Please enter the text Appreciation 1: ?

?????????????????????? The golden bottle of sake is worth 10,000, and the jade plate is worth 10,000 dollars.

I couldn't eat when I stopped throwing my cup, and I was at a loss when I drew my sword and looked around.

If you want to cross the Yellow River ice and congestion river, you will climb the sky full of snow.

Idle fishing on the blue river, suddenly take a boat to dream of the sun.

Difficult to walk! Difficult to walk! Divergent road, where are you now?

There will be times when the wind and waves will be long, and the clouds will sail into the sea.

This is the first of the three poems written by Li Bai "Difficult to Walk", and this group of poems should have been written in the third year of Tianbao (774 AD) when Li Bai was excluded from Chang'an by the powerful.

The first four lines of the poem write that the friend out of deep friendship with Li Bai and out of regret for such a genius being abandoned, so he spared no money and set up a feast for him. In the face of gold bottles of fine wine and jade plate delicacies, they can only "stop the cup and throw the spoon", "draw the sword and look around", and they are at a loss.

"If you want to cross the Yellow River and ice congestion, you will climb the sky full of snow. It symbolizes the difficulties and obstacles on the road of life. Talented and knowledgeable like Li Bai, he was once appreciated by Tang Xuanzong in the court, but because the villain was greedy and "gave the gold back", the mountains and rivers have been dangerous since then, and the sky is on different sides.

In the future life, idle fishing, just like the past fishing and was hired by King Wen of Zhou, Jiang Shang (Jiang Taigong) who helped King Wen to lay down the country, and there is such an allusion in history: Yi Yin dreamed that he was riding a boat around the sun and moon before being hired by Tang. Remembering the experiences of these two historical figures, the poet has a new confidence in the future.

"The road is difficult, the road is difficult, the road is divergent, and the present is safe?" The road ahead is difficult, although there will be opportunities in the future, but all kinds of difficulties, dangers, and contradictions flash in the poet's mind. In the end, out of the poet's own desire to actively enter the WTO, perseverance and determination, he chanted such a famous sentence through the ages: "There will be a time when the wind and waves will be long, and the clouds will sail into the sea." ”

This poem has a total of 14 sentences and 82 characters, which is a short story in seven words and songs. But the ups and downs of the feelings, the leaping thinking, and the high momentum in the poem have made it a famous story praised by future generations.

Appreciation 2:

"Difficult to Walk" is a collection of miscellaneous songs of "Yuefu", which is originally a ballad of the Han Dynasty, and the content is double the meaning of the difficulty of the world and the sadness of parting.

"Difficult to Walk" has a total of three songs, which concentrate on Li Bai's grief and anguish, his pursuit and disillusionment, and represent the characteristics of his romanticism. "Difficult to Walk" can represent the central theme of Li Bai's poetry.

This poem was written in the early years of Tianbao, when the poet entered Chang'an and was constantly excluded and slandered by the powerful. Although the poem is full of grief and indignation because the ideal cannot be realized, but still has not lost the confidence to forge ahead, the whole poem's ideas closely revolve around the contradiction between subjectivity and objectivity, ideal and reality, revealing the poet's emotional ups and downs, complex changes.

In the second poem, it says: "Huaiyin market laughs at Han Xin, and the Han Dynasty minister is jealous of Jia Sheng." The latter sentence uses the allusion that Jia Yi in the Han Dynasty was jealous and excluded by the old nobles, and the meaning is very clear. When the poet was recruited by Xuanzong, he once wrote a poem and said: "Look up to the sky and laugh and go out, how can my generation be a Penghao person!" "Basil people" refers to people who live in the grass. The poet was so excited because he thought that from now on he could go from cloth to cloth and embark on the path of realizing his political ambitions. He came to Chang'an with a keen hope, and what he saw was the reality that there was no distinction between the virtuous and the foolish: "the sycamore nest bird, the thorny mandarin luan". The finch nests on the sycamore, but the phoenix perches in the grass. encountered the open guns and hidden swords that kept shooting: "Although the king loves Emei, he has no choice but to kill people in the palace." I couldn't stop in Chang'an anymore, so I had to "come back and go, it's difficult for the sword song to travel". This could not but fill the poet's heart with indignation.

The first part of the poem consists of 14 sentences, which can be divided into three paragraphs, the first part of each paragraph focuses on the objective reality, and the second part focuses on the subjective feelings of oneself, expressing the pursuit of ideals. This poem is a lyrical work, which is mainly expressed through the combination of imagery to form a palpable poetic image. Revealing the intrinsic connection between imagery and emotion is the basic way to understand the main theme of poetry.

The first four sentences (the first paragraph) are a complete picture, depicting the lyrical protagonist's dazed scene in the face of fine wine and delicacies, which is a kind of emotional catharsis: "The gold bottle of sake fights ten thousand, the jade plate is ashamed and straightens ten thousand dollars, the cup is stopped and the spoon is not eaten, and the sword is drawn and the heart is at a loss." "Golden bottle" refers to a luxurious wine glass. "Dou Shiqian" is a good wine worth 10000 yuan. "Shame" is the same as "food". "Zhen cuisine" refers to precious dishes. In the face of delicious food and wine, he had no intention of putting down his chopsticks, drawing his sword and looking around, at a loss. These few sentences write about the reality of friends seeing off Li Bai, which makes people feel like a happy banquet, but the two details of "stopping the cup and throwing the spoon" and "drawing the sword and looking around" show the strong impact of the poet's emotional waves, he can't swallow, showing his grief and indignation, and the sumptuous banquet can't dispel the frustration of ambition and frustration because it can't be reused in the imperial court. The indignation expressed in the four lines of the poem has the potential of a flood to break the embankment. Because the poet's feelings are reflected through the description of the poet's behavior, not only can people feel the poet's emotions, but also can see his demeanor of being tormented by depression, which greatly enhances the vividness and vividness of the poem. The whole verse is written with exaggerated emphasis. The first two sentences especially exaggerate the beauty of the banquet: the utensils are luxurious, the gold cups, the jade plates, the wine is precious, the wine is ten thousand, and the dishes are ten thousand dollars. Such a delicious wine and food, but not swallowed, makes people rise from the opposite side, so as to highlight the poet's inner confusion if he is lost, but also see the depth of sorrow.

The third sentence writes that you can't eat, overlapping two actions, "stop the cup" and "throw the chopstick", which are detailed descriptions

The fourth sentence writes excitement, comparing three moods, "drawing the sword", "looking around", and "dazed", all of which are heavily inked and heavily outlined, which are extremely eye-catching and give people a strong impression.

These four sentences are obviously influenced by Bao Zhao's poem "Difficult to Travel": "You can't eat the case, draw your sword and hit the pillar and sigh", but they already have the elegance of Tang poetry. The poem starts from the emotion of resentment and pours out, which is very imposing.

Where does the poet's sorrow come from? The next two lines write about the root of emotions, falling on the problem of difficulty in walking.

