There are still people and things left in my head.

These people and things are the source of refreshing fantasies. I want to prove that my choice is right in front of my mother, I want to prove my insight in front of my friends, I want to prove that I am the best choice in front of my ex-girlfriend, I want to show my difference in front of others, and get the approval of others.

That's how it affected me.

No matter how fantasy you are, you must recognize the existence of the character, all of which is to help the character confirm its existence, and to enrich the character's attributes.

Why do you want to do it yourself?

It's like learning to swim, I've learned all the theory on land, and I can even calculate the current when swimming. But what's the use? I didn't go into the water at all, and I was in a state of fantasy swimming all the time.

Why do you have to keep some cool fantasies? Jump right in, don't think about bullshit theories, jump straight in!

First of all, why do these fantasy scenes become cool spots?

It's not hot and cold, it's not hot, it's painful, it doesn't need to be taught, and humans in any society will have the same reaction. But who sets the cool points, and who's telling me that these are cool points, and why should I follow them?

People in the era of the home planet, will their coolness be the same as mine?

What about the cool points of the ancient people? What about the cool points of those people in the Stone Age?

It is clear that the fantasy scenario will be completely different. Even, even everyone's core cool point is not quite the same.

But it seems that the core is the same, either you win in front of others, or you don't need to worry about anything, and sit back and watch all living beings struggle. In fact, it's a win.

Anyway, it's different from the current state.

No one fantasizes about their current situation as a cool point, and if that's the case, there's no need to fantasize about it.

So, why do I think these scenes are cool? If they are just different from the status quo, they are even worse, and the trembling on the streets is completely different from the status quo, so why haven't they become fantasy scenes?

Whether it's fantasizing about the pinnacle of life or fantasizing about traveling around the world, who is advocating these things? And why would I accept them so easily?

Would the ancients fantasize that they were rich without any fame? Do the ancients fantasize about being a generation of singers?

If even dreams were imposed on me by others, then what is the point of existence of this character? Template character, now I hate you more and more, I really don't understand why I haven't gotten rid of the role yet, why I haven't continued to kill.

Social status? Who is providing social status to whom? Why did so many businessmen in ancient times not get the treatment they deserved? Why did the talented women in the famous town of Jiangnan fail to get out of the boudoir after all?

So now, why are rich people sought after, and why do celebrity fans take the initiative to support bringing their own five cents?

That's right, society has changed.

This doesn't just mean that my pursuit is only a reward from society, and any ideas of the character are just the result of being promoted by society. I can say something like "ancient people were so stupid, why did they despise rich people", so will someone in the future say, "I used to be stupid, why did I pursue money?"

So, what the character cares about is nothing more than a piece of shit. Even, this piece of shit was not picked up by himself, but was stuffed into the arms of others. How much of the character's love is to win, and how much is distorted?

There is no reason at all to change the character, to play with a false thing, to try to make a false thing more beautiful, what's the point?

But in fact, there is no half-penny relationship between me and the role of Yuan Changwen.

Secondly, the cool point is just a cross-dressing show of fear.

I have a cool spot for anything, but I'm afraid that there is no such thing.

To want to win in front of others is to fear losing to others. To speak out in front of others and win praise is to fear that you will be reduced to a supporting role. When you think about traveling around the world, you are afraid that you are not going anywhere and that others have already been to many places.

It's a pure fantasy trip, and there's no comparison? So why not go about it? Any excuse or reason is a kind of fear. I also said that I had more important things to do, so why did I go on a fantasy trip around the world?

What a good idea!

I would refuse the invasion of fear because of this uncomfortable state. But when I reject the fear invasion, when I convince myself that the fear is not worth fearing, I have admitted that I have fear, and I have set the stage for the next fear update.

When I unconsciously fantasize about a scene, I am subconsciously increasing my dissatisfaction with the status quo and turning a blind eye to "this is how things are". The moment is the only one, and when I push the "now" away, what is left?

It's all twists in the mind, and these twists are the elements that make up the characters. So, I always plump up the characters unconsciously, and this mode of running in the background can ensure that the characters don't collapse easily. It's really, well-planned!

Finally, it is acknowledging the existence of the character. All prestige is a role, all wins are also roles, and I myself will substitute this kind of cool point, and once again unconsciously identify myself as a character. If everyone feels that they have nothing to do with the characters, how can this society play?

Think about it, what would I do if I were to set up a fake world and make it look like it's real?

How can we make the fake characters not think about their own reality? How can we make the whole fake world look very real? Even if there are a few system bugs that make a certain character think about the reality of the world, how can we make others dismiss it at all?

How to prove that objective things really exist?

Set up an organ called the eye, and when the eye is open, the image is very clear. When the eye is closed, the image is blurry. Is it possible to prove that there is indeed an objective thing?

When some characters' eyes are diseased, they can't get any images. Is this proof that the eye is just a passage and does not affect anything objective?

And the other characters' eyes are in a normal state, set to get an image, this contrast can prove that the eyes can't affect objective things at all?

Of course, this is just speculation.

I just want to tell myself once again that there is no way to determine the truth of objective things. And all my ideas are based on the fact that objective things really exist. The same is true of the perceptions and opinions in the head, so what distortions are there to keep?

I can't find a second way other than slashing.