Chapter Seventy-Five: Welcoming the Bride (2)
After passing the second level, I came to the courtyard behind the front hall.
This is also where the third level is located.
Zhou Jielun looked up, and there was only a large guqin in the four courtyards.
The third level is to test the piano skills of the new son-in-law.
After everyone's eyes looked at the guqin, the old man sitting in front of the guqin played the strings.
An elegant piano sound was sent into Jay Chou's ears.
"Sunshine three stacks!" Zhou Jielun couldn't help but shout.
In this other world, he can hear the ancient Chinese song "Sunshine Three Stacks", which makes Jay Chou can't help but be full of nostalgia.
Yangguan Sandi is a qin song based on the poem "Sending Yuan Er Envoy Anxi" by the Chinese Tang Dynasty poet Wang Wei (699-759).
Chen Tao, a poet at the end of the Tang Dynasty, once wrote a poem saying: "The song is the third time in "Yizhou", singing the words of the right Cheng's expedition. It shows that it has a certain connection with the Tang Dynasty Daqu.
Later, it was composed into qin songs, and has been passed down in the form of qin songs to this day. Wang Wei's poem was written to send a friend to serve outside the border:
"Weicheng is light and dusty in the rain, and the guest house is green and willow-colored; Persuade you to have a glass of wine, and there is no reason to go out of Yangguan in the west. “
After composing the music, some words and phrases were added to strengthen the mood of regret.
According to the biography of "Introduction to Qin Learning" (1864) compiled by Zhang He in the Qing Dynasty, the whole piece is divided into three sections, basically using a tune to change and repeat, and sing it three times, so it is called "three stacks".
Each stack is divided into a stack and adds the sentence "Qinghe Festival is spring" as an introductory sentence, and the rest are used in Wang Wei's original poem. The latter part is a new lyric, which is different from each stack.
Musically, the latter section is a bit of a chorus-like nature.
The tone of this song is simple and passionate, especially the octave jump in the latter part of the song "Wandering, Wandering" and other places, and the continuous and repeated presentation of "Hardships and Hardships", etc., which fully express the author's sincere feelings of infinite care and nostalgia for his friends who are about to travel far away.
After the beginning of the piano song, next to the old man playing the piano, a middle-aged man in his forties raised his voice and immediately attracted everyone's attention.
Initial stacking
In the spring of the Qinghe Festival, the rain in Weicheng is light, and the guest house is green and willow-colored.
Persuade you to have a glass of wine, and there is no reason to go out of Yangguan in the west.
Frost night and frost morning, long distance over the city.
Sorrowful service, hard work, hard work, hard work, should be cherished, should be cherished.
Stacks
Weicheng is light and dusty towards the rain, and the guest house is green and willow-colored.
Persuade you to have a cup, and there is no one in Yangguan in the west.
I can't bear to leave, and I dripping with a towel.
There is no complementarity. Feelings, feelings, Sijun twelve hours.
Whoever is caused, who is caused, who can be caused. Richi God.
Triplex
Weicheng is light and dusty towards the rain, and the guest house is green and willow-colored.
Persuade you to have a glass of wine, and there is no reason to go out of Yangguan in the west.
The fragrance is everywhere, the wine is the wine, and the heart is mellow before drinking.
Ride the gallop, carry the gallop, what day to say the Xuan Xuan.
I can make a few more rounds. There are thousands of patrols, and it is difficult to find an inch.
Infinite sadness, Chutian Xiangshui is isolated, and the early stage is to support the scales.
Ruler Sushen, ruler Sushen, ruler Su Pinshen, such as blind date, such as blind date.
Kunkun, who was listening to the music in the boudoir, couldn't help but shed tears.
However, this "send-off song" is only nostalgic for her.
She got married on this trip, and she is not "a person without a reason in Yangguan in the west".
Instead, "I will go to the Zhou family to become a wife, and I will be the king, and you will be the minister." ”
You must have this kind of courage in order to cut down countless watchers.
The song is over, and the aftermath lingers.
Everyone was immersed in the music and couldn't extricate themselves.
The old man who played the piano stood up and made a gesture of invitation to Zhou Jielun.
Jay Chou knows that to pass this hurdle, he must do his best.
Otherwise, you will be defeated and leave, and there will be no one in Yangguan in the west.
After discussing with Ling'er, Zhou Jielun came to the guqin.
Hug your fists around: "Since Mr. sang 'Yangguan Three Stacks' first, in order to complement each other, I will come to a song "Plum Blossom Three Alleys". ”
Everyone stared at each other, "Plum Blossom Three Alleys" had never heard of it.
