The little half-immortal looked at the pure monk at this time, and felt that this old monk was deliberately pheating himself by teaching this kind of exercise?

"Senior, what about you, how many realms have you entered?"

This sentence Xiao Banxian wants to test whether the old monk has practiced or not, if he doesn't even practice the old monk himself, this must be cheating himself!

The old monk of Pure Purity blushed and coughed heavily.

"Now I'm teaching you, be attentive. ”

The little half-immortal understood as soon as he heard it, daring to love that this old monk is not a child, what kind of world is this!

"Realize it yourself, the old man is tired and needs to rest. ”

The pure monk explained to the little half-immortal for a while, and yawned.

"Thank you, old-timers, I'm thinking about it. ”

After the little half-immortal opened his mouth to respond, he was wondering whether to practice this breaking technique.

When the pure monk returned to the room, he did not forget to close the door, and soon his snoring came from the room, and the little half-immortal who listened to his snoring also closed his eyes.

The surroundings became quiet, and by this time even the last wave of autumn insects had died, and their skin was exposed to the cold.

The little half-immortal heart also slowly calmed down, and it seemed that all five senses had become sharpened, and even the sound of a fallen leaf falling could be heard clearly.

The little half-immortal still followed the mental method taught by the pure monk, and gradually he entered a pure white world, the little half-immortal was in it, and his heart became the same as this world, his heart was empty, but it seemed to be full, but there were no other thoughts in his mind.

It was getting late, the pure monk was snoring in the room, and the little half-immortal didn't seem to be disturbed by the snoring, just sat up cross-legged and entered the cultivation state.

After taking a deep breath, the little half-immortal who was meditating cross-legged outside the house took a deep breath, activated the spiritual energy in his body, and integrated the spiritual energy of heaven and earth into his veins according to the Xiao Zhou Tiangong method.

At this time, the expression of the little half-immortal was neither sad nor joyful, like the expression of those stinky old Daoists when they were enlightened.

The little half-immortal's eyes closed, and the magic decision of this skill suddenly appeared in his mind.

When he sat down, the little half-fairy seemed to feel that he was just an ant.

In the past, the little half-immortal always thought that ordinary people had taken a smooth road in this world, but now the little half-immortal learned the way of hardship after learning Buddhism.

Xiao Banxian thought about it and felt that maybe only the legendary Yellow Emperor could use the elixir to ascend, and a mortal like himself would first exercise the mortal fetus between the red dust and further study the road to becoming an immortal.

In the future, we should be on par with ants, and we should be equal to both flat and hard.

Walking in the world, he does not want to be entangled in all mundane things, and he is far away from those disputes and complaints, and he is very afraid that he will be impregnated by the world.

As a last resort, I have to revise my posture and make the enthusiasm in my bones less public.

Everyone has a window in their hearts, open is the earthly fireworks, close is the cloud water Zen heart, Zen is like a flower, open in the heart, will make life suddenly brighter.

Live with a simple view of the mountains as mountains and the water as water, and happiness will follow you all the way.

In the years of smoke, there are some things that can only be understood and seen clearly after thousands of mountains and rivers and years.

The years are vicissitudes because of experience, life is beautiful because of understanding, and only after the past do we understand that everything should not be overly forced, just seek peace of mind.

For practitioners, "enlightenment" is not an end, but also a relative beginning, so the emptiness that the little half-immortal now experiences is not the emptiness of nothingness, but the perfection of people and everything without hindrance.

Half an hour later, the little half-fairy opened his eyes, thoughtful in his eyes.

He was immersed in this white world, but he didn't know that the pure monk stood in front of him, the pure monk stroked his long beard, and saw the faint Buddha light appearing on the small half-fairy spirit platform, and his heart was relieved, maybe this time his old friend finally had a successor.

This kid actually got a glimpse of the first way overnight, and I have to say that he has a very high level of understanding.

The little half-immortal settled down, and when he woke up again, it was already dark, and the pure monk was sweeping the fallen leaves in the courtyard with a broom in his hand.

"Awake?" asked the pure monk, broom-leaning.

"I've never slept so comfortably. ”

The little half-immortal opened his mouth to respond to the pure monk, and then stretched his waist, full of energy.

"Then get up and clean the yard, do you still have to do this kind of thing?"

The pure monk was not polite, and directly asked the little half-immortal to help him clean the yard.

A lot of newcomer works, the plot is also ups and downs, the rhythm is right, the creativity is okay, and the gold finger is not bad, but I just don't feel like it's tasteful enough, there is no such appeal, and the sense of substitution is poor. Well, there are many reasons, one of the most important of which is that the character of the character is not formed.

