ps: Thanks to the "stranger thug" for the tip!There's nothing to say, the lazy cat is wrong, honest update......

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The plot of this fairy shadow is somewhat messy, which is very in line with the meaning that Wong Kar-wai gave to this film, reminiscing about their past like appreciating a dream. Pen ~ fun ~ pavilion www.biquge.info

For a whole month, the filming cycle even exceeded the previous "Immortal Rebellion", and after the end of the fairy shadow this time, everyone had a feeling of exhaustion, but on the other hand, the progress was also great.

Especially Kang Hua, as well as Ouyang Yu.

Kang Hua in the film is no longer like Situ Nan before, his personality is so distinct, and the merry Huang Yaoshi is more like a three-dimensional character, but it is extremely difficult to express, and only when Su Qing wears away every day can Kang Hua be able to fully express it.

Of course, when the final finale was completed, the "revenge" of the four fairies of the Qianyuan Immortal Sect was more like a way to relieve the inner pressure after a long shooting.

After everyone finished performing this fairy shadow, their hearts were full of tiredness that could not be concealed.

On the one hand, this fatigue comes from Su Qing's slow filming progress like a boiled frog in warm water, and on the other hand, it comes from the plot.

If you don't go crazy, you can't live.

This kind of slow Wong Kar-wai-style directing technique allows every actor to truly immerse himself in the original situation that the role should have, which is a very long mental journey, which seems to be only a month, but in fact it makes every participant have a feeling of living like a year.

On the second day of the finale, including Fang Qing, many people directly chose to retreat and practice, such a fairy shadow with a strong breath of red dust, I don't know how many people's Dao hearts have fluctuated, this moment is the best moment to improve cultivation with the perception of my own participation, even Fang Qing, who has just stepped into the Yuanying realm not long ago, has never slackened.

Only Su Qing's task here has not been completed.

Anyone who has watched "East Evil and West Poison" knows that this film is full of a lot of narration, and Leslie Cheung's unique sound quality is also a very important point that makes the style of the whole film three-dimensional.

Su Qing himself played Ouyang Feng, and these first-person narrations naturally also needed Su Qing's post-recording.

This is a very troublesome thing, in the face of a simple recording instrument, while speaking the line, it is necessary to brew the necessary emotions, for Su Qing, this is even more difficult than the previous acting.

For two days in a row, Su Qing recorded no less than hundreds of recordings before and after, but he always felt a little worse, even if he once stood on Ziyun Mountain and now carried the musician of the Southern Region, Su Qing never felt that it was so difficult.

Looking at Su Qing's tangled feelings, Ouyang Yu was also a little helpless, and wanted to comfort Su Qing, but he didn't know where to start.

It wasn't until the third day that Su Qing drove Du Qiyue, Ge Xun and Ouyang Yu out of the recording studio who assisted him, and then turned off all the lighting instruments, and the whole person was in a dim environment, constantly brewing in the fairy shadow, and then he barely completed the dubbing.

Rao is like this, Su Qing was a little exhausted in the end.

Exertion is not physical, but energetic.

After a few short days of cultivation, Su Qing was about to face the second big thing.

Clips from "Trailer".

In fact, this is Su Qing's second fairy shadow, as a new director, not when he filmed "Immortal Rebellion" before, Su Qing was just a nobody, at this moment, Su Qing's every move is in the attention of countless monks, and there is no need to think about popularity at all.

And this time, Su Qing is not ready to think about any routines to win Zhang Zhi'an.

The publicity in the early stage, from "Trailer" to "Theme Song", coupled with the hot hype of some actors themselves, this is almost the most mature film publicity method in the previous life, whether it is a Chinese movie in the previous life or a Hollywood blockbuster, the publicity means are like this.

Of course, there are a very small number of films that go off the rails and win with new ideas, but this is all a small road after all, and the general trend has been fixed, which is the most secure means of publicity and distribution determined by countless filmmakers through continuous practice.

When "Immortal Rebellion" was announced, Su Qing used this way, which was a novelty in the fairy world, but after that, there were already people who discovered the merits of Su Qing's doing.

In the past year, there have been many fairy films that have been released with similar publicity methods as Su Qing.

This no longer seems to be a secret method that belongs to Su Qing alone, but after summing up the rules, with the news of Su Qing's new film coming out, more and more people are already waiting for Su Qing's "Trailer" to come out.

A leopard can be peeped in the tube.

Everyone wants to know what kind of film Su Qing can present in the end when he tries this type of fairy shadow for the first time.

In anticipation, I don't know how many monks have nothing to do, on the personal homepage of Su Qing in Tianji Pavilion, Su Qing's news is constantly refreshed, and the last news is "Gluttony on the Tip of the Tongue" filmed by Su Qing when he was in the gluttonous family.

Many monks were looking forward to the trailer, but Su Qing, who was editing the trailer on the other side, looked very tormented.

It's too fragmented.

There are two versions of "East Evil and West Poison" in the previous life, one is the original version in 1994 and the other is the "Ultimate Edition" in 2009.

In comparison, the rhythm of the former is more compact, but for a person like Su Qing who has experienced too many stories, the more prose-like "Ultimate Edition" is more suitable for his aesthetics.

For this shooting, Su Qing also chose the version of "Ultimate Edition".

Of course, most things are the same, just a few small rhythmic changes.

But it is such a prose-like story rhythm, and even the entire fairy shadow does not have a clear starting and ending, and the main story line, which makes Su Qing, who is preparing to edit out the "Trailer", have a feeling that he has no idea where to start.

After holding Bai Yuruyi alone for three days, Su Qing finally made a decision-

Since you can't cut it clearly, let's go into a complete mess!

Su Qing is like a broken jar, so that the whole "Trailer" runs through a misty feeling like flying leaves, coupled with Du Qiyue's hand-held slow-shaking Wong Kar-wai style shot, after watching the whole "Trailer", people don't understand what Su Qing said at all, but there is a very powerful feeling that comes to everyone's minds.

Although it is unknown, it is powerful.

In fact, Su Qing also played a little clever here.

Although it is true-ultimate chaos-trailer, but the real trailer shows the style of the film vividly, and it is very clever that it does not show the story in the fairy shadow, if you want to know what kind of story Su Qing told, then I'm sorry, you can only buy a ticket to watch the fairy shadow at the fairy shadow shop at that time.

This is where Su Qing tricked up, but it made everyone who saw "Trailer" feel powerless.

Curiosity is the most torturous thing, especially for monks who have a long life and have nothing to do.