Could it be that Jay Chou made a three-lane in order to correspond to the three stacks?
It's no wonder that everyone is making a fuss, "Plum Blossom Three Alleys" is a famous song of the earth, and people in the Shenfeng Continent will not hear it in their dreams.
Guqin song "Plum Blossom Three Alleys" is also known as "Plum Blossom Introduction", "Plum Blossom Song", and "Jade Concubine Introduction". As early as the Tang Dynasty on earth, it was widely spread among the people.
The whole song of "Three Alleys of Plum Blossoms" shows the noble character of the snow-white fragrance of plum blossoms and the frost and snow, and is a guqin song full of the taste of ancient Chinese scholars.
"Dead Wood Zen Qin Score" says: "The music is quiet, the syllables are pleasant, and a kind of solitary height appears under the fingers; ”
The guqin song "Three Alleys of Plum Blossoms" plays the main key in an overtone, and repeats the same tune three times on different emblems with the same tune, so it is called "Three Alleys".
There is a solution in the volume 30 flat tune and the 33rd clear tune in the volume of the Yuefu Poetry Collection, mentioning that in the performance of Xianghe three-tone instrumental music, the flute is used as the technique of "lower sound lane, high lane, and playing".
After Jay Chou sat down, he touched the body with his fingers. Then I started playing.
Under Jay Chou's fingers, the introduction of the song "Three Alleys of Plum Blossoms" entered everyone's ears.
The music is intimate and beautiful, and the rhythm has a contrast of smoothness and soothing and ups and downs, which concisely summarizes the basic characteristics of the whole piece.
The first section is the melody of the guqin in the low register, cold and solemn, composing a picture of frosty morning and snowy night, withering plants and trees, and only plum blossoms quietly open.
The first 12 measures are characterized by a melody of ascending and descending intervals of fifths and sixths, combined with a steady and powerful rhythm, rich in solemn colors, as if it were a tribute to plum blossoms.
The last fourteen measures are mostly repeated with homophonies. The use of dotted rhythms gives the melody a lot of momentum, as if the plum blossoms are gently swaying in the breeze.
This is followed by the first reenactment of the musical theme of the piece. This beautiful and smooth tune appears three times in this part of the music, showing the artistic conception of "the wind swings the plum blossoms, and the jade dances turn silver".
It seems to make people see that the budding stamens are swaying in the wind and full of vitality.
The three occurrences of the main theme of the song "Three Alleys of Plum Blossoms" are all played with clear and transparent overtones. This tune is played on different emblems, and its overtone color also has subtle changes, and it has a very delicate musical conception.
The second part uses a series of rapid rhythms and erratic notes to express turbulent vitality, setting off the image of plum blossoms standing proudly.
This melody forms a strong contrast with the overtone tune in tone and beat, and continuously uses the flexible technique of octave jumping, so that the melody line rises and falls, one after another, combined with the use of strong "rolling" technique in the performance, so that the music shows a kind of artistic conception of wind and clouds, highlighting the portrayal of the resolute image of plum blossoms fighting in the wind and snow, and pushing the whole piece to a climax in the tense emotional performance.
The music at the end gradually stabilizes, and the lingering notes continue to drift out.
It uses the key genus to transition from the downward tone to the main note, and then ends steadily, as if after experiencing the test of wind and snow, everything is calm again, and the plum blossom still spreads its quiet fragrance to the world.
The music is like an old wine, which makes all the listeners intoxicated.
There is also Jay Chou's bright voice, which makes this old wine more mellow.
Hongchen has its own infatuators
Mo Xiao's infatuation is too crazy
If it weren't for a cold bone
That's the smell of plum blossoms
Ask what the world is like
Only teach people to promise life and death
Look at how many stories there are in the world
The most soul-destroying plum blossom three lanes
(White:)
"Plum blossoms break people's intestines"
"Plum blossom two lanes to think about"
"Plum blossom three lanes are in turmoil"
"The water is vast in the depths of the clouds"
(Song:)
Hongchen has its own infatuators
Mo Xiao's infatuation is too crazy
If it weren't for a cold bone
That's the smell of plum blossoms
Ask what the world is like
Only teach people to promise life and death
Look at how many stories there are in the world
The most soul-destroying plum blossom three lanes
Ask what the world is like
Only teach people to promise life and death
Look at how many stories there are in the world
The most soul-destroying plum blossom three lanes