It is also very likely that he will be abandoned on this great escape from loneliness, which makes the trust between patients seem somewhat fragile and unsustainable. In the family-style patient combination, both parties are desperately asking each other to hold on to their safety ropes, and use all their energy to monitor each other, and they have no energy to think about whether they can still bring a signal light, lest the rope really break and not drift too far to find it (the signal light is personality, and the lonely person itself is easy to personalize, just like being afraid that the signal light will dazzle other people's eyes). In this way, in the endless mutual attrition, loneliness will follow.

Therefore, the best way to overcome loneliness is to develop yourself, try to try a different life, find what you love, find your own exclusive field, and then use it as a pathfinder to find your own community. Don't try to cater to every community to combat loneliness, too many choices equals no choices.

"Three fat people, do you just clean every day? ”

"yes. ”

"What a place this is. ”

"This is home. ”

"I mean, what's going on here, what are these things?"

"Oh, this is a museum. ”

"What a museum? ”

"You're stupid. ”

The three fat men seemed to be very proud, he was holding a rag-like thing in his hand, and he was wiping something against the wall.

"There are a lot of museums, I mean, military museums, or what?"

"Here...... Anyway, this is a museum, and there's everything here. ”

"Oh, there's everything, anyway, there's something to eat. ”

"Food, of course there's food here!"

The three fat men were excitedly carrying Wang Jian through the corridors, and after walking through those places, they could see that the walls and floors here looked old and dilapidated, but they seemed to be metal?

That is, iron.

Wang Jian didn't know.

However, after coming to the place where the three fat men were leading, Wang Jian felt a strange sense of déjà vu here.

What kind of place is this?

There are still some familiar and strange ones.

However, it is strange that the people here actually speak Chinese, of course, at least the villagers.

And the food that the three fat men took out also shocked Wang Jian.

Travel through time and space to the so-called space debris.

These fragments, some of them large, can be several galaxies, or they can be very small boxes, and it is not surprising to say that what appears in them.

The White Emperor suddenly appeared, revealing his head, although disgusting, but he did not jump out of the White Emperor's "personality", no matter how you look at this thing, it is a typical tyrannical king.

does not violate the harmony, does not jump against the person, the performance of the White Emperor is not pretentious, and he performs a madman very well.

In these years, the villain is not easy.

Therefore, what Wang Jian was really shocked was the drink that the three fat men gave him.

Coke.

Black, bubbling, with a lot of gas and pulling and pulling, cola.

Wang Jian was speechless at first, but then he was very surprised.

This means, at the very least, that the people here are from the earth.

That's a good thing, at least it means you can communicate.

But the worst thing is that these "fellows" don't have a way home, otherwise, they won't leave a child behind.

Well, in fact, the three fat people look like they are also thirty or forty years old, but they are very naïve when no one has been in contact with them all year round.

So, why did the people end up here, and what is it, how did they get into this space debris, and why is it called a museum?

Of course, Wang Jian still chose to eat.

I saw that after the three fat men operated, they waited for a while, and took out a lot of food from a grid.

Fried chicken!

Wang Jian still doesn't understand, why there is a machine here that can make this fried chicken, look at the fat figure of the three fat people, it seems that if he has an understanding, if he eats this thing every day, can he not be fat.

Still, in a certain sense of caution, he took only one bite and quietly put it away in his pocket, ready to eat it later.

For this, the three fat people don't care at all.

"Thank you, do you have anything else here, like an office, a safe, or something. ”

There is a high probability that there is no one here, and even if there is, it is estimated that it is not there.

Because there are only traces of the life of the three fat people back and forth here.

There should actually be a lot of seats here, similar to a canteen, of course, many places, it seems that they have been experienced for many years, and even the canteen experienced by Wang Jian is almost the same.

I don't see much of it either.

Is this a research institute somewhere? Because of the death of a researcher, the entire research institute was moved here?

This is the most reasonable and probable thing, and other than that, Wang Jian can't think of any other reason.

Spells are varied, and it's really not something that a beginner can speculate, of course, if you go back and ask, has a certain research institute disappeared directly because of a certain experiment, or for reasons that you don't know, and this disappearance is also accompanied by the existence of men and women......

The reason is very simple, the three fat men obviously did not receive any formal school education, and Wang Jian could only guess that he was born in this space after the accident changed.

This explains a lot of things.

Of course, this is an afterthought, and Wang Jian is also very skeptical, from the public information, you can ask about its general information.

Is this a museum?

Witness to history: The public welfare of the museum determines that the museum should provide exhibitions to the public, and show some of the museum's precious collections to the public, in fact, these collections belong to the national cultural relics, and they carry all the history of China's development in the past 5,000 years.

Guidance for young people in education: This guidance includes many aspects, such as the guidance of traditional culture and the guidance of public welfare of museums, which in my opinion is an increasing responsibility of museums. Especially in recent years, because the development of the museum itself has also undergone a process of change from the trough to the climax since the eighties. Then gradually, the prosperity of our country's economy has also led to the development of culture, which is reflected in the fact that our cultural industry has obtained more development opportunities, and on the other hand, the pursuit of cultural life and spiritual level by our people is getting higher and higher, so it has also posed a lot of challenges to museums. I think this is also a reminder that many museum people should no longer use their usual thinking to consider the future development of museums, but should combine the current new situation to make a new positioning, including the planning for future development, including what he promotes, including how to make an exhibition, what is required should not only be to display the collection of a museum, I think it should be more about the stories behind it, the effects that can be brought to the audience, and the social family.

