Jester didn't think about whether the Japanese would like this hard-core sci-fi style, because at the moment, Japan is not his main battlefield, and even in other words, it is difficult for conservative Japanese people to make it their main battlefield.

At the beginning, in order to open up the Japanese market, Microsoft invited Naru Toriyama, Hironobu Sakaguchi, and Heroes of the Racecourse to join forces to produce "Blue Dragon" with a few outstanding figures in the RPG game industry, and the content is not in line with the aesthetics of the Japanese, but the ending is still tragic, and the sales of more than 100,000 copies are not even enough to recover a fraction of the investment.

Of course, this is due to the lack of influence of XBOX360 at the time, but it can still be seen that the Japanese are conservative in Japanese games.

Nintendo's ability to survive until Jester was reborn, and even to have a good time, is a great contribution to these diehards in Japan.

On the paper, all the places that need to be modified in "Heavy Loader" are listed.,Basically, in addition to the system that can freely assemble your own mecha and combat vehicles.,And a variety of wanted mission systems that are not related to the main story are worth keeping.,Most of the others.,Need to re-make zuò,Of course,There is also the gambling system of the gambling machine in the tavern is also worth keeping.,This setting is very compatible with the game theme of the post-apocalyptic futuristic sci-fi style.。

The first is the plot.,Now it's not the game age when amateurs can also casually participate in the creation of the plot.,Jester himself knows what he does.,It's not what I'm good at.,But the last thing the United States lacks is science fiction writers.,Reduce the spiritual connotation of the table.,Active fighting science fiction and setting,It's not difficult to think about it.。

The style of painting naturally needs to be a tougher style of painting.,It's not the difference between Japanese and American.,For example, K Society,It's a Japanese game company.,But the painting style is very tough.,So their games are also very popular with Americans.,In the time and space before Jester's rebirth.,Maybe K Society is the most popular game company among Americans in this era except for Nintendo.。

I remember when Jester first watched a video of JAMES, in this video, JAMES introduced "Contra", and his evaluation of "Contra" is basically that no American boy of his age has not played this game, and you can see the influence of K Society in the United States at that time.

Of course, K Society's "Contra" and "Saloman" are games that are very pleasing to Americans, and they don't sell very well in Japan.

Therefore, in terms of painting style, Jester also requires that he be as American as possible, or as tough as possible, which can be said to be the biggest difference from "Heavy Loader", and the change of plot and painting style can also fundamentally determine that this new RPG that Jester is going to make zuò will be completely different from the one in his mind.

Then there's the issue of the soundtrack.

Jester is not an expert in this area, but he is very satisfied with the original soundtrack of "Heavy Loader", but he has been in contact with Satoshi Kadokura before, and the other party is not willing to work for him, and forcing the other party to score may not have any good results, after all, for a composer, the effect that active and passive can produce is completely different.

Moreover, in Jester's eyes, after being modified by him, the style of "Heavy Equipment" may need to change dramatically, at least in the simulation in his own mind, the new "Heavy Equipment" needs a soundtrack that may have a faster tempo, a more explosive melody, and a sense of apocalyptic ruins, desert yellow sand, or other kinds of things through guò music.

Hu Weili's soundtrack Chinese style is too strong, it is obvious in the fire emblem, in some places where the rhythm is soothing and brisk, his style has a miraculous effect, but in the tense battle, or Nobuo Uematsu is better, but Nobuo Uematsu is very good at the music shaping of cold weapon battles, and he is more good at the ethereal and elegant beauty of the music, and in this game, Jester needs a soundtrack to show the explosive power of music, the tension of destructive power, Let the music expand, not be restrained.

None of these styles of soundtracks are what Hu Weili or Nobuo Uematsu are good at.

When choosing this candidate, Jester remembered someone, and he took the initiative to let people investigate, not for his game soundtrack, but because of his "Avengers" movie, although his idea of establishing a film and television company dedicated to developing game rights has not yet been put into practice, but the preliminary work on the "Avengers" movie that was negotiated with MGM has begun in full swing.

In terms of selecting preliminary staff, Jester still trusts a professional film company like MGM very much, except for the fact that he suddenly remembered a soundtrack master he liked very much before he was reborn, and he should not have become famous at this time, the selection of other staff members is basically the responsibility of the other party.