Why do you say that, because the newcomer is just trying to write the plot in his heart in front of the computer, and in this process, he often doesn't care too much about the aspects, and the various performances of the protagonist are actually the reaction of the author's own behavior pattern, lacking the commonality of human character. Therefore, this kind of work can only be liked by readers with a similar personality to the author, and more readers are far from enough in terms of identity. If you don't have enough identity, you can't talk about substitution.

So, what is the formation of a character's character, once a character is given a specific character, then the character's various performances will conform to a specific social status, living environment, and personal personality. To put it bluntly, it is a character's specific behavior pattern of thinking about problems, speaking and doing things. From this point of view, similar plots and protagonists with different personalities can deduce completely different feelings. As a fan-level reader, you can predict some of the protagonist's reactions in the process of plot development. Why? Because the character of the character is formed. It's like in our real life, something happens in the office, and many people can immediately deduce that it was a colleague who did it. It doesn't matter whether the inference is correct or not, but the basis for everyone's inference is the perception of other people's personalities.

For example, if there is a protagonist who joins a certain team, whether it is a gang or a college, this does not have much impact. The character faces a super genius who is so high up that a single finger can crush the protagonist. The protagonist offends the genius for some reason, and the genius appears in front of the protagonist and wants to crush him......

If it is written at the root of the ear, then the protagonist will look at the genius coldly, and the power of the genius will make the protagonist's body and bones rattle, but the protagonist just doesn't give in, doesn't say anything, just looks at each other coldly.

If it is written by a dream, then the protagonist will openly challenge the genius: "Do you dare to give me ten years? Ten years later, right here, I must trample you under my feet!"

If I'm not mistaken, the two plots with very similar backgrounds but very different reactions of the protagonists are from "I Want to Seal the Sky" and the other from "Eternal Life".

Now let's talk about the six key words that shape the character of the character. In fact, the real magic weapon of business online writing is to use the plot to shape the characters. This sentence is too ungrounded, then, I made it clear that the core idea of using the plot to shape the characters is to shape the characters.

Keep in mind what the following six keywords represent. When a newcomer writes, integrate these six points into the outline, and the character will immediately come alive, and if it is used well, it is enough to make the character deeply rooted in the hearts of the people.

The first is the commonality of character. The commonality of character determines how much the reader identifies with the characters in the book. The sense of identity is the basis of the sense of substitution. Introduce the commonality of character into the character, then it is easy for the reader to substitute, which is equivalent to looking at the world in the book through the character's facial features.

Of course, not all the personality commonalities in social psychology are suitable for the role building of the network. I checked the relevant information and played it as a state suitable for online writing, that is to say, newcomers don't need to think about how to shape the commonality in their personality when writing, just try to play the points I listed in the role.

The following can be considered to introduce the feelings of the characters, or the feelings that the storyline wants to express (in no particular order) to be worshipped, loved, understood, successful, free, to survive on their own, to take revenge, to overcome their own demons, and the ultimate realization of their own ideas.

The second, the personality of the character. To put it simply, it is the difference of the character in the author's mind. This one is free to play. If you don't know how to start, you can refer to these (in no particular order) revenge mood, the anger brought by others, the love for beautiful women (whether to suppress the type of character), competition with others, possession of your own territory, affection for groups and partners, assumptions about your future goals, and occasional pessimistic disappointment.

Third, there is good and evil. For example, in "I Want to Seal the Sky", that Jiao'er used her senior sister fox to fake Huwei at the beginning, selling medicine and magic weapons to make money...... Do not hesitate to do evil just to be strong. Even Tang Laosan, who is characterized by portraying a sunny boy, Long Haochen in "The Throne of the Divine Seal", has also used the daughter of the second demon god.

The trick here is to write about conflicting psychological motivations, to write about trust with suspicion, and to write about hope with despair, and the book will immediately become more realistic and humane. I once heard a screenwriting course from Hollywood, and it was clearly mentioned that what readers or viewers like to see most is a character with contradictions and conflicts.

Well, I will repeat it into ideas that are easy for us to understand, such as being entangled by incompatible love (like Zhao Min and Zhou Zhiruo around Zhang Wuji), and heroes who are driven to a dead end by loyalty and righteousness (like Xiao Feng, the hero who was forced to commit suicide in Yanmen Pass).

Fourth, learn from the merits of others. Many writers ignore this point when designing the plot and letting the protagonist level up gradually, they all realize the Tao from the tricks themselves, or quickly achieve it under the guidance of the master, but they ignore learning the advantages of others (this can make the plot feel plump right away!)

Others, including masters, brothers, and companions, as well as enemies, irrelevant people, and even animals and plants. First of all, don't let the character draw a full bow at the beginning,

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