"Major Decryption !! about Director Su Qing's New Film"

What's in the trailer?"

"The details in Director Su Qing's trailer that you tend to overlook"

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At the moment when Su Qing's trailer appeared, on the major fairy film forums, all kinds of speculations and even bold speculative posts about Su Qing's trailer appeared. Pen | fun | pavilion www. ｂｉｑｕｇｅ。 info even formed a trend in an instant, attracting more and more monks to discuss on the forum, especially the forum founded by Su Qing was the most prosperous.

Of course, there is the guidance of Su Qing's command of the water army behind him, but it is more the enthusiasm of many monks.

Although the editing of "Trailer" is very messy, the distinctive style still impacted the monks in an instant.

Whether it is the director, the actors, or even the gimmicks of the four fairies of the Qianyuan Immortal Sect, what really gets the style completely released in this fairy shadow is actually the camera Du Qiyue.

We say that real directors have their own team, the so-called team, from the early screenwriter, to the cameraman, the artist, the costume (costumes, makeup, props), and the post-editing of all a team, these people may not be a complete co-production at the beginning, but in the long-term cooperation, they are fused with the director's style, and in the back, their style is the director's style.

Any truly top director will have such a team, and a director with such a team has an unusually distinctive style.

For example, Zhang Yimou's films are characterized by his unique use of color, while Feng Xiaogang's films have a unique comedy style and a picture composition that makes people look familiar...... Even by extension, Takeshi Kitano's favorite cold editing, Quentin's violent aesthetics, and finally Wong Kar-wai's movie picture style......

Wong Kar Wai and Christopher Doyle are a match made in heaven, and this is something that any fan who likes Wong Kar Wai needs to admit.

may be separated from Christopher Doyle, Wong Kar-wai's other movies belong to the category of classics, but without Wong Kar-wai's Christopher Doyle, it seems that his talent is a little constrained and cannot be completely let go.

And Du Qiyue and Du Kefeng's camera styles are too similar, like Su Qing can have the confidence to shoot such a fairy film.

Du Qiyue's camera style was completely let go with Su Qing's encouragement.

The hand-held slow rocking, misty picture, to any extent with a slight shaking, but it makes people look at a very comfortable lens, this is Du Qiyue!

No matter which monk it is, when I saw "Trailer" for the first time, what I felt was this extremely distinctive picture style, and even at this point, it surpassed the previous "Immortal Rebellion"!

Therefore, it is expected to attract heated discussions, and even many real "fairy shadow enthusiasts" are discussing the details of "Trailer", and they are also discussing Du Qiyue's camera style.

The situation is obviously developing in a better direction than Su Qing expected, and Su Qing also pulled Du Qiyue into the editing room and began to edit the fairy shadow of "Ashes of Years".

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There are many good things, and a few days before the work of the feature film started, Ouyang Yu broke into the editing room directly.

"Behind the excessive show-off skills, is the director's Jiang Lang talented?"

"The Famous Fairy Film Director Promises a Critique of Director Su Qing's New Film"

Sensationalism or Misdirection?

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With overwhelming doubts, one post after another appeared on the pages of the major fairy shadow forums, and even the homepage of Tianji Pavilion, Su Qing's brows couldn't help frowning.

Angry?

Indeed there is.

Throughout the history of the development of films in the previous life, it has never been smooth, he served politics, and even served some dark forces, especially in modern times, before Su Qing crossed over, the film industry in China was dancing in shackles.

Insinuating something? No, if you don't approve it, you won't be allowed to set up the project.

Constrained by funds, film and television companies are not optimistic about this subject matter and think they will not make money?

The development of the star industry is deformed, the aesthetic is deformed, the little fresh meat, the trial of "acceptance", and even the trial of ugliness, a good role, but it was ruined by the living performance.

There are too many constraints, this is the film environment of the previous life, any movie we can see on the screen, I don't know how many people are behind it, hard work, overcoming all kinds of difficulties that should not exist in various samples, and then breaking free.

What now?

It's not too bad an environment, beyond the shooting equipment that he didn't dare to imagine in his previous life, Su Qing has too many things in his mind that he wants to express, and he wants to show its excitement in this world.

But the attacks around made Su Qing feel very tired, Su Qing didn't know that for millions of years in the Immortal World, how many geniuses in the Immortal Shadow, Immortal Text, and Immortal Song were also attacked by such a group of so-called "authorities", and they collapsed.

Why does a newcomer inevitably impact your position?

Why are newcomers, as seniors, you must point out your shortcomings to be considered seniors?

Is it difficult to praise a word? Why do you have to pick out the bones from the eggs when there is no problem?

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The editing progress of the fairy shadow stopped, and anyone with a discerning eye could see that Su Qing's state was very bad, even if Ouyang Yu comforted him for a long time, he didn't see Su Qing's state improve, Su Qing locked himself in the editing room for two whole days, and then called Du Qiyue in.

Many times, explanations are useless.

Especially a newcomer like Su Qing, even if he has the success of "Immortal Rebellion", but after all, it is just a film, in this huge industry that even surpasses the history of the previous life, Su Qing is just a newcomer, an immature newcomer.

Any explanation is pale, in the face of so many seniors' doubts.

But Su Qing needs to prove himself, otherwise if this momentum continues, this fairy shadow will be scrapped.

Su Qing felt that he had to at least be right about this fairy film and worthy of the story of director Wong Kar-wai.

Documentary.

In the past and present life, this is a very niche film.

Without any subjective emotion, in the most objective state, a thing is expressed.

Su Qing has a habit, that is, during the filming process, many NG shots will not be deleted directly on the spot, and even sometimes, Su Qing will repeatedly look at these waste shots, hoping to find out what he needs to adjust, which was not obvious in the last filming of "Immortal Rebellion", but during this shooting, Su Qing felt his own shortcomings, the shortcomings of the entire crew.

Su Qing desperately needed to find out where the crux of his problem was.

Su Qing didn't know how many times Su Qing had watched these shots, and even some of them were taken by the four fairies of the Qianyuan Immortal Sect with a camera on the side when Su Qing was guiding.

Originally, it was just the result of the four girls playing around at that time, but at this moment, it was the footage that Su Qing needed the most.

Su Qing wants to edit a version of the documentary! This fairy film belongs to this fairy film!

This documentary will be Su Qing's silent counterattack!

At this time, it is useless to oppose any director, but Su Qing can prove himself, I don't water, this fairy shadow, and I don't water!