At the beginning, it was the two Lang Huan seals at the highest level that were condensing and extending, and then, in the process of coming from nothing to something, from virtual to real, the seal pattern itself was gradually deformed.

But from beginning to end, regardless of how the pattern of the iron painting silver hook itself changes, it can teach Chu Weiyang to truly gain insight into the essence of the word "Sumeru".

Furthermore, when these two seals completely touch the boundary between shape and quality in the process of extension, it is also when these two seals overlap the spreading lines one after another in an unprecedentedly smooth way, and connect them together in a smooth way.

Suddenly, it was as if the meaning of the twofold form and the qualitative change overlapped, which in turn led to a certain transformation and sublimation at the level of Taoism.

In the other way, on another level and angle, it belongs to the changes of the highest level of Taoism, and belongs to the essence of the essence of Taoism.

And it was in this process that the last Huanghuang Dao sound was completely mixed and mixed together.

At this moment, not only the different voices of men, women and children who were pronounced in Vientiane were mixed, but also the jade sound of the majestic bells, drums and chimes was mixed in this Vientiane sound, which resounded in Chu Weiyang's mind together, and the Taoist was able to extend it, and at the same time master the complete "Daoshu Rain" scripture from it, but also master the natural sound in it.

Those jade-materialized ancient and modern demon spirits are originally from the rubbing of the will of heaven from the years.

And at this moment, the Purple Golden Toad Palace was born from Chu Weiyang's Jiang Palace ventricle in an unprecedentedly smooth way, or more accurately, the ventricle was replaced.

Chu Weiyang also quickly broke away from his initial feeling of the rain in Sumeru.

In fact, perhaps because the realm of enlightenment is far more mysterious than in the past, for Chu Weiyang, compared to the past, he is not waiting for such a scripture after waiting for a long time, for Chu Weiyang, he is really participating in the ancient and modern dialectics with all his mind.

With a familiar attitude, he truly witnessed the process of the birth of this Taoist art from scratch.

For Chu Weiyang, the realization itself is actually the most insignificant final "inspection" process, and the part that really concerns the mysteries of the Dao has already been mastered by Chu Weiyang in the process of the sound of the brilliant Dao sound, and has been deeply cultivated into the essence of the roots.

At this moment, compared to the rain of Sumeru itself, compared to the change of the purple gold toad palace prostrate in the ventricles, Chu Weiyang actually cared more about the end of the puja on the Yujing Mountain.

In the final analysis, the process of the opening and ending of this Dharma meeting is just the opening of the realm of enlightenment and the manifestation of the end, and the change in the place where the celestial beings of Vientiane stand is just the rotation between constancy and change on the level of Chu Weiyang's Dao and the Dharma.

But this time, after all, it was different from the past, the integration and performance of "Dao Technique and Wind" made the Yujing Mountain Festival have a lot of changes, and Chu Weiyang also hoped that at the end of the Festival, he would also have insight into more changes themselves.

And it was at the moment when Chu Weiyang raised his head and looked at it.

When the Taoist scriptures were harvested, with the smashing of the last brilliant sound, it also announced the end of the entire Yujing Mountain Festival, but it was also in this moment, when the bodies of the celestial beings in Vientiane moved, and they were about to embark on the ethereal cloud road, but in fact, they had not really left Yujing Mountain in an instant.

At the top of the mountain, under the fruit tree of Li Shentong in Huangzhong, in an instant, the Zhou Zi Faxiang raised his hand again.

"The wind—"

In an instant, with another Sumeru wind gently sweeping through the huge Yujing Mountain, between this lightning and stone fire, there was the passage of time, and there was a flash of momentary freeze.

And in this frozen moment, in the Lingfu Cave, on the top of Langxiao Mountain, under the peach fruit tree, Dao Hengzi Faxiang also raised his hand, looked at the direction of the nine heavens in the interior from afar, and pushed the palm of Taiyi Jade Emperor Heavenly Commander far away.

"Rain—"

In an instant, the rain fell, and in that flash of time, if the rain poured, it was sprinkled on the entire Taiyi Jade Emperor and the entire Yujing Mountain.

And in this majestic Sumeru rain, every drop of rain is actually a small but complete Sumeru power in turn.

A drop of rain is a realm of mustard seeds and Sumeru.

And suddenly, with the torrential rain sprinkled in the Yujing Mountain, the misty rain and mist steamed up in an instant, while enveloping the huge Yujing Mountain, while steaming upward, leading to the light wind, blowing straight and connecting the clouds and mist in the sky.

And what is also coherent in this is the majestic charm that belongs to the Yujing Mountain Festival, and the providence that clearly belongs to the established heaven and earth before it can be wandered and brewed.

The true essence of true creation seems to be accompanied by the rain of Sumeru, and the true essence is intercepted at this moment.

Almost instantly, in the Jade Emperor Heaven of Natai, the sky was about to disperse, and the mysterious aura that belonged to the Dharma and the Enlightenment Realm that was completely eliminated in the invisible was contained by the power of Sumeru in the rain and mist.