The middle four lines are the second stanza of the poem, which uses metaphorical symbolism and a variety of imagery to convey the inner contradiction between disappointment and hope. At the beginning, he used the treacherous mountains and rivers in reality to hint at the difficult situation of his situation and the bumpy political road at that time. The four sentences in the first paragraph are white strokes, and these two sentences are switched to Bixing: "If you want to cross the Yellow River and ice Sichuan, you will climb the snow-covered mountains in Taihang." The front writes that the road is difficult, vividly showing his situation at that time, wanting to cross the Yellow River but the cold ice blocked the river, and wanted to climb the Taihang Mountain, but the heavy snow blocked the road. At this time, Li Bai was planning to travel east to Liang and Lu, but unexpectedly encountered the danger of the Yellow River and Taihang on the way. These two sentences are used to metaphorize the difficult road of the world and the situation of stumbling every step, which is appropriate and clear. Bao Zhao's "Dancing Crane Fu" said: "The ice fills the Changchuan River, and the snow fills the mountains." Li Bai's two sentences are similar to Bao's sentences, but Bao's sentences are only written in scenes, while Li Bai's words are used as comparisons, and the meanings are very different. The surface meaning of the poem is to cross the Yellow River and freeze the river, and to climb the Taihang and cover the mountains with heavy snow. However, the real intention of the poet is to use the obstacles of mountains and rivers to symbolize the difficulties and obstacles on the road of life. In such a vast world, there is no way out of his own, how can the poet not look around when he looks forward to the future?

Did the poet stop there? Li Bai is not that kind of weak character. "Draw your sword and look around" is still unwilling to be depressed. Due to the dangers of reality, he tried to live a recreational life of "fishing" and "boating", but he could not make up his mind. "Idle fishing on the river, suddenly take a boat to dream of the sun. "It's a kind of performance of continuing to pursue. Literally, "fishing" and "boating" are a kind of life of retreat and leisure, but in fact, these two sentences are two allusions to express the poet's inner pursuit. First, when Jiang Taigong Lu Shang met King Wen of Zhou, he used to fish by the stream, and later met King Wen and was recruited as a teacher, and helped King Wu of Zhou to win the world. Another allusion is that before Yi Yin was appointed to Shang Tang, he was just a cultivator, and he once dreamed that he passed by the sun by boat, and was appreciated by Shang Tang and helped Tang win the world. Although he was suppressed and neglected, he still had hope. Li Bai was in a dazed state of mind, still comparing himself with Lu Shang and Yi Yin. What I dream of is to be appointed by a wise monarch like them and do a great job. These two did not start well, but eventually became historical figures with great achievements, which gave Li Bai confidence and made him extremely unhappy. Why is he not so lucky, and where is his way out? This allusion shows that the poet still cannot forget the reality, and he still hopes to find a realistic and feasible path and meet a chance opportunity to realize his ideals and ambitions. In this paragraph, Li Bai's hopes and disappointments, depression and pursuit alternate sharply.

It is this fierce conflict between reality and hope in the heart that makes the poet cry "difficult to walk, difficult to walk, divergent road, now safe", and the poem enters the third stanza. First of all, he uses "difficult to walk, many divergent roads" to pull the emotions back to reality from longing, and accurately conveys the complex psychology of the poet who is in and out of ground and wants to continue to explore and pursue. The "wrong road" is a fork in the road. It can be east or west, south or north. "In" is like saying the end, and here it is extended to the past. The rhythm of the poem is short and jumpy, and he seems to have walked on a wrong road, unable to find the blue sky avenue that extends in all directions, and does not know where he is. He wanders, hesitates, and doesn't know what to follow on the road of life, which echoes the above "draw the sword and look around at a loss". It can be seen as an inner monologue in a state of mind that is dazed and anxious, vividly conveying the poet's dilemma and continuing to explore the complex psychology of pursuit. It truly conveys a depressed and hesitant state of mind and agitated feelings. We believe that the stubborn and self-confident Li Bai will not succumb to fate, and the poet did not wander and become depressed, but looked forward to the future and sang loudly and confidently and loudly: "There will be a time when the wind and waves will be long, and the clouds will sail into the sea!" and "The long wind and waves will be allusion" is an allusion to the Southern Dynasty. Zong Wei once expressed his ambition to his uncle and said, "I am willing to ride the long wind and break through the waves", which means to aim in all directions and make achievements. Because of his unswerving determination and self-motivation, he eventually became a great weapon. When Emperor Wen was the general of Zhenwu. Later, he followed Liu Jun, the king of Wuling (Emperor Xiaowu), and made many military exploits, as the general of the left guard, and was named the Marquis of Taoyang. In the third year of the Ming Dynasty, he participated in the rebellion of Liu Dan, the king of Jingling. The abolished emperor ascended the throne and was the captain of Ningman, the assassin of Yongzhou, and the governor of Jiadu. After his death, he gave the general of Zhengxi and called the Marquis of Su. When Li Bai was struggling, he used Zongyu's language to show his ambition, fully demonstrating his optimism and self-confidence. "Yunfan" refers to high sail. "Ji" is to cross the border. "Canghai" means the sea. One day, he will ride the long wind and break the waves, and Zhang Gaofan will go straight across the sea. The high-pitched and high-spirited poems and the heroic momentum of the poem fully show the poet's self-confidence and strength. He pushed his thoughts to the realm of sudden enlightenment and sang a high and optimistic tone. He did not give up his ardent pursuit of ideals because of the difficulties of the world, and he still firmly believed that his ideals and ambitions would always be realized.

The whole poem is a leap of thinking, the thoughts are contradictory, and the emotions are ups and downs, which can be said to be a torrent of emotions, and with the passage of complex and contradictory feelings, the ups and downs of the poem are naturally formed. The excitement of indignation, the hesitation of anguish, and the high-spirited optimism alternate, turning and oscillating, shaking the soul, showing the characteristics of the poet's poetry in the form of songs. The first half of the poem is written in three paragraphs, either realistically or metaphorically, focusing on objective descriptions; the last two sentences are either straightforward or allusional, all focus on the expression of subjective ideals, alternately interspersed with descriptions of reality and ideals, showing the contrast and conflict between ideals and reality, through layers of emotional ups and downs, which not only fully shows the hindrance of dark reality to the poet's ideal ambition, but also reflects the poet's inner anguish caused by this. Depression and injustice, there are anger, confusion, and self-confidence, and all kinds of emotions are intertwined, constituting the poem's emotional change and jump. At the same time, it also prominently shows the poet's stubbornness, self-confidence and persistent pursuit of ideals, and shows the poet's strong spiritual strength to break free from depression. This poem is written in the contradiction between ideal and reality, and expresses the poet's pursuit and disillusionment, showing his romantic spirit.

Liang Qichao once said: "In the course of life, most of the adversity is sixteen or seventeen, and the good is thirteen or fourteen, and the two good times are often multiplied by each other." No matter how big or small the matter is, there will be several or even more than a dozen resistances, and although the resistance is large or small, there must be no escapability. ("On Perseverance", "Ice Drinking Room Anthology: Xinmin Said") It is not terrible to encounter adversity in life, but it is terrible to be afraid in the face of adversity. Bold words are certainly moving, but the ideal of being unable to face the dangers of life is undoubtedly illusory. This poem takes the contradiction between reality and ideals as the key, and takes the author's emotional ups and downs as clues, in the process of revealing the complex mental journey of the lyrical protagonist, showing the poet's persistent spirit of pursuing ideals, which makes people feel real and moving. In the poem, the confusion in the face of delicious food and wine, the difficulty of the official career symbolized by the "ice jam river" and "snow-covered mountain", and the cruel reality of "difficult and divergent paths" are not only obstacles to the realization of the poet's ideals, but also a touchstone to test the poet's fighting spirit and confidence. When the poet sings "There will be a time when the wind and waves will be long, and the clouds will sail to the sea", it is the time when he breaks through many contradictions and obstacles, and it is also the beginning of his self-conquering and moving towards the future and hope.

The poem uses metaphorical techniques to convey far-reaching symbolic meanings, and uses historical allusions to convey profound meanings and expresses the poet's thoughts and feelings very well and accurately.

