Chapter 176: Carrying Water

A broom was thrown over directly, but the little half-fairy didn't mind, picked up the broom and cleaned it, and swept the fallen leaves in the courtyard in a moment.

For the next two days, the little half-immortal stayed in this small courtyard and listened to the pure monk's teachings.

The little half-immortal found that the status of the pure monk in the Hongfa Temple was definitely transcendent, although the living, dressing, and eating were very simple.

But this small courtyard is a pure monk living alone, every day he does not need to do morning and evening classes like other monks, in addition to breakfast and lunch, there are also small monks to send dinner.

The little monk didn't ask much when he saw Xiao Banxian for the first time, he said hello and left, and after a while, he would send an extra meal.

On the second night, the little half-fairy was still sleeping in the courtyard, this time the little half-fairy saw the colorful light, the colorful light was dazzling, and the heart of the little half-fairy was also gorgeous and colorful, and after one night, the little half-fairy was tired and sore.

The pure monk was even more pleased when he saw him, and directly threw a flat shoulder and two wooden barrels to the little half-immortal.

"Go to the brook and carry water, and fill the two large tanks in the courtyard. The pure monk said to the little half-immortal.

"Old-timer, you're tossing me in a different way. The little half-fairy said with a crying face.

"Shouldn't you eat and live in the old man's house as a laborer? "Pure monk Dao.

The little half-fairy dragged his legs to the mountain stream, and returned to the temple with a load of water, but two buckets of water could only cushion the big tank into the bottom.

The little half-immortal lay on the edge of the jar to wipe his sweat, and the pure monk came again.

"What are you lazy about, you have walked for half an hour with a stick of incense, and if you are lazy, the old man will beat you. ”

At this time, the pure monk opened his mouth to urge the little half-immortal not to be lazy, and he seemed to be quite serious.

"Old-timer, I really don't have the strength. The little half-immortal replied to the pure monk.

"Go, go, do you have to kick you out?"

Xiao Banxian didn't expect that the pure monk would really do what he said, and kept pushing him far away before letting him go.

Regarding the description of the fight, it has always been a headache for many male frequency authors who write fantasy, martial arts, and abilities, so they have also received messages from many friends asking how to write a good fight description.

I'm going to write this tutorial today, and I'm feeling a lot of pressure, but I've already chosen to write it as well as I can to provide you with some ideas for fighting descriptions.

1. The angle of entry into the description of the fight

Fighting, as a rule, refers to a physical altercation between two or more people. A good description of the fight can make the reader's blood boil and have a sense of immersion.

The reason why many friends are confused about the description of the fight may be that they have not found the right angle to cut into.

Let's first analyze what elements will be included in the next fight, the two sides of the fight and their relatives and friends, the fighting environment, weapons, passerby armor (mouth cannon), neutrals, etc.

For example, if you want to highlight how powerful the protagonist is, in addition to the description of the protagonist's strength, you can also describe the damage to the other party, the changes brought to the surrounding environment, how the weapon has changed, how passers-by are amazed, etc.

In addition, a complete fight should also have its beginning, development, and end, so we can also introduce the cause of the fight, the description of the fight process, and the end of the fight.

The cause of the fight, that is, the fuse, should be strong, and the contradiction between the two sides should be irreconcilable before using force, so the description of the antecedent should highlight the contradiction as much as possible, and it is best to give the reader a feeling that he can't bear to fight, arouse the reader's resentment, and enhance the reader's sense of substitution.

(2) Specific methods for depicting fights

Now that we know what to describe, what do we need to know next?

To describe nature, it is inseparable from the five major angles of description: action, language, demeanor, psychology and appearance.

These five major depiction angles can be used on both sides of the fight, in the whole fight, what the two sides say, what expressions on their faces, what actions they make, psychological description is also indispensable, the appearance is generally described less, and the general description of demeanor is almost the same.

Let's look at the paragraph of "Breaking the Sky".

Looking at Xiao Yu, who had a blue face and fiery eyes, Xiao Yan sneered and smacked his lips, feeling very happy. (The pretty face is blue, the eyes are on fire, and the smacking lips belong to the demeanor description)

Taking a deep breath and slowly calming down the anger in his heart, Xiao Yu's sexy long legs jumped, jumped directly off the boulder, (action description) gritted his silver teeth and said, "No matter what, I will never let you go easily today." After speaking, the left foot stepped forward, the graceful delicate body drew a seductive curve, and the sexy right leg, (the description of appearance) actually kicked hard at the double with a slight sound of breaking the wind.

Seeing that this woman actually started directly, Xiao Yan also scolded angrily, and hurriedly took a few steps back, narrowly avoiding the long legs that came with the yin wind.

"Hmph, no matter how talented you are, you are only the eighth stage of fighting qi, if you don't teach you a good lesson today, you are really going to be arrogant. Looking at Xiao Yan, who was constantly dodging, Xiao Yu sneered, and his slender legs danced like a raging storm, and between the violent kicks, a gust of wind was brought up, blowing up the dead leaves on the ground. (Action depiction, and changes to the environment)

In addition to the above five depiction angles, if you want to make the fight more visual, it is recommended that you use the five senses description, that is, visual, auditory, tactile, taste, and olfactory description. You may not understand this, but let's take an example.

