Eleven Niang's concern and sympathy for Shi Niang is very obvious, whether it is the first aid at the emergency moment or the worry about her when she hears the news of Shi Niang on weekdays, it is by no means a general high pity; She has no hostility towards Qiao Lianfang, the preset enemy given to her by Yuan Niang, after understanding Qiao's love, what arises in her heart is true sympathy, and she has a lot of care in life. One of these two people has a big holiday with Eleven Niang, the other has a conflict of interest, and they both have problems, so this kind of pity is regarded by many people as an incomprehensible virgin, and it is incomprehensible to be stupid. Is it true that Eleven Niang can't distinguish between interests and enmity and goes to mess with the Virgin? I think it's far from it. Her pity for these two characters, who were generally accused and insulted under the feudal concept, truly embodies the mind and modern concept of the crossing woman.

Let's talk about the relatively simple Qiao Lianfang first, at first Eleven Niang thought that she was in a hurry to get into the trap of Yuan Niang, and she only had a general pity for Qiao, pity her unfortunate future as a concubine. But when she realized Qiao Lianfang's fierce love for Xu Lingyi, she was truly moved by compassion. Because in the eyes of a modern person, there is nothing wrong with pursuing love in itself. Ironically, the object of love Xu Lingyi saw Qiao's unruly and shameless teaching, and the biggest rival in love, Shi Niang, saw the courage of this ancient girl to take risks for love and the tragic price she paid for love. "It is not easy to know that you are affectionate", this kind of sympathy is the most gentle nature of women, even if they will become enemies in the future. Aunt Qin's groveling could not make Eleven Niang proud, and Aunt Wen's flattery could not make Eleven Niang happy, she had a headache for these two people. And Qiao Lianfang's untimely arrogance and rudeness will offend any feudal lady, but it does not include Eleven Niang, who also preserves the concept of equality of modern people. She understands Qiao Lianfang's pain of trying to maintain her self-esteem after falling into a lowly position, and she also pities her uncompromising innocence. She is not a feudal woman who completely accepts the system of wives and concubines and the concept of hierarchy, and does not think that a person should give up pride for granted because of a change in status. She herself crossed into a concubine and was forced to live a cautious and forbearant life, but she never thought she was humble in her heart.

Eleven Niang likes to be honest more than hypocritical, because she understands that people should have the right to express their true likes and dislikes.

In the same way, you can understand her feelings for Shi Niang. Behind Shi Niang's various fierce behaviors is a strong self-esteem, if she does not admit that she was born as a concubine, she is inferior to others, she must flatter and please the eldest wife, and she must live a trembling life - this is completely Shi Niang's own concept, our concept as modern people, but she knows that acting according to this concept is not in her own interests, so she did not show it. The difference between the eleventh mother and the tenth mother is a difference in strategy, not a difference in fundamental concepts. She will never feel from the heart that Shi Niang is rebellious like the eldest lady, and all kinds of tossing are hateful and should die, on the contrary, she can see the legitimacy of Shi Niang's resistance, because the dignity that Shi Niang wants is also what she wants. The deeper Shi Niang hid her true self, the more depressed she became, looking at Shi Niang's flamboyant resistance was not without a kind of pleasure, and the fierce fire of youth was also burning for Shi Niang. So although she has a big holiday with Shi Niang, she is usually like an enemy, and she will not sacrifice herself to do anything for her, but in her heart she hopes that she can be happy. This kind of identity, Wu Niang, who is also a concubine, will not have, although they belong to the same class, but they do not have a common concept.

Shi Niang has a very serious problem in her character, which is very true in Squeak. Shi Niang is certainly not a pioneer in human rights, and her thirst for dignity is not out of a mature concept of equality like Shi Niang, but out of a kind of pride and fierceness in nature. Her mother was a flamboyant woman, and she was pampered during her childhood in Fujian, enjoying a kind of respect that no other concubine had experienced, and after entering Luofu, she lost all of this, and it was difficult for any child to accept this transformation. The violent side of her character was stimulated, and in the end, because of the big mistake she made to Eleven Niang, her mother was found by the eldest lady to find an excuse to be imprisoned for life, did she hate herself because of it? In short, she has since lost the only person who truly taught her, and can only let her extreme and violent temperament develop. She herself longs for respect, but she doesn't know how to respect others like Eleven Niang, on the contrary, in this overwhelming pride, she is blindly hostile to the whole world, because the oppression she feels is originally holistic. There is no modern concept to guide her to understand her pride, and there is no close elders to teach her how to reconcile with the world, especially when her mother commits suicide in the end, what can she have left in her heart but hatred for the world? That's all she can do. Once Dongjun hoped that Shi Niang would have a deep city government and be able to complete her revenge with a strategy and a plan, but in fact Shi Niang could not do so, she chose only to commit suicide sadly. Such a Shi Niang is more real, she is not a strong mature person, but a girl who listens to her fierce nature to guide her to destruction. When this flame of life like a summer flower is about to be extinguished, although she knows all her shortcomings, Shi Niang's heart is full of regret, and she doesn't care about being hated by her, what is so incomprehensible?

Judging the situation, seeking advantages and avoiding disadvantages, hypocritical compromises, and acting for the maximum benefit, what is new about these things? This is true both ancient and modern. The pursuit of dignity, the pursuit of happiness, the pursuit of love, regardless of etiquette, regardless of their own origin, regardless of the social reality in which they live, although the process of pursuit seems stupid or violent or even hurts others, and in the end only gets tragedy, but this rebellion itself is something that can resonate with the traveler Eleven Niang across thousands of years of time and belongs to modern and beautiful human nature. The pity that Eleven Niang felt for these two girls over their shortcomings was the most shining side of her true self that she had wronged for too long and hidden too deeply. People's feelings for others should not only be out of their own interests or enmity, we also have a bigger and deeper self, as well as the feelings of women for women, and as human feelings for all people. If there is no such "Virgin" feeling, everything is only about self-interest to fight, how beautiful and noble is human nature.

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