The second song of "Difficult to Walk" focuses on the darkness of reality, "The road is like a blue sky, I can't go out alone"—the sentence, what a sad and indignant cry! It was both a heavy sigh and an angry protest.

The third song of "Difficult to Walk" shows more of the negative and decadent emotions of early retirement.

These three poems "Difficult to Walk" fully express the sadness and anguish of Li Bai who struggled in the contradiction between ideal and reality, and represent the characteristics of his romanticism. One of them is the most representative.

In addition, Li Bai's romanticism also shows a character of anti-magnates, light princes, and arrogant and unyielding. His contempt, denunciation, and rebellion against the decadent upper class are the epitome of the democratic essence of his poetry.

When reading Li Bai's poems, we should grasp a central theme and main tone, that is, the contradiction between ideals and reality, and a kind of cynical sentiment that is not met with talent is constantly revealed from his poems.

Appreciation 3:

1. Subject

"Difficult to walk" is an ancient theme in Yuefu, which laments the difficult road in the world and the situation of poverty and loneliness. Li Bai's group of poems "Difficult to Walk" mainly expresses the feelings of nostalgia, and here is the first one, which expresses the poet's confusion on the road of life, the depressed mentality and the spirit of the pursuit of life ideals. The poem uses "difficult to walk" as a metaphor for the dangers and obstacles of the world, and expresses the poet's irrepressible anger when he encounters difficulties on the political road, but he does not give up his lofty political ideals because of this, and still looks forward to the day when he will display his ambitions, showing his optimistic and heroic spirit for the future of life, and full of positive romanticism.

2. Structure

The poem begins with a narrative and gradually transitions to lyricism. At the beginning, it is led with extremely exaggerated brushwork, writing "Golden Bottle Wine" and "Jade Plate Treasure", as if creating a joyful banquet atmosphere, it seems to be a "toast song". However, three or four sentences took a sharp turn for the worse, and suddenly said, "I can't eat when I stop throwing my cup and spoon, and I am at a loss when I draw my sword!" Such a strong contrast sets off the poet's inner sorrow. When the spirit is depressed, it is difficult to swallow delicious wine. The sixth poem of Bao Zhao, a poet of the Southern Song Dynasty, begins with "The Difficult Way to Travel": "I can't eat the case, and I sigh when I draw my sword and hit the pillar." Li Bai obviously used this verse, but added "contrast", and wrote mourning with music, which strengthened the degree of mourning. So, what is the reason for the poet's sorrow? The answer is vague, hazy, and full of "poetry". "If you want to cross the Yellow River and ice Sichuan, you will climb the snow-covered mountains in Taihang", this is a kind of unwarranted melancholy, a kind of confusion that is at a loss. The poet uses figurative language to write about the difficulties of the world, implying infinite sorrow. Although the road to reality is bumpy and dangerous, the dream is still there, and the ideal is still there. How much the poet hopes to be like Jiang Taigong, meet King Wen of Zhou at the age of 80 and show his talents; like Yi Yin, he dreamed that he took a boat to the "edge of the sun" and did something for the world. However, there is a distance between the ideal and the reality, the ideal cannot conquer the reality, and the reality is unwilling to agree with the ideal. This kind of pain is intertwined in the poet's heart, and he finally sighs, "It is difficult to walk, it is difficult to walk, and there are many divergent roads, where are you now?" At the end of the poem, it rises in the depression, strengthens the confidence of "long wind and waves", and regains the courage to sail in the sea. On the whole, the poem is full of ups and downs, and the winding paths are quiet. The first four sentences are written about the depressed mood of "stopping the cup and throwing the spoon and not eating" in the face of delicious food and wine. The five or six sentences reveal that although he tried his best to find a way out, there were many obstacles, as if he was isolated by ice and snow everywhere. Seven or eight sentences quote allusions, indicating that he still hopes to be reused by the king like Lu Shang and Yi Yin. The next four short sentences express his confused and eager feelings in the search for the road of life. The last two sentences express the author's determination to overcome all obstacles and achieve his ambitions. The ups and downs of the whole poem are deeply moving. Appreciation 1: ?

?????????????????????? The golden bottle of sake is worth 10,000, and the jade plate is worth 10,000 dollars.

I couldn't eat when I stopped throwing my cup, and I was at a loss when I drew my sword and looked around.

If you want to cross the Yellow River ice and congestion river, you will climb the sky full of snow.

Idle fishing on the blue river, suddenly take a boat to dream of the sun.

Difficult to walk! Difficult to walk! Divergent road, where are you now?

There will be times when the wind and waves will be long, and the clouds will sail into the sea.

This is the first of the three poems written by Li Bai "Difficult to Walk", and this group of poems should have been written in the third year of Tianbao (774 AD) when Li Bai was excluded from Chang'an by the powerful.

The first four lines of the poem write that the friend out of deep friendship with Li Bai and out of regret for such a genius being abandoned, so he spared no money and set up a feast for him. In the face of gold bottles of fine wine and jade plate delicacies, they can only "stop the cup and throw the spoon", "draw the sword and look around", and they are at a loss.

"If you want to cross the Yellow River and ice congestion, you will climb the sky full of snow. It symbolizes the difficulties and obstacles on the road of life. Talented and knowledgeable like Li Bai, he was once appreciated by Tang Xuanzong in the court, but because the villain was greedy and "gave the gold back", the mountains and rivers have been dangerous since then, and the sky is on different sides.

In the future life, idle fishing, just like the past fishing and was hired by King Wen of Zhou, Jiang Shang (Jiang Taigong) who helped King Wen to lay down the country, and there is such an allusion in history: Yi Yin dreamed that he was riding a boat around the sun and moon before being hired by Tang. Remembering the experiences of these two historical figures, the poet has a new confidence in the future.

"The road is difficult, the road is difficult, the road is divergent, and the present is safe?" The road ahead is difficult, although there will be opportunities in the future, but all kinds of difficulties, dangers, and contradictions flash in the poet's mind. In the end, out of the poet's own desire to actively enter the WTO, perseverance and determination, he chanted such a famous sentence through the ages: "There will be a time when the wind and waves will be long, and the clouds will sail into the sea." ”

This poem has a total of 14 sentences and 82 characters, which is a short story in seven words and songs. But the ups and downs of the feelings, the leaping thinking, and the high momentum in the poem have made it a famous story praised by future generations.

Appreciation 2:

"Difficult to Walk" is a collection of miscellaneous songs of "Yuefu", which is originally a ballad of the Han Dynasty, and the content is double the meaning of the difficulty of the world and the sadness of parting.

"Difficult to Walk" has a total of three songs, which concentrate on Li Bai's grief and anguish, his pursuit and disillusionment, and represent the characteristics of his romanticism. "Difficult to Walk" can represent the central theme of Li Bai's poetry.

This poem was written in the early years of Tianbao, when the poet entered Chang'an and was constantly excluded and slandered by the powerful. Although the poem is full of grief and indignation because the ideal cannot be realized, but still has not lost the confidence to forge ahead, the whole poem's ideas closely revolve around the contradiction between subjectivity and objectivity, ideal and reality, revealing the poet's emotional ups and downs, complex changes.

