The character is happy, and I feel that happiness. In other words, the character doesn't actually know that he's having fun?

Yuan Changwen frowned, this kind of thinking is a bit nonsense! However, it seems to be very reasonable.

Whatever happens, it's that awareness that works.

For example, the character sees that it is raining. Then "that awareness" senses that "the character sees that it's raining" and responds without delay, so that the character's memories become a series of linear passes.

If there is no awareness, then the character has no memory, going through many experiences like a stone without remembering the previous experiences at all.

Damn it!

What was I thinking?!

None of this would exist if it weren't for that awareness, and there's nothing to talk about character memories and so on. That awareness is everything, so there is nothing at all that is not "that awareness." If something is not "that awareness," it only means that it is false.

Of course, it can be said that "that awareness" is the conjured content, but after all, it is impossible for the rest of the things to be real.

That awareness is the only reality, in other words, the non-existence of the unreal.

Wrong!

The character knows that he is happy, otherwise how can that awareness perceive the character's happiness? It is impossible for "that awareness" to judge whether he is happy or not, right?

Things are things, and it's artificially distorted to determine whether this thing is a good thing or a bad thing. For the same thing, because different people have different self-definitions, then it is natural to judge the results differently.

Even if it is cut, some people feel pain and feel uncomfortable, but there are also people who pat their chests and exclaim.

So, the character judges that he is happy, and that awareness transmits "the character judges that he is happy" to the character, so the character continues to judge, "If you are happy, then of course you should laugh" and so on.

How does the character know that he sees rain?

Wrong!

No matter how it is interpreted, it is just a guess. Moreover, the question doesn't seem to hurt the character, just a constant discussion about how the character knows things. There will be no self-definition that the character clings to, and there will be no fear of the character.

So, I should skip this question...... Is it?

Yes, it should be skipped!

I shouldn't dwell on the false at all, just as I can't explain the mysteries of quantum mechanics no matter how much I try to do it, and I can't bring together macrophysics and microphysics.

That awareness is everything, and it doesn't matter what the awareness is. And who can guarantee that what is perceived is regular and satisfactorily explained?

I can't have the slightest bit of influence, so what can I do with the role? What can I do but be aware?

As for how the character of Yuan Changwen became what he is now, how he has the thinking he has now, and how he was pushed to the road of killing, I don't know anything. There's no need to go into it, after all, how do I know that time exists.

So, why bother with falsehood?

I can't exert any influence on the character, and the character itself chooses things without any superfluous possibilities.

It's all a fixed number.

At this moment, the character of Yuan Changwen still has a lot of self-definition, and he is still making choices according to the distortions in his mind. So what is left after the character goes on a suicide mission?

I think that's when the real thing will be revealed. However, it doesn't matter, and it will be known at that time. Of course, maybe I won't be able to get to that state in my life, and maybe I'll be trapped in the distortion of characters for the rest of my life.

Who knows?

So, I realized that the characters are always fantasizing about the scene, always trying to flesh out their attributes, and how normal it is. This is originally the basic setting of the character, and a character like Yuan Changwen is now picking up a knife to kill his various attributes, which is an abnormal and illogical thing.

The character is in fear, "Oh. ”

The character is slashing, "Oh. ”

The character is distressed by the progress of the slash, "Oh. ”

Everything about Yuan Changwen's role is irrelevant and meaningless to me. The hands are not my hands, the feet are not my feet, and the body is not my body.

I have no way of figuring out what the character of Yuan Changwen is all about, just like many times I don't know what I'm doing. It's because there are so many distortions in the mind, and because of the fear that is firmly grasped, the behavior pattern is of course far from the daily behavior.

After the fear is gone, calm down and think carefully, this is another set of twists used. Different distortions will naturally bring different behaviors and thinking patterns, and it is natural to feel that the previous self is like two people.

For example, the distortion of believing that "life must make certain achievements" and the distortion of believing that "life is to be completed in good health" are definitely different ways of behaving and thinking.

The point is, there are too many distortions in my head, too many self-definitions, and I can't form a perfect unity. As a result, all kinds of contradictions and all kinds of fears naturally appeared.

It's like a monk who abandons the moral ideals of others, establishes his own path, establishes his own values, and no longer follows any other values and changes, and does not envy or regret or so on.

To believe that "some achievements must be made in life" is to believe that there is nothing else to say, and that the whole life is to live hard for this. Perhaps, it can be called paranoia.

If there is only one thought in the mind, or there is no self-definition that contradicts the "you must achieve something in life", then there will be much less fear and anxiety. I don't believe that my actions are a waste of time, and I don't believe that life is beautiful.

In this way, you will always be on the path of your own goals.

Immortal cultivators are not afraid of life. and then escaped the world, still retained a certain sense of morality, and still wanted the character to live comfortably. Not afraid of life, do what you want, be grateful for all things, play unbridled, and do not have a definite goal.

If you have to talk about the goal, it is to be presumptuous in this life.

Those who cultivate the truth are those who cultivate to the truth. Whatever you believe in your head is a distortion, a man-made setting and an artificially added addition. Discarded from all distortions, its behavior becomes strange and unpredictable.

For example, if you are hungry and suddenly someone else eats leftover food, why don't you wash it and eat it? Even if you have money, everything is so reasonable at this moment. I'm hungry and I happen to have food to eat, so why not eat it?

Because of dignity, because of contempt, because of social status?

If it's not acceptable, it's like someone else's saliva. Well, this food has not been touched by others, for example, someone else ordered four chicken nuggets, and there is still one left uneaten. So I happened to be there, and others just finished eating and left, and I happened to be hungry again, so why didn't I wash and eat?