Just when Wang Chao walked more than a dozen steps into the alley, his ears suddenly moved, and there was a sound of rustling and sloping, a lot, very miscellaneous. (Auditory)

When I looked back, I saw the dim street lamps on the main road outside reflecting the snow, and there were one or twenty figures at the entrance of the alley. (Visual)

When these people were still seven or eight steps away from Wang Chao, they all stopped, and at the same time they made a white mess of things. (Visual)

As soon as these white things were shot, Wang Chao's nose smelled a pungent smell. (Sense of smell)

"Quicklime powder!"

Wang Chao's reaction was very quick, as soon as he smelled the pungent smell, he knew that it was not good, and immediately closed his eyes, and at the same time grabbed his shoulders with both hands, and used a golden cicada shelling body method to pull his clothes up and wrap his head.

Lazy donkey lying on the road!

Donkey rolling!

- Dream into the magic machine "Romance of the Dragon and Snake"

2. The order in which the fights are depicted

1 Before starting a fight, the first thing we need to do should be the layout, which can be used to describe the environment, including weather, scenery and venue.

If it is a relatively large description of the fight, you can also describe how the crowd is watching, how the spectators talk about it, and so on. Here is an excerpt from "Reborn City Cultivating Immortals", with a large number of mouth cannon descriptions.

"Master Chen, I know you're here!"

"You killed my brother! Bad reputation of my Hongmen! How can you not take revenge for this revenge!"

"I, Lin Hu, came across the sea, and I want to learn your heavenly magic today!"

Beside the entire ring, hundreds of people were silent, only Lin Hu's roar spread far away, and even the lake was shaken by him.

There was only one thought left in everyone's mind

"Who is this Master Chen? Can let a great master with perfect internal strength, earth-shattering martial arts, and powerful overseas come to take revenge?"

Suddenly, someone whispered

"It can't be the Master Chen who was rumored in Chuzhou some time ago, right?"

As soon as he said this, many people were shocked. I thought that there was indeed a magic spell in Chuzhou, and Master Chen, who was known as being able to control the thunder. But in the face of such a terrifying Lin Hu, he still dares to take the stage?

Many people shook their heads secretly.

I'm afraid that Master Chen has already heard the wind and fled. The trouble he caused made the whole Jiangbei to bear it. ’

After Lin Hu spoke, he stood there motionless, like a benchmark.

2. After the layout is paved and the fight is about to officially start, you can transfer the pen and ink to the two sides of the fight, and at this time you can describe the language, demeanor and psychology of both sides of the fight.

For example, see the excerpt from "Breaking the Sky" above

3 officially start the fight, focusing on the actions of both sides, and at the same time should not forget the language, demeanor and psychological description. There's a template for action depictions

The villain uses a knife (knife, fork, hammer, shield, club, axe, fist, and leg sword) to slash the protagonist, and the protagonist blocks it with a knife (knife, fork, hammer, shield, club, axe, fist, and leg sword), and then kicks the opponent's stomach (chin, face). Or have the protagonist turn sideways (crouching, lying down, rolling on the donkey) to avoid the attack while counterattacking the opposite.

Remember to add appropriate adjectives when you use them, and add your own move descriptions if you have moves, but there are very few moves described in online articles now.

4. At the end of the fight, the five senses of both sides of the fight and their relatives and friends are described, and what damage is caused

Chen Fan withdrew his fist and said lightly, "I originally prepared seven styles for your master, but unfortunately you can only take three styles." ”

"Hehe, is it true martial arts thirty-six styles? This is really an immortal's fist technique. Lin Hu's voice became smaller and quieter.

"I was wrong from beginning to end, Master Chen turned out to be a martial arts master. Before I died, I had no regrets about seeing such boxing."

As he spoke, his laughter grew lower, his eyelids drooped, and he fell to the edge of the lake, crackling all over his body.

Chen Fan's volley punch not only pierced his mouth, but also shattered the bones of his body, and it was already Lin Hu's thirty years of hard work to survive until this time.

A generation of big men in the Chinese circle, Lei Qianjian, Lin Hu is dead!

- Ten Mile Sword God "Reborn City Cultivating Immortals"

Fourth, the fight description auxiliary setting

This auxiliary setting can be found on the Xuanpai network, and it is put here in the article for your reference.

Foreshadowing in the early stage

Who invited the war and why?

What's so great about the opponent?

What is annoying and disgusting about the opponent?

What did other people think and react to the battle?

Is the protagonist angry?

What strategy to adopt?

Hidden strength?

Spike?

Rivals?

Outsmart?

Set the mood

What's the weather like?

What's the view?

Repression?

Stormy coming?

All eyes on it?

The main character appears

What did the group of friends and relatives say before they appeared?

What did the onlookers say?

How does the protagonist appear?

How did others react to their appearance?

The reaction of the elders?

How did the opponent's group of friends and relatives react?