In the second poem, it says: "Huaiyin market laughs at Han Xin, and the Han Dynasty minister is jealous of Jia Sheng." The latter sentence uses the allusion that Jia Yi in the Han Dynasty was jealous and excluded by the old nobles, and the meaning is very clear. When the poet was recruited by Xuanzong, he once wrote a poem and said: "Look up to the sky and laugh and go out, how can my generation be a Penghao person!" "Basil people" refers to people who live in the grass. The poet was so excited because he thought that from now on he could go from cloth to cloth and embark on the path of realizing his political ambitions. He came to Chang'an with a keen hope, and what he saw was the reality that there was no distinction between the virtuous and the foolish: "the sycamore nest bird, the thorny mandarin luan". The finch nests on the sycamore, but the phoenix perches in the grass. encountered the open guns and hidden swords that kept shooting: "Although the king loves Emei, he has no choice but to kill people in the palace." I couldn't stop in Chang'an anymore, so I had to "come back and go, it's difficult for the sword song to travel". This could not but fill the poet's heart with indignation.

The first part of the poem consists of 14 sentences, which can be divided into three paragraphs, the first part of each paragraph focuses on the objective reality, and the second part focuses on the subjective feelings of oneself, expressing the pursuit of ideals. This poem is a lyrical work, which is mainly expressed through the combination of imagery to form a palpable poetic image. Revealing the intrinsic connection between imagery and emotion is the basic way to understand the main theme of poetry.

The first four sentences (the first paragraph) are a complete picture, depicting the lyrical protagonist's dazed scene in the face of fine wine and delicacies, which is a kind of emotional catharsis: "The gold bottle of sake fights ten thousand, the jade plate is ashamed and straightens ten thousand dollars, the cup is stopped and the spoon is not eaten, and the sword is drawn and the heart is at a loss." "Golden bottle" refers to a luxurious wine glass. "Dou Shiqian" is a good wine worth 10000 yuan. "Shame" is the same as "food". "Zhen cuisine" refers to precious dishes. In the face of delicious food and wine, he had no intention of putting down his chopsticks, drawing his sword and looking around, at a loss. These few sentences write about the reality of friends seeing off Li Bai, which makes people feel like a happy banquet, but the two details of "stopping the cup and throwing the spoon" and "drawing the sword and looking around" show the strong impact of the poet's emotional waves, he can't swallow, showing his grief and indignation, and the sumptuous banquet can't dispel the frustration of ambition and frustration because it can't be reused in the imperial court. The indignation expressed in the four lines of the poem has the potential of a flood to break the embankment. Because the poet's feelings are reflected through the description of the poet's behavior, not only can people feel the poet's emotions, but also can see his demeanor of being tormented by depression, which greatly enhances the vividness and vividness of the poem. The whole verse is written with exaggerated emphasis. The first two sentences especially exaggerate the beauty of the banquet: the utensils are luxurious, the gold cups, the jade plates, the wine is precious, the wine is ten thousand, and the dishes are ten thousand dollars. Such a delicious wine and food, but not swallowed, makes people rise from the opposite side, so as to highlight the poet's inner confusion if he is lost, but also see the depth of sorrow.

The third sentence writes that you can't eat, overlapping two actions, "stop the cup" and "throw the chopstick", which are detailed descriptions

The fourth sentence writes excitement, comparing three moods, "drawing the sword", "looking around", and "dazed", all of which are heavily inked and heavily outlined, which are extremely eye-catching and give people a strong impression.

These four sentences are obviously influenced by Bao Zhao's poem "Difficult to Travel": "You can't eat the case, draw your sword and hit the pillar and sigh", but they already have the elegance of Tang poetry. The poem starts from the emotion of resentment and pours out, which is very imposing.

Where does the poet's sorrow come from? The next two lines write about the root of emotions, falling on the problem of difficulty in walking.

The middle four lines are the second stanza of the poem, which uses metaphorical symbolism and a variety of imagery to convey the inner contradiction between disappointment and hope. At the beginning, he used the treacherous mountains and rivers in reality to hint at the difficult situation of his situation and the bumpy political road at that time. The four sentences in the first paragraph are white strokes, and these two sentences are switched to Bixing: "If you want to cross the Yellow River and ice Sichuan, you will climb the snow-covered mountains in Taihang." The front writes that the road is difficult, vividly showing his situation at that time, wanting to cross the Yellow River but the cold ice blocked the river, and wanted to climb the Taihang Mountain, but the heavy snow blocked the road. At this time, Li Bai was planning to travel east to Liang and Lu, but unexpectedly encountered the danger of the Yellow River and Taihang on the way. These two sentences are used to metaphorize the difficult road of the world and the situation of stumbling every step, which is appropriate and clear. Bao Zhao's "Dancing Crane Fu" said: "The ice fills the Changchuan River, and the snow fills the mountains." Li Bai's two sentences are similar to Bao's sentences, but Bao's sentences are only written in scenes, while Li Bai's words are used as comparisons, and the meanings are very different. The surface meaning of the poem is to cross the Yellow River and freeze the river, and to climb the Taihang and cover the mountains with heavy snow. However, the real intention of the poet is to use the obstacles of mountains and rivers to symbolize the difficulties and obstacles on the road of life. In such a vast world, there is no way out of his own, how can the poet not look around when he looks forward to the future?

Did the poet stop there? Li Bai is not that kind of weak character. "Draw your sword and look around" is still unwilling to be depressed. Due to the dangers of reality, he tried to live a recreational life of "fishing" and "boating", but he could not make up his mind. "Idle fishing on the river, suddenly take a boat to dream of the sun. "It's a kind of performance of continuing to pursue. Literally, "fishing" and "boating" are a kind of life of retreat and leisure, but in fact, these two sentences are two allusions to express the poet's inner pursuit. First, when Jiang Taigong Lu Shang met King Wen of Zhou, he used to fish by the stream, and later met King Wen and was recruited as a teacher, and helped King Wu of Zhou to win the world. Another allusion is that before Yi Yin was appointed to Shang Tang, he was just a cultivator, and he once dreamed that he passed by the sun by boat, and was appreciated by Shang Tang and helped Tang win the world. Although he was suppressed and neglected, he still had hope. Li Bai was in a dazed state of mind, still comparing himself with Lu Shang and Yi Yin. What I dream of is to be appointed by a wise monarch like them and do a great job. These two did not start well, but eventually became historical figures with great achievements, which gave Li Bai confidence and made him extremely unhappy. Why is he not so lucky, and where is his way out? This allusion shows that the poet still cannot forget the reality, and he still hopes to find a realistic and feasible path and meet a chance opportunity to realize his ideals and ambitions. In this paragraph, Li Bai's hopes and disappointments, depression and pursuit alternate sharply.

It is this fierce conflict between reality and hope in the heart that makes the poet cry "difficult to walk, difficult to walk, divergent road, now safe", and the poem enters the third stanza. First of all, he uses "difficult to walk, many divergent roads" to pull the emotions back to reality from longing, and accurately conveys the complex psychology of the poet who is in and out of ground and wants to continue to explore and pursue. The "wrong road" is a fork in the road. It can be east or west, south or north. "In" is like saying the end, and here it is extended to the past. The rhythm of the poem is short and jumpy, and he seems to have walked on a wrong road, unable to find the blue sky avenue that extends in all directions, and does not know where he is. He wanders, hesitates, and doesn't know what to follow on the road of life, which echoes the above "draw the sword and look around at a loss". It can be seen as an inner monologue in a state of mind that is dazed and anxious, vividly conveying the poet's dilemma and continuing to explore the complex psychology of pursuit. It truly conveys a depressed and hesitant state of mind and agitated feelings. We believe that the stubborn and self-confident Li Bai will not succumb to fate, and the poet did not wander and become depressed, but looked forward to the future and sang loudly and confidently and loudly: "There will be a time when the wind and waves will be long, and the clouds will sail into the sea!" and "The long wind and waves will be allusion" is an allusion to the Southern Dynasty. Zong Wei once expressed his ambition to his uncle and said, "I am willing to ride the long wind and break through the waves", which means to aim in all directions and make achievements. Because of his unswerving determination and self-motivation, he eventually became a great weapon. When Emperor Wen was the general of Zhenwu. Later, he followed Liu Jun, the king of Wuling (Emperor Xiaowu), and made many military exploits, as the general of the left guard, and was named the Marquis of Taoyang. In the third year of the Ming Dynasty, he participated in the rebellion of Liu Dan, the king of Jingling. The abolished emperor ascended the throne and was the captain of Ningman, the assassin of Yongzhou, and the governor of Jiadu. After his death, he gave the general of Zhengxi and called the Marquis of Su. When Li Bai was struggling, he used Zongyu's language to show his ambition, fully demonstrating his optimism and self-confidence. "Yunfan" refers to high sail. "Ji" is to cross the border. "Canghai" means the sea. One day, he will ride the long wind and break the waves, and Zhang Gaofan will go straight across the sea. The high-pitched and high-spirited poems and the heroic momentum of the poem fully show the poet's self-confidence and strength. He pushed his thoughts to the realm of sudden enlightenment and sang a high and optimistic tone. He did not give up his ardent pursuit of ideals because of the difficulties of the world, and he still firmly believed that his ideals and ambitions would always be realized.