Also changing with the transpiration of rain and fog is the entire Taiyi Jade Emperor Heaven and the entire huge Yujing Mountain.

At this moment, it seems that there is an infinite cave heaven born from Yujing Mountain in a way that is both virtual and real, and every craggy mountain rock, under the shadow of the grass and trees, is an extension of the Sumeru Cave Heaven, and it is in the moment when these Sumeru Cave Heavens are opened.

In the process, the afterglow of the festival was contained, and all of them poured into the cave of the realms with the rain and mist itself, followed by clouds and mist that scattered with colorful glow.

With the charm of Vientiane as the origin of the cave, the palace attic is condensed with layers of clouds and mist.

When I looked at it again in an instant, in the time of this breath freeze, the strange gods who were not counted jade materialized were all wrapped in the supreme majestic Taoist charm and glow of different differences, walked into the Sumeru Cave Sky, and sat in the cloud palace fog hall, and suddenly accompanied by the convergence of the glow and charm, and when I looked at it again, it was really no different from the jade carving and jade sculpture.

Then, in the next flash, with the successive establishment of such "Sumeru temples", along with those majestic charms and glows condensed towards the figure of the jade carving and jade sculpture, in an instant, even the reflection of the Sumeru glow itself was also refined.

And in this process, the rain of Sumeru in the sky carried all the charm, rain and fog, and clouds that could be entangled, and all of them frantically poured into the temples of Sumeru.

In the next moment, when the wind of time gently stirred between heaven and earth again, when I looked at it again, the rain of Sumeru in the sky completely disappeared, and at first glance, it seemed that the surging scene just now was all an illusion.

And in the same way, it seems that the dream bubble seems to have disappeared, and there are also Sumeru temples that are also standing in the rotation of the virtual and the real, at this moment, the cloud palace fog hall wrapped inside, and the jade sculpture that carries the charm of Taoism, all of them are integrated into the virtual and real, and they are integrated with Yujing Mountain.

So, at first glance, the mountains, rocks, grass and trees were still as usual, but Chu Weiyang could truly realize that everything had completely changed at this moment.

This means that a part of the Yujing Mountain Puja was intercepted at the level of facts, along with the fall of Sumeru's power, and in the form of a Sumeru temple, it became a part of Yujing Mountain, and became a permanent part of Chu Weiyang's Taoism.

This means that the Dao charm of those sages and demons that have been rubbed out in the years has also become part of Chu Weiyang's Dao essence at this moment, and has been completely fished out of the years and anchored in the dojo!

Of course, such changes are not truly perfect.

Soon, with this instant, the years began to flow again, when all the celestial beings in Vientiane stepped on the cloud road and left Yujing Mountain.

As the charm of the Taoism of the celestial beings of Vientiane is gone, a certain kind of Taoism level is involved, intertwined and resonant is weakened, in this instant, on the huge Yujing Mountain, the mountains and rocks are slightly shocked, and the grass and trees are shaking again and again.

The power of Sumeru, which has no place in one place, collapsed at this moment.

It was a succession of several Dao Dao, and the connection with the Dao of the Vientiane Celestial Beings was too weak at the substantive level, and when the Dharma was held earlier, it was still able to stop, but now with the Celestial Beings gone, these Dao Divine Charm and even the jade sculptures can no longer be maintained.

Even such collapses are not rare, and almost instantly, about three or four percent of Sumeru temples have been broken in the process.

But this also means that there are still six or seven percent of the Sumeru temples, and in such a final selection process, they have completely become Chu Weiyang's heritage.

And the complete integration of part of the puja into Yujing Mountain is also at the level of facts, which means that part of the subtlety of the actual realm of enlightenment will no longer go away with the will of heaven.

That small part of the mysteries will reside in the form and spirit of the Daoist in this way, in the way of integrating into the constancy of Chu Weiyang's Dao Method.

It was not the elaboration of the realm of enlightenment, but Chu Weiyang made some attempts, but it was just that the Taoists had immersed themselves in the Dharma before, and the high Dao methods that had been expounded and successively enlightened were all sorted out at this moment.

Suddenly, this is no longer any thoughts like electricity, this is the burst and brewing of inspiration and thoughts, if the heavenly heart is like thunder, formless and formless, but with the dispersion of thoughts and thoughts, omnipresent.

Even, Chu Weiyang was unprecedented, at this moment, all the high-level ways and wonderful methods that were thought about were actually written and summarized into chapters at the same moment.

This is Chu Weiyang's single-minded multi-purpose that he has never reached, of course, this kind of single-mindedness and multi-purpose will eventually have a limit at the level of Taoist interpretation, which is more like a weakened reflection of "omnipotence" in the realm of enlightenment, but if he constantly stops at his own body, Chu Weiyang has gradually realized the subtlety of it.

And Chu Weiyang can finally be sure that this continuous rotation of exploring the essence of the Dao Method, deducing and scrutinizing the Dao Technique, and even the process of transforming and sublimating the Dao Technique in the future is the process of Chu Weiyang thoroughly mastering the realm of enlightenment and making the supreme mystery stay in his body!

"Wonderful, wonderful—"

(End of chapter)