"You're a screenwriter, and you're a screenwriter at the right age. The stories told in the play are also the stories that happened at your age. I didn't think I needed to tell you much about the play, because no one knows everyone better than you do. ”

Although Hou Xiaoxian and Niu Er knew each other earlier, the two rarely communicated. Even in this crew, Hou Xiaoxian rarely talks to Niu Er. Niu Er just listened to it on the side when he was waiting for Xiaoxian to talk to other actors.

"Teacher Hou, you are too polite. Acting in front of the camera and writing a script are really two different things. When I write the script, I can bring in the characters of everyone in the play. In front of the camera, I can't even bring a person's character. Although I know what the problem is, I still can't get into the role. ”

Hou Xiaoxian sighed, "It's actually normal, after all, it's your first time acting." And you have a lot of things, and they are different from Xu Xuanxuan. Take your time and don't rush. ”

Hou Xiaoxian patted Niu Er on the shoulder and turned back to the house.

"It's a bit too much to dabble in......"

Niu Er looked at the back of Hou Xiaoxian who turned around and left the house, and smiled bitterly in his heart.

You might as well say it directly, I soak in women from all walks of life every day, where is there that kind of pure love like a mountain spring. Even that feeling is hard to find now.

But the substitution that Hou Xiaoxian just said still made Niu Er ponder for a while.

It's really not so easy to be an actor, at least it's not so easy to be a more competent actor. Niu Er tried to condense all the memories of his ignorant youth in the two lives, and it seemed that he had finally found a little feeling.

Although Hou Xiaoxian, who is not yet sixty years old, is not a fairy, he is a filmmaker like a fairy in Yizhou.

His film "Nie Yinniang" has just won the Best Director Award at the Cannes Film Festival. "Flowers of the Sea" and "The Best of Times" were also nominated for the Palme d'Or at the Cannes Film Festival. He has also won the Lifetime Achievement Award at the Golden Horse Awards and the Asian Film Awards.

In Yizhou, and even in the whole of China, Hou Xiaoxian is one of the few major filmmakers in the international film industry. Even if such a person is not an immortal, he has already become a human spirit.

So he already knew the crux of Niu Er's problem.

But one is because the personal relationship between the two is still shallow, the second is that Niu Er is still a screenwriter, and the third is that there is an old lady who stands up for him......

He was a little inconvenient to say more. Today, he can find an opportunity to talk to Niu Er alone, or because of Niu Er's poem just now, Hou Xiaoxian glanced at Niu Er again.

Since the establishment and operation of the crew, Niu Er has never regarded himself as a screenwriter in front of the public, let alone flaunted his talent.

Even if he is the screenwriter of "The Ballad of Yunshui", he never says a word more on the set. is just an ordinary actor at the disposal of the director and even other staff members.

However, whenever he encounters any problems, when there is a problem on his head, he can always solve it lightly. For example, this little poem that seems to be handy, Niu Er must have had it when he was writing the script, otherwise there would never be the title of this play, as well as the names of the two male and female protagonists, but Niu Er never said it.

It wasn't until Xu Wanxuan forced him to the point where he had no choice but to say a few words.

Not arrogant, not shy, but with a furrow in his chest.

Even if an old so-called master is very difficult to do. What's more, Niu Er is only a prospective college student who is less than twenty years old.

Otherworldly, lonely and indisputable.

The traditional virtues of the literati of Shenzhou have been well reflected in Niu Er.

If Hou Xiaoxian didn't have such an evaluation and respect for Niu Er, not to mention that he wanted to smoke a cigarette from him, it would be even more difficult to hear him say a few more words to you.

It may be that Hou Xiaoxian's words played a role, or it may be that Niu Er finally gave up all distractions and finally devoted himself to this play and the inner world of Chen Qiushui. The filming in the next few days went relatively smoothly, and even the scene of the first encounter that had been delayed for a long time was only passed twice.

Not only was Hou Xiaoxian surprised, but the investors and Mrs. Zhang were happy, and even the Xu Xuanxuan sisters were like discovering rare animals, seizing the opportunity to seize the cow and not letting go, and wanted to ask why.

In the second half of the filming of this play, the two sisters Xu Wanxuan became much closer to Niu Er outside the play because of their close contact with Niu Er in the play.

The first is Xu Xuanxuan.

Chen Qiushui met Wang Biyun because he worked as an English tutor for Wang Biyun's younger brother. When Wang Biyun's mother found out that Chen Qiushui and Wang Biyun had a love affair, she decisively quit Chen Qiushui.

The two who were just in love were categorically separated, and Chen Qiushui's heart was like a knife, so he returned to his hometown in the countryside and licked his wounds alone and sadly.

Chen Qiushui is a countryman who is orphaned and widowed......

Wang Biyun's father is a well-known dentist in the city. The family is well-off and has a certain social status. The disparity between the family backgrounds and social status of the two families made Chen Qiushui almost hopeless about his love for Wang Biyun and his future marriage.

Just when Chen Qiushui was discouraged and spent all day being depressed and farming with his mother to do housework, Wang Biyun rushed to the countryside alone and found Chen Qiushui's home directly.

When Wang Biyun, who was carrying a picture clip, wearing a white sailor suit and a short black skirt, appeared in front of Chen Qiushui, the sudden huge surprise made Chen Qiushui almost not believe the facts in front of him.

Chen Qiushui Biyun...... You... What are you doing here?

Wang Biyun just wants to come and see you.

Chen Qiushui, let me see, is it really you...... It's really you!

Who else can Wang Biyun have!

......

In the script of his previous life, in the past few days when Wang Biyun was at Chen Qiushui's house in the countryside, everything that could happen between the two lovers and everything that should have happened happened.

But in the film broadcast after the editing review, only some Chen Qiushui helped Wang Biyun wash his hair, as well as some details of the two being together in daily life, just using these picture languages to implicitly tell the audience that the two have made a private decision for life and are already a de facto husband and wife.

Due to the different background of the times and social background, of course, it is the needs of the later market, especially the box office, when Niu Er wrote the script, he also added the process of Chen Qiushui and Wang Biyun doing bad things together for the first time.

So there was a plot of Niu Er and Xu Xuanxuan acting in action movies together.

Whether it is the needs of the plot or Niu Er's own conscious resistance, Chen Qiushui in this scene is basically a passive party. Because Wang Biyun came to the remote countryside alone, he came to Chen Qiushui's home.

If Chen Qiushui is too active, he may be forced or take the opportunity to bully Wang Biyun.

Therefore, the plot of this scene can only be Wang Biyun taking the initiative to attack, and Chen Qiushui wants to refuse and welcome back.

So when filming this scene, Xu Xuanxuan almost did a fake scene, and directly forced Niu Er into an unstoppable situation.

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