The whole poem is a leap of thinking, the thoughts are contradictory, and the emotions are ups and downs, which can be said to be a torrent of emotions, and with the passage of complex and contradictory feelings, the ups and downs of the poem are naturally formed. The excitement of indignation, the hesitation of anguish, and the high-spirited optimism alternate, turning and oscillating, shaking the soul, showing the characteristics of the poet's poetry in the form of songs. The first half of the poem is written in three paragraphs, either realistically or metaphorically, focusing on objective descriptions; the last two sentences are either straightforward or allusional, all focus on the expression of subjective ideals, alternately interspersed with descriptions of reality and ideals, showing the contrast and conflict between ideals and reality, through layers of emotional ups and downs, which not only fully shows the hindrance of dark reality to the poet's ideal ambition, but also reflects the poet's inner anguish caused by this. Depression and injustice, there are anger, confusion, and self-confidence, and all kinds of emotions are intertwined, constituting the poem's emotional change and jump. At the same time, it also prominently shows the poet's stubbornness, self-confidence and persistent pursuit of ideals, and shows the poet's strong spiritual strength to break free from depression. This poem is written in the contradiction between ideal and reality, and expresses the poet's pursuit and disillusionment, showing his romantic spirit.

Liang Qichao once said: "In the course of life, most of the adversity is sixteen or seventeen, and the good is thirteen or fourteen, and the two good times are often multiplied by each other." No matter how big or small the matter is, there will be several or even more than a dozen resistances, and although the resistance is large or small, there must be no escapability. ("On Perseverance", "Ice Drinking Room Anthology: Xinmin Said") It is not terrible to encounter adversity in life, but it is terrible to be afraid in the face of adversity. Bold words are certainly moving, but the ideal of being unable to face the dangers of life is undoubtedly illusory. This poem takes the contradiction between reality and ideals as the key, and takes the author's emotional ups and downs as clues, in the process of revealing the complex mental journey of the lyrical protagonist, showing the poet's persistent spirit of pursuing ideals, which makes people feel real and moving. In the poem, the confusion in the face of delicious food and wine, the difficulty of the official career symbolized by the "ice jam river" and "snow-covered mountain", and the cruel reality of "difficult and divergent paths" are not only obstacles to the realization of the poet's ideals, but also a touchstone to test the poet's fighting spirit and confidence. When the poet sings "There will be a time when the wind and waves will be long, and the clouds will sail to the sea", it is the time when he breaks through many contradictions and obstacles, and it is also the beginning of his self-conquering and moving towards the future and hope.

The poem uses metaphorical techniques to convey far-reaching symbolic meanings, and uses historical allusions to convey profound meanings and expresses the poet's thoughts and feelings very well and accurately.

The second song of "Difficult to Walk" focuses on the darkness of reality, "The road is like a blue sky, I can't go out alone"—the sentence, what a sad and indignant cry! It was both a heavy sigh and an angry protest.

The third song of "Difficult to Walk" shows more of the negative and decadent emotions of early retirement.

These three poems "Difficult to Walk" fully express the sadness and anguish of Li Bai who struggled in the contradiction between ideal and reality, and represent the characteristics of his romanticism. One of them is the most representative.

In addition, Li Bai's romanticism also shows a character of anti-magnates, light princes, and arrogant and unyielding. His contempt, denunciation, and rebellion against the decadent upper class are the epitome of the democratic essence of his poetry.

When reading Li Bai's poems, we should grasp a central theme and main tone, that is, the contradiction between ideals and reality, and a kind of cynical sentiment that is not met with talent is constantly revealed from his poems.

Appreciation 3:

1. Subject

"Difficult to walk" is an ancient theme in Yuefu, which laments the difficult road in the world and the situation of poverty and loneliness. Li Bai's group of poems "Difficult to Walk" mainly expresses the feelings of nostalgia, and here is the first one, which expresses the poet's confusion on the road of life, the depressed mentality and the spirit of the pursuit of life ideals. The poem uses "difficult to walk" as a metaphor for the dangers and obstacles of the world, and expresses the poet's irrepressible anger when he encounters difficulties on the political road, but he does not give up his lofty political ideals because of this, and still looks forward to the day when he will display his ambitions, showing his optimistic and heroic spirit for the future of life, and full of positive romanticism.

2. Structure

The poem begins with a narrative and gradually transitions to lyricism. At the beginning, it is led with extremely exaggerated brushwork, writing "Golden Bottle Wine" and "Jade Plate Treasure", as if creating a joyful banquet atmosphere, it seems to be a "toast song". However, three or four sentences took a sharp turn for the worse, and suddenly said, "I can't eat when I stop throwing my cup and spoon, and I am at a loss when I draw my sword!" Such a strong contrast sets off the poet's inner sorrow. When the spirit is depressed, it is difficult to swallow delicious wine. The sixth poem of Bao Zhao, a poet of the Southern Song Dynasty, begins with "The Difficult Way to Travel": "I can't eat the case, and I sigh when I draw my sword and hit the pillar." Li Bai obviously used this verse, but added "contrast", and wrote mourning with music, which strengthened the degree of mourning. So, what is the reason for the poet's sorrow? The answer is vague, hazy, and full of "poetry". "If you want to cross the Yellow River and ice Sichuan, you will climb the snow-covered mountains in Taihang", this is a kind of unwarranted melancholy, a kind of confusion that is at a loss. The poet uses figurative language to write about the difficulties of the world, implying infinite sorrow. Although the road to reality is bumpy and dangerous, the dream is still there, and the ideal is still there. How much the poet hopes to be like Jiang Taigong, meet King Wen of Zhou at the age of 80 and show his talents; like Yi Yin, he dreamed that he took a boat to the "edge of the sun" and did something for the world. However, there is a distance between the ideal and the reality, the ideal cannot conquer the reality, and the reality is unwilling to agree with the ideal. This kind of pain is intertwined in the poet's heart, and he finally sighs, "It is difficult to walk, it is difficult to walk, and there are many divergent roads, where are you now?" At the end of the poem, it rises in the depression, strengthens the confidence of "long wind and waves", and regains the courage to sail in the sea. On the whole, the poem is full of ups and downs, and the winding paths are quiet. The first four sentences are written about the depressed mood of "stopping the cup and throwing the spoon and not eating" in the face of delicious food and wine. The five or six sentences reveal that although he tried his best to find a way out, there were many obstacles, as if he was isolated by ice and snow everywhere. Seven or eight sentences quote allusions, indicating that he still hopes to be reused by the king like Lu Shang and Yi Yin. The next four short sentences express his confused and eager feelings in the search for the road of life. The last two sentences express the author's determination to overcome all obstacles and achieve his ambitions. The ups and downs of the whole poem are deeply moving. Appreciation 1: ?

