"Qiushui, my back is itchy......"

"Qiushui, come and help me rinse my hair......"

Chen Qiushui's mother, Xu Fengniang, cleaned up the best room in the house and gave it to Wang Biyun to live in.

Wang Biyun's clothes, words and deeds all reveal everyone's beautiful demeanor, at least the delicacy and grace of the small family jasper. The son of a poor peasant family can have such a girl, that is, Xu Fengniang dedicates everything in the family to Wang Biyun, and she is also happy from the bottom of her heart.

From the city to the remote countryside, Wang Biyun needed to take a bath that night. Chen Qiushui, under Xu Fengniang's reminder, moved a large wooden barrel to Wang Biyun's room early after dinner. Xu Fengniang also boiled a large pot of hot water in the stove early.

Niu Er's design for this section in the script was just that when Wang Biyun washed his hair, under Wang Biyun's instructions, he took a big wooden spoon and washed Wang Biyun's hair. It was also when he was helping Wang Biyun flush his hair that he saw Wang Biyun, who was like a hibiscus out of the water, which triggered some other bold ideas for him.

This bridge section is actually a necessary foreshadowing to show that the two were together that night. From innocence to be together, there must always be an opportunity. This opportunity is Wang Biyun's bath.

When Hou Xiaoxian told Wang Biyun about this scene, he said it very ethereally. didn't talk about what to do, but just said that this scene was a fuse that made the two get together that night. Other details are designed by Wang Biyun and played on the spot.

Hou Xiaoxian didn't mean to embarrass Wang Biyun.

In the words of Zhu Tianwen, a famous female writer and screenwriter who has worked with Hou Xiaoxian many times, Hou Xiaoxian is basically a lyric poet, not a storyteller. His cinematic qualities are mostly lyrical rather than narrative and dramatic.

What attracts Hou Xiaoxian into the content is not so much the event as the charm of writing...... Hou Xiaoxian is more inclined to atmosphere and personality, and is not too interested in storytelling...

In addition, Xu Wanxuan is very friendly to Niu Er in and out of the play. Hou Xiaoxian, as an old goblin, has long seen this bit of drama between the two of them in his eyes and remembered it in his heart.

At the same time, he also wanted to see how Xu Xuanxuan, who has an angel face, could behave in a similar drama.

This kind of bridge is like this, which tests the courage and acting skills of actresses very much. Especially for a girl who has just entered the threshold of sixteen years old and is electrocuted for the first time, it is almost a huge test.

At least Hou Xiaoxian can't make more demands on such an innocent girl who was electrocuted for the first time. He can only pin on Xu Xuanxuan's understanding of the plot and characters, and on what kind of attitude Xu Xuanxuan should have towards film art.

If she is too reserved in this plot, it will not arouse Chen Qiushui's other ideas, and the plot transition will not be smooth enough.

If it is too bold, it will lose the image of a well-educated girl who has just fallen in love.

Hou Xiaoxian is also happy to appreciate whether the two young people who were electrocuted for the first time can have some good performance.

He very much hopes to discover several promising young actors with potential through this.

After Hou Xiaoxian became famous, the director's style became more and more aesthetic. The unique vision of reality and the unique aesthetic style in the lens soon made him the leader of the new film wave in Yizhou.

That's why he was moved by a few crooked poems from Niu Er, and then he had the impulse to pick up Niu Er.

So just a home of Chen Qiushui in the countryside, the whole crew looked for a long time according to his requirements. After searching almost the entire Yibei countryside and finding more than n villages, Hou Xiaoxian was finally satisfied.

Chen Qiushui's home is very much like a boat in the ocean.

Several large and small wooden houses, enclosing a farm compound. The compound is surrounded by green or tender green fields. There were only a few big roads and paths in the fields, winding like earthworms, stretching out into the yard and the distance around the house.

Next to one of the wooden houses, there is a large waterwheel that is constantly spinning.

It's very similar to the big waterwheel in Lijiang, Shenzhou.

It's just that on the wall next to it, there is no inscription from Jiang someone.

The first time Wang Biyun went to Chen Qiushui's house, there was a long shot in the shot, that is, Wang Biyun walking on the road in the field with a painting clip and a bag. Not far in front of me is the courtyard of the houses, and the courtyard and Wang Biyun's surroundings are all a flat and neat green with almost no boundaries.

The picture in the lens, the picture presented on the screen, is a pastoral landscape painting with fresh and simple lines and colors.

Such a farmhouse will not have any special bathing room at all.

Just like the Cottage of the King of Pinan, even Gu Lilai, who is about to become the Queen of Pinan, only has a large wooden barrel for bathing and a shed.

Chen Qiushui's home, which only has a mother and son, has its own bathroom.

After Wang Biyun arrived, he could only do so.

Although she lived in the best room of the Chen family, she could still only use a wooden barrel to bathe.

The scene of Wang Biyun taking a bath is nothing to Niu Er, but it brings a lot of pressure to Xu Xuanxuan.

Xu Xuanxuan is the leader in this scene, as long as Niu Er cooperates with Xu Xuanxuan and follows Xu Xuanxuan along the plot, he will basically live together. And Xu Xuanxuan has to have a complete design for her own scene.

It's not difficult to take a bath, it's hard to scale.

Xu Wanxuan is not afraid of exposure or others, but she has no bottom in her heart where she should control the scale.

Xu Wanxuan is not afraid of exposure, just like the night her sister Xu Peiqi arrived at Sakura Villa, just like Niu Er's heart. As long as you can become famous, earn money and fame, exposure is not a thing.

The difficulties of the life of the low-level people, the bright and short life experience of the girl team, made Xu Wanxuan, who was only fifteen years old and not yet sixteen years old, see and deeply appreciate the huge gap in life very early.

The life of a little star during the girls' team made Xu Wanxuan unforgettable, and even became a treasure in her memory.

The hard and difficult survival of the Bento Day strongly stimulated her determination and courage to change the status quo.

She is not afraid of exposure, but she lacks such an opportunity.

However, what should be the standard of director Hou Xiaoxian?

If he is really that Wang Biyun, how should he tease the wood of Chen Qiushui so that he can wake up.

This kind of drama, the object she can negotiate, except for her sister Xu Peiqi, it seems that no one is very suitable. Most of the women in the crew, except for her and her sister Xu Peiqi, are very old adult women, and they are not very familiar with them.

As for her sister Xu Peiqi, both of them are some kind of competitors in and out of the play. Xu Wanxuan believes that her sister will not pay good attention to her, and it would be good if she didn't cheat.

Xu Xuanxuan had no choice but to search her intestines and scrape her stomach by herself.

She searched her guts and recalled her various experiences in the bath, and recalled all the movies and television films she had watched, similar to the way the heroine handled and expressed herself in the plot.

She even imagined how in reality, under the premise of Niu Er's rejection of herself, she could make him obediently obey through one of her own baths. At the same time, it will not surprise the audience, nor will it cross the censorship red line of the censorship agency.

It's just a shower, so it's so hard.

Remember the URL of this site, so that you can read it next time, or enter " " in Baidu, you can enter this site