A museum is an institution, building, place or social public institution that collects, collects, exhibits and studies physical objects that represent natural and human cultural heritage, classifies those objects of scientific, historical or artistic value, and provides the public with knowledge, education and appreciation of cultural education. To put it simply, it has to have a collection function, a display function, and an educational function.

For example, the temple itself does not have a collection function, but when it was built, it naturally collected some architectural and cultural elements, such as murals, sculptures, stone carvings and wood carvings, relics of high monks, treasure letters, scriptures, famous calligraphy (plaques), ancient paintings, etc., because of the attraction of the environment, these continue to accumulate in the historical process (in contemporary times may also be gathered and collected). Similar to Hohhot's Dazhao Temple, Lingyin Temple, the four major grottoes, etc., open and the government invested in these places, built into a new concept of museums, to show the public China's cultural elements, proverbs, etiquette, etc., the idea is very good, but it does not work.

If you can call the place where you live and the place you have traveled through and brought over a museum, the size and thickness of this place are not simple.

Of course, the most important thing is that there is a sudden sense of history.

Art is vast enough to occupy one person. Art is enough for a person to know the preciousness of life, enough to face death calmly. To talk about art is to save yourself. Every museum is the best part of art and history. Every museum is a huge, three-dimensional, and vivid book, which profoundly reflects the historical heritage and cultural connotation of a certain region, a certain era, and a certain field. The French thinker Alexis de Tocqueville said, "When the past no longer illuminates the future, the human heart will wander in darkness." "History is a witness to the rise and fall of a nation, and cultural relics are the carrier of history, recording the most brilliant chapter of human civilization.

We want a better education that we can't learn from books in the classroom. For example, an excellent museum docent will have a certain degree of adaptability and expression ability, and explain to audiences of different ages, different classes, and different visiting purposes. In this process, we have learned a lot of professional knowledge, and the best way to obtain this part of professional knowledge is to obtain it from the people who have mastered this professional knowledge. For example, a relatively complete museum will provide a place for communication, in which you can communicate with people who have common interests with you, and in the process of communication, you can collide with new sparks and master more abilities. At the moment, we may not be able to feel this very well, or we may go to the museum with such a purpose, but what we get is not what we expected. As for the reason, I think that at present, China's museums are in the beginning of the development period, and education has only begun to pay attention to it (in the past, the function of China's museums was more focused on the protection of cultural relics), and the transfer of knowledge is often one-way, so we often feel that I only get knowledge when I come to museums and I browse this knowledge on the Internet, and the harvest is the same. But in the future, including now, there are many high-quality museums where you can get some knowledge that you can't access online. For example, some high-quality museums will help you "see" these exhibits and "touch" these products more intuitively.

In cities and countries where museums are well developed, people go to museums for a kind of entertainment. You may not imagine that in some developed countries, museums can even be a date spot for couples. At this point, Chinese museums are also trying to make some attempts. Anyone who has been to a museum related to ceramics should find that many of these museums have handmade items. Combined with the exhibition, interactive areas such as craft production rooms are set up, and you can feel the influence of history and culture, and you can also get the satisfaction of leisure and entertainment through handmade projects. This involves the management and marketing of museum-related industries.

Taking history as a mirror, we can know the rise and fall. The world is so big, you can't see it all if you want to, and in the fast-paced life, travel is often reduced to a sightseeing experience, and you can stay in one place for a short time, but it is difficult to understand it deeply. And a museum is such a best place where you can get to know a place in a short period of time. In the museum, you can not only learn about the local historical changes, historical sites and attractions, but also experience the life of local residents, integrate into the local culture and life, and understand the rise and prosperity of this place. Savor the culture. If you live in one place for a long time, then you should also visit museums more often, maybe you can see the traces of history in the small details of an exhibit, so that you can understand the land under your feet more and be more fascinated. Museums tend to be very large, which confirms their name "museums", so if you have time, you should really visit for a long time, and some things will have to stay for a long time to appreciate them. Three-dimensional knowledge teaching. The knowledge in books is often abstract and difficult to remember, but when you arrive at the museum, follow the explanation of the docent, your thoughts can span thousands of years, and with the resonance of the wisdom of the ancients, touching the relief on the wall may really make you taste the artistic conception. Taking the Nanjing Imperial Examination Museum as an example, the museum built on the original site of the Jiangnan Gongyuan carefully stores the relevant historical materials and anecdotes of the imperial examination, and restores the mood and experience of the candidates, which is much more vivid than the vivid image learned in the history books of junior high school, and on the basis of helping to study the history of the imperial examination, it also has a profound impact on today's education and learning.

People go to museums to learn about the world. The educational experience in a museum is very different from reading or studying. In the museum, the learning experience is immediate and shocking. Reading books may seem uninteresting to primitive history, but people who see the skeletons of huge dinosaurs are terrifying. Reading a history book about the Nanjing Massacre is frightening, sad, and abstract, but a kind of travel memorial in Nanjing is an experience that brings tears to the eyes of many students. Museums, which can bring other distant and secular educational experiences to life.

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