?????????????????????? The golden bottle of sake is worth 10,000, and the jade plate is worth 10,000 dollars.

I couldn't eat when I stopped throwing my cup, and I was at a loss when I drew my sword and looked around.

If you want to cross the Yellow River ice and congestion river, you will climb the sky full of snow.

Idle fishing on the blue river, suddenly take a boat to dream of the sun.

Difficult to walk! Difficult to walk! Divergent road, where are you now?

There will be times when the wind and waves will be long, and the clouds will sail into the sea.

This is the first of the three poems written by Li Bai "Difficult to Walk", and this group of poems should have been written in the third year of Tianbao (774 AD) when Li Bai was excluded from Chang'an by the powerful.

The first four lines of the poem write that the friend out of deep friendship with Li Bai and out of regret for such a genius being abandoned, so he spared no money and set up a feast for him. In the face of gold bottles of fine wine and jade plate delicacies, they can only "stop the cup and throw the spoon", "draw the sword and look around", and they are at a loss.

"If you want to cross the Yellow River and ice congestion, you will climb the sky full of snow. It symbolizes the difficulties and obstacles on the road of life. Talented and knowledgeable like Li Bai, he was once appreciated by Tang Xuanzong in the court, but because the villain was greedy and "gave the gold back", the mountains and rivers have been dangerous since then, and the sky is on different sides.

In the future life, idle fishing, just like the past fishing and was hired by King Wen of Zhou, Jiang Shang (Jiang Taigong) who helped King Wen to lay down the country, and there is such an allusion in history: Yi Yin dreamed that he was riding a boat around the sun and moon before being hired by Tang. Remembering the experiences of these two historical figures, the poet has a new confidence in the future.

"The road is difficult, the road is difficult, the road is divergent, and the present is safe?" The road ahead is difficult, although there will be opportunities in the future, but all kinds of difficulties, dangers, and contradictions flash in the poet's mind. In the end, out of the poet's own desire to actively enter the WTO, perseverance and determination, he chanted such a famous sentence through the ages: "There will be a time when the wind and waves will be long, and the clouds will sail into the sea." ”

This poem has a total of 14 sentences and 82 characters, which is a short story in seven words and songs. But the ups and downs of the feelings, the leaping thinking, and the high momentum in the poem have made it a famous story praised by future generations.

Appreciation 2:

"Difficult to Walk" is a collection of miscellaneous songs of "Yuefu", which is originally a ballad of the Han Dynasty, and the content is double the meaning of the difficulty of the world and the sadness of parting.

"Difficult to Walk" has a total of three songs, which concentrate on Li Bai's grief and anguish, his pursuit and disillusionment, and represent the characteristics of his romanticism. "Difficult to Walk" can represent the central theme of Li Bai's poetry.

This poem was written in the early years of Tianbao, when the poet entered Chang'an and was constantly excluded and slandered by the powerful. Although the poem is full of grief and indignation because the ideal cannot be realized, but still has not lost the confidence to forge ahead, the whole poem's ideas closely revolve around the contradiction between subjectivity and objectivity, ideal and reality, revealing the poet's emotional ups and downs, complex changes.

In the second poem, it says: "Huaiyin market laughs at Han Xin, and the Han Dynasty minister is jealous of Jia Sheng." The latter sentence uses the allusion that Jia Yi in the Han Dynasty was jealous and excluded by the old nobles, and the meaning is very clear. When the poet was recruited by Xuanzong, he once wrote a poem and said: "Look up to the sky and laugh and go out, how can my generation be a Penghao person!" "Basil people" refers to people who live in the grass. The poet was so excited because he thought that from now on he could go from cloth to cloth and embark on the path of realizing his political ambitions. He came to Chang'an with a keen hope, and what he saw was the reality that there was no distinction between the virtuous and the foolish: "the sycamore nest bird, the thorny mandarin luan". The finch nests on the sycamore, but the phoenix perches in the grass. encountered the open guns and hidden swords that kept shooting: "Although the king loves Emei, he has no choice but to kill people in the palace." I couldn't stop in Chang'an anymore, so I had to "come back and go, it's difficult for the sword song to travel". This could not but fill the poet's heart with indignation.

The first part of the poem consists of 14 sentences, which can be divided into three paragraphs, the first part of each paragraph focuses on the objective reality, and the second part focuses on the subjective feelings of oneself, expressing the pursuit of ideals. This poem is a lyrical work, which is mainly expressed through the combination of imagery to form a palpable poetic image. Revealing the intrinsic connection between imagery and emotion is the basic way to understand the main theme of poetry.

The first four sentences (the first paragraph) are a complete picture, depicting the lyrical protagonist's dazed scene in the face of fine wine and delicacies, which is a kind of emotional catharsis: "The gold bottle of sake fights ten thousand, the jade plate is ashamed and straightens ten thousand dollars, the cup is stopped and the spoon is not eaten, and the sword is drawn and the heart is at a loss." "Golden bottle" refers to a luxurious wine glass. "Dou Shiqian" is a good wine worth 10000 yuan. "Shame" is the same as "food". "Zhen cuisine" refers to precious dishes. In the face of delicious food and wine, he had no intention of putting down his chopsticks, drawing his sword and looking around, at a loss. These few sentences write about the reality of friends seeing off Li Bai, which makes people feel like a happy banquet, but the two details of "stopping the cup and throwing the spoon" and "drawing the sword and looking around" show the strong impact of the poet's emotional waves, he can't swallow, showing his grief and indignation, and the sumptuous banquet can't dispel the frustration of ambition and frustration because it can't be reused in the imperial court. The indignation expressed in the four lines of the poem has the potential of a flood to break the embankment. Because the poet's feelings are reflected through the description of the poet's behavior, not only can people feel the poet's emotions, but also can see his demeanor of being tormented by depression, which greatly enhances the vividness and vividness of the poem. The whole verse is written with exaggerated emphasis. The first two sentences especially exaggerate the beauty of the banquet: the utensils are luxurious, the gold cups, the jade plates, the wine is precious, the wine is ten thousand, and the dishes are ten thousand dollars. Such a delicious wine and food, but not swallowed, makes people rise from the opposite side, so as to highlight the poet's inner confusion if he is lost, but also see the depth of sorrow.

The third sentence writes that you can't eat, overlapping two actions, "stop the cup" and "throw the chopstick", which are detailed descriptions

The fourth sentence writes excitement, comparing three moods, "drawing the sword", "looking around", and "dazed", all of which are heavily inked and heavily outlined, which are extremely eye-catching and give people a strong impression.

These four sentences are obviously influenced by Bao Zhao's poem "Difficult to Travel": "You can't eat the case, draw your sword and hit the pillar and sigh", but they already have the elegance of Tang poetry. The poem starts from the emotion of resentment and pours out, which is very imposing.

Where does the poet's sorrow come from? The next two lines write about the root of emotions, falling on the problem of difficulty in walking.

