formations, talismans, etc., to see if Lao Wang can get started with some projects.

Lao Wang practiced swords, became the first move of the ancestors, started the second move of the Quartet Sacrifice, initially practiced the next seven moves, and then wanted to practice a set of palm techniques.