Jester had in mind that the future master of film scoring was Hans. At the end of the season, the author of the soundtrack for "Call of Duty 6", and also one of the best and best soundtracks in the "Call of Duty" series, of course, this is not his best work, his classic works are simply countless in the eyes of any music lover in later generations, and it is undoubted that he was the best soundtrack artist in Hollywood at the time.

Of course, now Hans. At the end of the season, he was just a young man who was not yet thirty years old, although he also mixed in the film industry to do some soundtrack work for some works, but only as a deputy, at this time, he was not qualified to play an independent soundtrack for a film alone.

This is what Jester saw from the information sheet he had obtained from someone not long ago, and he had wanted to find time to contact Hans. At the end of the season, he wanted the other party to be the soundtrack of "The Avengers", and in Jester's eyes, Hans's explosive and destructive music style at the end of the season was very suitable for this movie.

However, because it has been too slow lately, he didn't contact the other party immediately, and now that he thought of "Heavy Loader" and found that his soundtrack couldn't control the style of music he needed well, he suddenly remembered Hans. End of the quarter.

As for whether the other party would agree to this, Jester was not too worried, because he was extremely aware of the opportunity to play the independent soundtrack. What does this little-known soundtrack at the end of the season represent, as an ambitious soundtrack, as long as you connect with each other, compared to Hans. The end of the season will not and cannot be refused.

So, thinking of this, Jester looked at the time, it was not too late, it should be too late, so he picked up the phone and made a call to the company's person in charge of outreach, asking them to contact Lily's backyard recording studio in California, he wanted to make an appointment with Hans. End of the quarter.

Lily's backyard recording studio is Hans. Season end with Stanley. A small studio founded by Myers in London was able to contact them in California because the soundtrack of a work they participated in was shortlisted for a small film award, and Hans, who was selected for the first time for a film award. At the end of the season, I was very excited, and I represented Lily's backyard recording studio to participate in the awards.

So this period of time Hans. The end of the season is in Los Angeles, which is also what Jester wrote on the information about the other party that he got before, and there is even the phone number of the other party's residence, and the phone number was announced by the other party on his own initiative. At the end of the season, of course, I hope to get a job as a soundtrack in Los Angeles.

Get in touch with Hans. At the end of the season, it was almost effortless, and when he heard that someone wanted to ask him to score a big production of zuò, he was almost overjoyed, and without saying a word, he agreed to meet him for the evening.

The venue was in a French restaurant, and when Jester arrived, he had already seen Hans, who had already arrived for an unknown amount of time, dressed in an extremely formal manner. End of the quarter.

Now Hans. At the end of the season, he was only twenty-seven years old, with blonde hair, and he looked quite handsome, not at all as old as Jester looked at his pictures later. At the end of the season, he also knew that it was Jester who was looking for him, and he had also heard of the young man who was known as the youngest billionaire in the United States, but when he first saw Jester's appearance, he was still a little amazed at the other party's youth.

The talk about the youngest billionaire in the United States has long been in the world, and Jester even heard that this year's Forbes magazine is preparing to publish the world's richest list in an issue at the end of the year, which is also the first time Forbes has done this kind of list, and Jester has heard of the Forbes rich list in the previous life, but he obviously didn't expect that he would have the opportunity to be on the list - this is basically a fixed number, and Forbes has spread such news before.

With Hans. After shaking hands at the end of the season, the two sat down.

Jester doesn't need to investigate Hans either. Whether he can do the soundtrack job at the end of the season, if he can't do it, then there may not be a second person who can do this kind of work, and it is also a genre that he is very good at, when Jester briefly told him about the content of "The Avengers" and the general investment amount and MGM, especially after telling him to allow him to score the film independently, Hans. At the end of the season, he was so excited that he almost picked up Jester and kissed him.

But considering Jester's identity, Hans. The end of the season can only be stopped.

After these conversations, Jester talked to the other party about the soundtrack of "Heavy Equipment", and the reason why he did this was because Jester felt like Hans. Someone as ambitious as Season End may not be very interested in giving a game soundtrack, but Unexpectedly, Jester only mentioned it slightly, and Hans agreed to it without saying a word.

Of course, it's unclear whether he really thinks it's a good job to score a game, or if it's just a way to reward Jester for giving him an independent soundtrack for The Avengers.

In short, it didn't take much effort for the soundtrack of Jester's version of "Heavy Loader" to have its choice - Hans. End of the quarter. R1152