The middle four lines are the second stanza of the poem, which uses metaphorical symbolism and a variety of imagery to convey the inner contradiction between disappointment and hope. At the beginning, he used the treacherous mountains and rivers in reality to hint at the difficult situation of his situation and the bumpy political road at that time. The four sentences in the first paragraph are white strokes, and these two sentences are switched to Bixing: "If you want to cross the Yellow River and ice Sichuan, you will climb the snow-covered mountains in Taihang." The front writes that the road is difficult, vividly showing his situation at that time, wanting to cross the Yellow River but the cold ice blocked the river, and wanted to climb the Taihang Mountain, but the heavy snow blocked the road. At this time, Li Bai was planning to travel east to Liang and Lu, but unexpectedly encountered the danger of the Yellow River and Taihang on the way. These two sentences are used to metaphorize the difficult road of the world and the situation of stumbling every step, which is appropriate and clear. Bao Zhao's "Dancing Crane Fu" said: "The ice fills the Changchuan River, and the snow fills the mountains." Li Bai's two sentences are similar to Bao's sentences, but Bao's sentences are only written in scenes, while Li Bai's words are used as comparisons, and the meanings are very different. The surface meaning of the poem is to cross the Yellow River and freeze the river, and to climb the Taihang and cover the mountains with heavy snow. However, the real intention of the poet is to use the obstacles of mountains and rivers to symbolize the difficulties and obstacles on the road of life. In such a vast world, there is no way out of his own, how can the poet not look around when he looks forward to the future?

Did the poet stop there? Li Bai is not that kind of weak character. "Draw your sword and look around" is still unwilling to be depressed. Due to the dangers of reality, he tried to live a recreational life of "fishing" and "boating", but he could not make up his mind. "Idle fishing on the river, suddenly take a boat to dream of the sun. "It's a kind of performance of continuing to pursue. Literally, "fishing" and "boating" are a kind of life of retreat and leisure, but in fact, these two sentences are two allusions to express the poet's inner pursuit. First, when Jiang Taigong Lu Shang met King Wen of Zhou, he used to fish by the stream, and later met King Wen and was recruited as a teacher, and helped King Wu of Zhou to win the world. Another allusion is that before Yi Yin was appointed to Shang Tang, he was just a cultivator, and he once dreamed that he passed by the sun by boat, and was appreciated by Shang Tang and helped Tang win the world. Although he was suppressed and neglected, he still had hope. Li Bai was in a dazed state of mind, still comparing himself with Lu Shang and Yi Yin. What I dream of is to be appointed by a wise monarch like them and do a great job. These two did not start well, but eventually became historical figures with great achievements, which gave Li Bai confidence and made him extremely unhappy. Why is he not so lucky, and where is his way out? This allusion shows that the poet still cannot forget the reality, and he still hopes to find a realistic and feasible path and meet a chance opportunity to realize his ideals and ambitions. In this paragraph, Li Bai's hopes and disappointments, depression and pursuit alternate sharply.

It is this fierce conflict between reality and hope in the heart that makes the poet cry "difficult to walk, difficult to walk, divergent road, now safe", and the poem enters the third stanza. First of all, he uses "difficult to walk, many divergent roads" to pull the emotions back to reality from longing, and accurately conveys the complex psychology of the poet who is in and out of ground and wants to continue to explore and pursue. The "wrong road" is a fork in the road. It can be east or west, south or north. "In" is like saying the end, and here it is extended to the past. The rhythm of the poem is short and jumpy, and he seems to have walked on a wrong road, unable to find the blue sky avenue that extends in all directions, and does not know where he is. He wanders, hesitates, and doesn't know what to follow on the road of life, which echoes the above "draw the sword and look around at a loss". It can be seen as an inner monologue in a state of mind that is dazed and anxious, vividly conveying the poet's dilemma and continuing to explore the complex psychology of pursuit. It truly conveys a depressed and hesitant state of mind and agitated feelings. We believe that the stubborn and self-confident Li Bai will not succumb to fate, and the poet did not wander and become depressed, but looked forward to the future and sang loudly and confidently and loudly: "There will be a time when the wind and waves will be long, and the clouds will sail into the sea!" and "The long wind and waves will be allusion" is an allusion to the Southern Dynasty. Zong Wei once expressed his ambition to his uncle and said, "I am willing to ride the long wind and break through the waves", which means to aim in all directions and make achievements. Because of his unswerving determination and self-motivation, he eventually became a great weapon. When Emperor Wen was the general of Zhenwu. Later, he followed Liu Jun, the king of Wuling (Emperor Xiaowu), and made many military exploits, as the general of the left guard, and was named the Marquis of Taoyang. In the third year of the Ming Dynasty, he participated in the rebellion of Liu Dan, the king of Jingling. The abolished emperor ascended the throne and was the captain of Ningman, the assassin of Yongzhou, and the governor of Jiadu. After his death, he gave the general of Zhengxi and called the Marquis of Su. When Li Bai was struggling, he used Zongyu's language to show his ambition, fully demonstrating his optimism and self-confidence. "Yunfan" refers to high sail. "Ji" is to cross the border. "Canghai" means the sea. One day, he will ride the long wind and break the waves, and Zhang Gaofan will go straight across the sea. The high-pitched and high-spirited poems and the heroic momentum of the poem fully show the poet's self-confidence and strength. He pushed his thoughts to the realm of sudden enlightenment and sang a high and optimistic tone. He did not give up his ardent pursuit of ideals because of the difficulties of the world, and he still firmly believed that his ideals and ambitions would always be realized.

The whole poem is a leap of thinking, the thoughts are contradictory, and the emotions are ups and downs, which can be said to be a torrent of emotions, and with the passage of complex and contradictory feelings, the ups and downs of the poem are naturally formed. The excitement of indignation, the hesitation of anguish, and the high-spirited optimism alternate, turning and oscillating, shaking the soul, showing the characteristics of the poet's poetry in the form of songs. The first half of the poem is written in three paragraphs, either realistically or metaphorically, focusing on objective descriptions; the last two sentences are either straightforward or allusional, all focus on the expression of subjective ideals, alternately interspersed with descriptions of reality and ideals, showing the contrast and conflict between ideals and reality, through layers of emotional ups and downs, which not only fully shows the hindrance of dark reality to the poet's ideal ambition, but also reflects the poet's inner anguish caused by this. Depression and injustice, there are anger, confusion, and self-confidence, and all kinds of emotions are intertwined, constituting the poem's emotional change and jump. At the same time, it also prominently shows the poet's stubbornness, self-confidence and persistent pursuit of ideals, and shows the poet's strong spiritual strength to break free from depression. This poem is written in the contradiction between ideal and reality, and expresses the poet's pursuit and disillusionment, showing his romantic spirit.

Liang Qichao once said: "In the course of life, most of the adversity is sixteen or seventeen, and the good is thirteen or fourteen, and the two good times are often multiplied by each other." No matter how big or small the matter is, there will be several or even more than a dozen resistances, and although the resistance is large or small, there must be no escapability. ("On Perseverance", "Ice Drinking Room Anthology: Xinmin Said") It is not terrible to encounter adversity in life, but it is terrible to be afraid in the face of adversity. Bold words are certainly moving, but the ideal of being unable to face the dangers of life is undoubtedly illusory. This poem takes the contradiction between reality and ideals as the key, and takes the author's emotional ups and downs as clues, in the process of revealing the complex mental journey of the lyrical protagonist, showing the poet's persistent spirit of pursuing ideals, which makes people feel real and moving. In the poem, the confusion in the face of delicious food and wine, the difficulty of the official career symbolized by the "ice jam river" and "snow-covered mountain", and the cruel reality of "difficult and divergent paths" are not only obstacles to the realization of the poet's ideals, but also a touchstone to test the poet's fighting spirit and confidence. When the poet sings "There will be a time when the wind and waves will be long, and the clouds will sail to the sea", it is the time when he breaks through many contradictions and obstacles, and it is also the beginning of his self-conquering and moving towards the future and hope.

