Suddenly feel like this freshly baked operation, as if déjà vu?

Yes, someone did this a few years ago, but its 1.0 version is called "Internet+".

Since 15 years, in order to cooperate with the platform to create film and television dramas with a sense of networking, some creators no longer study creation, but instead study the audience, hoping that every scene and every character is designed to tease the audience's G-spot and cater to inherent prejudices.

Female audiences, abandoned houses, straight men, small-town youth, urban white-collar workers, independent women, post-95s, post-00s......

In the process of achieving targeted harvesting of such financial products relying on algorithms, big data, and market interest, there is no place for authorial creation.

There is even a representative view that because they are not smooth and smooth, they are not conducive to swallowing, and cannot become the joke of the general public after dinner.

"If you look at the past few years, India's "Let's Wrestle! Daddy", Thailand's "Talented Gunslinger", and Spain's "The Invisible Guest" have not analyzed the audience, but they have all conquered the box office and reputation of the domestic market with their skillful genre film techniques and exquisite plot arrangements, right?"

"The reason is very simple: the audience is actually knowledgeable and appreciates foreign masterpieces, and only needs a reliable subtitle team!"

"If you really want to talk about the audience, the audience of good works is all mankind, American dramas can even fly over the Pacific Ocean, but our counterpart dramas always feel that across a river and a group of people, the content will not be sold?"

Shen Feng tasted tea, the biggest crux of "Thirty Only" is not the ineffective narrative, saliva lines and bloody plot, but the abuse of some practical issues that were originally worth discussing, in fashionable terms, a waste of public resources.

Some people may say that watching domestic dramas is just to pass the time and have fun, what is more real?

That's because domestic dramas have been rotten for a while, resulting in a large loss of elite audiences, and they have only expected American dramas, Korean dramas, and Japanese dramas.

This phenomenon not only does not prove that watching dramas is equal to entertainment, but should become a supervision for domestic dramas to be brave after being ashamed. People still need to find value in the story, but they don't believe that they can still find value from you.

Whether a story is valuable or not depends on whether the creator finds new social resistance, and whether a story is good or not depends on whether the hook that presents the resistance is accurate and authentic.

At a time when movies are increasingly focusing on visual enjoyment, TV scripts are the most expressive media of the times that can express social forms and forms of life, and the audience is eager to see really good content here, that is, content that has a view of society, a metaphor for life, and an inspiration for life.

Seven or eight years ago, I watched a "Ten Thousand Arrows Through the Heart", there were layoffs, derailment, suicide, conflicts between husband and wife, mother-in-law and daughter-in-law, and mother-son conflicts......

But the drama conflicts of others are very solid, and after watching it, I will only empathize with the middle-aged life of thousands of arrows, and I will not think that there will be fewer conflicts, but only more conflicts.

Whether it is a full-time wife, a Shanghai drifter girl or a small employee, even if you don't consider the age of 30+ that has been frequently consumed recently, there are still a lot of points that can be dug up. For example, social responsibility, moral literacy, life thinking, changes in human nature, economic pressure, political life, etc., in urban life......

In other words, "Thirty Only" is just peddling a pseudo-middle-class fantasy, which has nothing to do with the history of struggle or awakening of independent women, and the three heroines are not worthy of ambition, are seriously bound by consumerism, and lack a skill. Search the e-book

What's more, they seem to be assertive about their feelings, but they are all looking forward to a happiness that they can see to others!

According to Engels, the failure of women with global significance is to enter the authoritarian family, and the essence of this marriage system is the exploitation of women by men.

Many people seek material compensation in this form of exploitation, thinking that they have won a game, but in fact Faust has signed a pact with the devil - the necklace is worn around the neck of the slave, no matter how gorgeous it is, it is a chain!

After watching "Kim Ji-young Born in 82", it is not difficult to understand what it means that the fundamental contradiction is not resolved, and the small luck cannot cover up the big loss. ”

After reading Sister Widow's "Marriage Story", it is not difficult to understand that women don't need you to understand, they just need you to love. ”

Hu Fang complained: "If you really want to create independent women, you should understand that what they want is not an elite in the secular sense, but a man who is psychologically more equal." ”

"To truly reflect on the cost of conformity, you should put the debt on yourself, instead of pushing it to the scumbag gang. ”

"To really discuss the leap of identity, we should have the consciousness of sketching the class like "Parasite", rather than whitewashing the nostalgia. ”

Shen Feng fiercely recalled the Qiong Yao drama when he was a child, although there are flaws, but its role identity is basically on people with little property, right?

In recent years, domestic dramas have been serious in fawning over the rich, the poor have become both unreasonable and obscene, the rich can rob the poor of their things, and they can poach the latter's objects from the moral high ground?

So there is a lot of this kind of thing, and everyone just wants not to be the one who is ridiculed by the crowd, and this coincides with the logic of social Darwinism.

You are bullied because you don't mix well enough, climb high enough, don't have strong enough relationships, and don't stuff enough money.

A routine is called Dou Xiaosan, of course, it also includes "Dou Scumbag", "Dou Hai King" and "Dou lowB";

The other is called climbing up, you lift shoes for the rich, water flowers, walk birds, it doesn't matter, thirty-six plans or seventy-two changes, as long as you climb high enough, love, marriage, family, career, face, will be caught.

Neither care where the world came from or where it will go, but only write about what you want the world to be and what you fear the world will become.

The former makes you cool and makes you fly;

The latter makes you angry and makes you afraid.

The two should be combined with the outside, and the traffic and money will be in hand!