The poem uses metaphorical techniques to convey far-reaching symbolic meanings, and uses historical allusions to convey profound meanings and expresses the poet's thoughts and feelings very well and accurately.

The second song of "Difficult to Walk" focuses on the darkness of reality, "The road is like a blue sky, I can't go out alone"—the sentence, what a sad and indignant cry! It was both a heavy sigh and an angry protest.

The third song of "Difficult to Walk" shows more of the negative and decadent emotions of early retirement.

These three poems "Difficult to Walk" fully express the sadness and anguish of Li Bai who struggled in the contradiction between ideal and reality, and represent the characteristics of his romanticism. One of them is the most representative.

In addition, Li Bai's romanticism also shows a character of anti-magnates, light princes, and arrogant and unyielding. His contempt, denunciation, and rebellion against the decadent upper class are the epitome of the democratic essence of his poetry.

When reading Li Bai's poems, we should grasp a central theme and main tone, that is, the contradiction between ideals and reality, and a kind of cynical sentiment that is not met with talent is constantly revealed from his poems.

Appreciation 3:

1. Subject

"Difficult to walk" is an ancient theme in Yuefu, which laments the difficult road in the world and the situation of poverty and loneliness. Li Bai's group of poems "Difficult to Walk" mainly expresses the feelings of nostalgia, and here is the first one, which expresses the poet's confusion on the road of life, the depressed mentality and the spirit of the pursuit of life ideals. The poem uses "difficult to walk" as a metaphor for the dangers and obstacles of the world, and expresses the poet's irrepressible anger when he encounters difficulties on the political road, but he does not give up his lofty political ideals because of this, and still looks forward to the day when he will display his ambitions, showing his optimistic and heroic spirit for the future of life, and full of positive romanticism.

2. Structure

The poem begins with a narrative and gradually transitions to lyricism. At the beginning, it is led with extremely exaggerated brushwork, writing "Golden Bottle Wine" and "Jade Plate Treasure", as if creating a joyful banquet atmosphere, it seems to be a "toast song". However, three or four sentences took a sharp turn for the worse, and suddenly said, "I can't eat when I stop throwing my cup and spoon, and I am at a loss when I draw my sword!" Such a strong contrast sets off the poet's inner sorrow. When the spirit is depressed, it is difficult to swallow delicious wine. The sixth poem of Bao Zhao, a poet of the Southern Song Dynasty, begins with "The Difficult Way to Travel": "I can't eat the case, and I sigh when I draw my sword and hit the pillar." Li Bai obviously used this verse, but added "contrast", and wrote mourning with music, which strengthened the degree of mourning. So, what is the reason for the poet's sorrow? The answer is vague, hazy, and full of "poetry". "If you want to cross the Yellow River and ice Sichuan, you will climb the snow-covered mountains in Taihang", this is a kind of unwarranted melancholy, a kind of confusion that is at a loss. The poet uses figurative language to write about the difficulties of the world, implying infinite sorrow. Although the road to reality is bumpy and dangerous, the dream is still there, and the ideal is still there. How much the poet hopes to be like Jiang Taigong, meet King Wen of Zhou at the age of 80 and show his talents; like Yi Yin, he dreamed that he took a boat to the "edge of the sun" and did something for the world. However, there is a distance between the ideal and the reality, the ideal cannot conquer the reality, and the reality is unwilling to agree with the ideal. This kind of pain is intertwined in the poet's heart, and he finally sighs, "It is difficult to walk, it is difficult to walk, and there are many divergent roads, where are you now?" At the end of the poem, it rises in the depression, strengthens the confidence of "long wind and waves", and regains the courage to sail in the sea. On the whole, the poem is full of ups and downs, and the winding paths are quiet. The first four sentences are written about the depressed mood of "stopping the cup and throwing the spoon and not eating" in the face of delicious food and wine. The five or six sentences reveal that although he tried his best to find a way out, there were many obstacles, as if he was isolated by ice and snow everywhere. Seven or eight sentences quote allusions, indicating that he still hopes to be reused by the king like Lu Shang and Yi Yin. The next four short sentences express his confused and eager feelings in the search for the road of life. The last two sentences express the author's determination to overcome all obstacles and achieve his ambitions. The ups and downs of the whole poem are deeply moving. Appreciation 1: ?

?????????????????????? The golden bottle of sake is worth 10,000, and the jade plate is worth 10,000 dollars.

I couldn't eat when I stopped throwing my cup, and I was at a loss when I drew my sword and looked around.

If you want to cross the Yellow River ice and congestion river, you will climb the sky full of snow.

Idle fishing on the blue river, suddenly take a boat to dream of the sun.

Difficult to walk! Difficult to walk! Divergent road, where are you now?

There will be times when the wind and waves will be long, and the clouds will sail into the sea.

This is the first of the three poems written by Li Bai "Difficult to Walk", and this group of poems should have been written in the third year of Tianbao (774 AD) when Li Bai was excluded from Chang'an by the powerful.

The first four lines of the poem write that the friend out of deep friendship with Li Bai and out of regret for such a genius being abandoned, so he spared no money and set up a feast for him. In the face of gold bottles of fine wine and jade plate delicacies, they can only "stop the cup and throw the spoon", "draw the sword and look around", and they are at a loss.

"If you want to cross the Yellow River and ice congestion, you will climb the sky full of snow. It symbolizes the difficulties and obstacles on the road of life. Talented and knowledgeable like Li Bai, he was once appreciated by Tang Xuanzong in the court, but because the villain was greedy and "gave the gold back", the mountains and rivers have been dangerous since then, and the sky is on different sides.

In the future life, idle fishing, just like the past fishing and was hired by King Wen of Zhou, Jiang Shang (Jiang Taigong) who helped King Wen to lay down the country, and there is such an allusion in history: Yi Yin dreamed that he was riding a boat around the sun and moon before being hired by Tang. Remembering the experiences of these two historical figures, the poet has a new confidence in the future.

"The road is difficult, the road is difficult, the road is divergent, and the present is safe?" The road ahead is difficult, although there will be opportunities in the future, but all kinds of difficulties, dangers, and contradictions flash in the poet's mind. In the end, out of the poet's own desire to actively enter the WTO, perseverance and determination, he chanted such a famous sentence through the ages: "There will be a time when the wind and waves will be long, and the clouds will sail into the sea." ”

This poem has a total of 14 sentences and 82 characters, which is a short story in seven words and songs. But the ups and downs of the feelings, the leaping thinking, and the high momentum in the poem have made it a famous story praised by future generations.

Appreciation 2:

"Difficult to Walk" is a collection of miscellaneous songs of "Yuefu", which is originally a ballad of the Han Dynasty, and the content is double the meaning of the difficulty of the world and the sadness of parting.

"Difficult to Walk" has a total of three songs, which concentrate on Li Bai's grief and anguish, his pursuit and disillusionment, and represent the characteristics of his romanticism. "Difficult to Walk" can represent the central theme of Li Bai's poetry.

This poem was written in the early years of Tianbao, when the poet entered Chang'an and was constantly excluded and slandered by the powerful. Although the poem is full of grief and indignation because the ideal cannot be realized, but still has not lost the confidence to forge ahead, the whole poem's ideas closely revolve around the contradiction between subjectivity and objectivity, ideal and reality, revealing the poet's emotional ups and downs, complex changes.

In the second poem, it says: "Huaiyin Shijing laughs at Han Xin, the minister of the Han Dynasty."